Daisy Kenyon (1947)

Approved  |   |  Drama, Romance  |  25 December 1947 (USA)
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Ratings: 6.7/10 from 1,357 users  
Reviews: 32 user | 28 critic

Commercial artist Daisy Kenyon is involved with married lawyer Dan O'Mara, and hopes someday to marry him, if he ever divorces his wife Lucille. She meets returning veteran Peter, a decent ... See full summary »



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Complete credited cast:
Lucille O'Mara
Martha Stewart ...
Mary Angelus
Rosamund O'Mara
Connie Marshall ...
Marie O'Mara
Nicholas Joy ...
Art Baker ...
Lucille's Attorney


Commercial artist Daisy Kenyon is involved with married lawyer Dan O'Mara, and hopes someday to marry him, if he ever divorces his wife Lucille. She meets returning veteran Peter, a decent and caring man, whom she does not love, but who offers her love and a more hopeful relationship. She marries him... just as Dan gets a divorce. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Plot Synopsis


Drama | Romance


Approved | See all certifications »




Release Date:

25 December 1947 (USA)  »

Also Known As:

Entre el amor y el pecado  »

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


Otto Preminger told an interviewer in the 1970s that he had no memory of this film. See more »


When Daisy backs out of the garage, the passenger window is down. A few minutes later, she wrecks the car and the window is up (and cracked). See more »


Peter Lapham: The world's dead, and everybody in it's dead but you.
See more »

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User Reviews

Surprisingly Excellent
14 March 2008 | by (United States) – See all my reviews

I've seen about a dozen Preminger films and this is my favorite. I wasn't expecting too much once the movie began because it seemed I had seen this all done before but Preminger's characters (as is usually the case) are much more realistic than typical Hollywood movies of this era. The characterization actually compares favorably to foreign films of the time, like for example Quai des Orfèvres from the same year; this movie could easily have been a French production. I'm not much a fan of Crawford or Fonda but this is probably the best I've seen Fonda; and Crawford was just fine. Dana Andrews is superb - probably his best movie! What made this movie for me was that I could relate to all three main characters - in many ways they are more ideas (or philosophies) than actual people but the odd thing is that the line was so blurred that even though I knew this was the case I still enjoyed them as people. What puts this above the other Premingers I've seen is the very tight script, the fast pacing, and three fully realized characters that came across not only as real but as themes in themselves. Add in a memorable supporting cast and everything just blends together to make a perfect concoction.

15 of 16 people found this review helpful.  Was this review helpful to you?

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