Over-the-hill boxer Bill 'Stoker' Thompson insists he can still win, though his sexy wife Julie pleads with him to quit. But his manager Tiny is so confident he will lose, he takes money ... See full summary »
Homicide Capt. Finlay finds evidence that one or more of a group of demobilized soldiers is involved in the death of Joseph Samuels. In flashbacks, we see the night's events from different viewpoints as Sergeant Keeley investigates on his own, trying to clear his friend Mitchell, to whom circumstantial evidence points. Then the real, ugly motive for the killing begins to dawn on both Finlay and Keeley... Written by
Rod Crawford <email@example.com>
As Keeley and Williams leave Bowers' apartment, crew are reflected in the mirror to the left of the door. See more »
Want some coffee?
I'm her husband. I'm Ginny's husband. I was a soldier. I conked out. You're wondering about this setup, aren't you? Well, ask her. She was a tramp when I married her. I didn't know it at first, but I knew it before we were married. That's one of the reasons I enlisted - to get away from her. I couldn't wait to get out, to get back to her. And when I did, she didn't want me. Funny, isn't it? I still want her, I still love her... You know what I just told you? That's a lie...
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In the Post WWII, Police Captain Finlay (Robert Young) investigates the murder of the Jewish Joseph "Sammy" Samuels (Sam Levene) in his apartment after a beating with his team. Out of the blue, soldier Montgomery "Monty" (Robert Ryan) comes to the apartment and tells that three soldiers Corporal Arthur "Mitch" Mitchell (George Cooper), soldier Floyd Bowers (Steve Brodie) and himself had been in the apartment drinking with Sammy, and Mitch would have been the last one to leave the place. Finlay finds Mitch's wallet on the couch and he becomes the prime suspect.
Finlay visits Sergeant Peter Keeley (Robert Mitchum) and he tells that his friend Mitch is a sensitive artist incapable to kill a man. Keeley decides to investigate the case to protect and clear the name of his friend. When Keeley discuss the evidences with Finlay, the captain concludes that Mitch did not have the motive to kill Sammy, who was a stranger that he met in a bar. Now Captain Finlay has another suspect and he decides to plot a scheme to expose the assassin.
"Crossfire" is a great film-noir, with top-notch director (Edward Dmytryk) and cast with three Roberts - Robert Mitchum, Robert Ryan and Robert Young; excellent story of murder and prejudice; magnificent screenplay that uses flashbacks to disclose and solve the mystery; and very impressive quotes. The theme hatred against Jews is unusual and this is the first time that I see a film-noir with this type of sordid story (and without the femme fatale). My vote is eight.
Title (Brazil): "Rancor" ("Rancor")
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