Because aging boxer Bill Thompson always lost his past fights, his corrupt manager, without telling Thompson, takes bribes from a betting gangster, to ensure Thompson's pre-arranged dive-loss in the next match.
Homicide Capt. Finlay finds evidence that one or more of a group of demobilized soldiers is involved in the death of Joseph Samuels. In flashbacks, we see the night's events from different viewpoints as Sergeant Keeley investigates on his own, trying to clear his friend Mitchell, to whom circumstantial evidence points. Then the real, ugly motive for the killing begins to dawn on both Finlay and Keeley... Written by
Rod Crawford <firstname.lastname@example.org>
The cast recreated their performances in a radio adaptation for the popular Suspense radio series. See more »
22 minutes in. Shadow of camera and dolly visible just to the right of the hotel door as the character played by Richard Benedict enters the hotel. See more »
Want some coffee?
I'm her husband. I'm Ginny's husband. I was a soldier. I conked out. You're wondering about this setup, aren't you? Well, ask her. She was a tramp when I married her. I didn't know it at first, but I knew it before we were married. That's one of the reasons I enlisted - to get away from her. I couldn't wait to get out, to get back to her. And when I did, she didn't want me. Funny, isn't it? I still want her, I still love her... You know what I just told you? That's a lie...
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Definitely a "must see" for all fans of film noir.
Thanks to a fine script and crisp, razor sharp direction, a top cast comes together and works like a well oiled clock to produce a crackerjack psychological thriller. Wonderful characterizations articulate the movie's powerful message about the dangers of racial and religious intolerance.
It's difficult and almost unjust to single out any one, particular performance because there isn't a weak link in the entire company. But Robert Ryan as the hateful and violent white supremacist is truly spine chilling.
Making this film in the 1940s would have taken a lot of courage. Now,all these years later, at a time when contemporary movies are dominated by a ridiculous over abundance of foul language, bare breasts, crummy acting and deafening soundtracks, it's refreshing to get back to the basics of quality film making with a viewing treat like "Crossfire".
Another low budget gem from the Hollywood archives .
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