A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
Over-the-hill boxer Bill 'Stoker' Thompson insists he can still win, though his sexy wife Julie pleads with him to quit. But his manager Tiny is so confident he will lose, he takes money ... See full summary »
Hard, withdrawn city cop Jim Wilson roughs up one too many suspects and is sent upstate to help investigate the murder of a young girl in the winter countryside. There he meets Mary Malden,... See full summary »
Homicide Capt. Finlay finds evidence that one or more of a group of demobilized soldiers is involved in the death of Joseph Samuels. In flashbacks, we see the night's events from different viewpoints as Sergeant Keeley investigates on his own, trying to clear his friend Mitchell, to whom circumstantial evidence points. Then the real, ugly motive for the killing begins to dawn on both Finlay and Keeley... Written by
Rod Crawford <firstname.lastname@example.org>
It has been suggested that one reason the film failed to win any Oscars was due to director Edward Dmytryk and producer Adrian Scott's refusal to testify before the House Un-American Activities Committee (HUAC). Even more, Dmytryk--a Canadian who had become an American citizen only a decade earlier--was one of the notorious anti-HUAC 'Hollywood Ten.' Indeed, subsequent to the HUAC hearings, both Dmytryk and Scott were blacklisted for political reasons and unable to work in Hollywood. See more »
Set after World War II, Finlay tells a long story to Leroy about how his grandfather was murdered 100 years previously in 1848. Finlay would have to be in his 60s or 70s for that to be true and he clearly is not; it must have been his great-grandfather that was murdered. See more »
Edward Dmytryk directed this shadowy movie about a murder investigation involving demobilized military personnel. Robert Young gets to lecture us about hatred, Robert Mitchum walks through most of this picture, and Gloria Grahame revisits the feistiness she exhibited in "It's A Wonderful Life." It's Robert Ryan who gets at the heart of the matter: anti-semiticism. He goes so deep into his role as Monty Montgomery (Imagine parents named Lawrence calling their son Larry!), that the drama sits squarely on his shoulders, and he is more than up to the challenge. Without him, the movie would be commonplace. Ryan has played a number of memorable villains in his day ("Bad Day at Black Rock;" "Billy Budd"), but this performance put him on the map. With Sam Levene as the murder victim.
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