On a lecture/vacation visit to Paris, Dr. Ordway drops in on his friend, the Prefecture of Police. He becomes involved in a case involving the stabbing of an old man. The man's son, not all... See full summary »
On a lecture/vacation visit to Paris, Dr. Ordway drops in on his friend, the Prefecture of Police. He becomes involved in a case involving the stabbing of an old man. The man's son, not all that mentally stable, believes he killed his own father in a rage because his father disliked his new bride, the daughter of a cabaret knife-thrower. Investigating the case, Ordway finds that the business of the legal copying art masterworks may also be involved. Written by
Ron Kerrigan <firstname.lastname@example.org>
Dr. Ordway can't take a vacation from crime in Paris...one of the weaker entries...
This Dr. Ordway story has to be one of the weaker entries in the series. First of all, there's too much exposition going on for the first half-hour, all talk and no action. The plot involves art forgeries, art dealers, a painter who specializes in making copies of original art, and a knife-throwing act--all of which take up a lot of time for WARNER BAXTER to unravel.
Through it all, we get an assortment of authentic French accents from most of the cast, with the exception of STEVEN GERAY who plays the art dealer.
But as in all the Dr. Ordway stories, his scheme to hold an auction is really a trap to catch the killer. Despite all the exposition, the plot is a murky one that seems a bit far-fetched when you stop to think about it.
The only other actor in the cast known to American audiences is EDUARDO CIANNELLI as the knife-thrower who becomes just one of the suspects until he unceremoniously dies in his sleep. This plot device doesn't leave much surprise in the revelation of the actual thief and murderer.
Summing up: The other crime doctor films are much better than this one.
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