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The Corpse Came C.O.D. (1947)

Approved  |   |  Comedy, Mystery  |  2 June 1947 (USA)
6.0
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Ratings: 6.0/10 from 166 users  
Reviews: 8 user | 3 critic

When a dead body turns up in the home of a famous actress, two reporters (who also happen to be in love with one another) compete to get the real scoop.

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(as Dwight Babcock) , , 3 more credits »
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Title: The Corpse Came C.O.D. (1947)

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Cast

Cast overview:
George Brent ...
...
Adele Jergens ...
Mona Harrison
Jim Bannon ...
Det. Lt. Mark Wilson
Leslie Brooks ...
Peggy Holmes
John Berkes ...
Larry Massey, Photographer
Fred F. Sears ...
Det. Dave Short (as Fred Sears)
William Trenk ...
Fields
...
Mitchell Edwards
...
Nora
Marvin Miller ...
Rudy Frasso
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Storyline

When a dead body turns up in the home of a famous actress, two reporters (who also happen to be in love with one another) compete to get the real scoop. Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Mystery

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

2 June 1947 (USA)  »

Also Known As:

A Mortalha de Seda  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Quotes

Rosemary Durant: We're going to put our bonuses together!
See more »

Crazy Credits

The opening credits include hand-drawn illustrations. See more »

Connections

Referenced in Remington Steele: Steele in the Family (1985) See more »

Soundtracks

He's Got a Warm Kiss
Written by Doris Fisher and Allan Roberts
Sung by Judy Stevens
See more »

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User Reviews

 
Good Little Time-Passer
30 January 2013 | by (Claremont,USA) – See all my reviews

Fast-paced little mystery-comedy involving a movie studio. The mystery's a little murky and the developments hard to keep up with. Nonetheless, Blondell and Brent are energetic, while Jergens has never looked lovelier. As rival newspaper reporters, Blondell and Brent have a friendly rivalry that usually involves him locking her in a closet. But being Blondell, you can't keep a good woman down. Veteran director Levin keeps things moving, and has a nice sense of pacing for a sometimes difficult narrative. As a result, events never drag. And I like the running gag with the wimpy guy in the waiting room who just wants to sing. Sure, this is no more than a routine programmer, but the two leads treat the material like an A-production, along with a rather surprising ending that I sure didn't see coming. All in all, it's an entertaining little time passer.


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