After two sailors are conned into buying a lame race-horse, they go ashore to sort out the problem, but when they realize that the horse is one of a pair of identical twins, their plan for revenge becomes more complicated.
Talent agent Lionel Devereaux sells his girlfriend/client Carmen Novarro to New York City's famous Copacabana nightclub as a Latin-American singer/dancer and, pressed for another act, he sells her again, this time with a blonde wig and Moroccan veil, as a French singer...for the same presentation. The wear and tear on Carmen, changing back-and-forth between numbers, leaves to a heated exchange of words between the performer and her fiancé agent. This leads to the disappearance of Carmen's alter ego, which arouses suspicions by the management...and the police. Written by
Les Adams <email@example.com>
Copacabana showcases the unlikely pairing of Groucho Marx and Carmen Miranda in a musical melange concerning Carmen playing two different singers in the famous nightclub. The gags are fast and funny and the songs tuneful. Andy Russell and Gloria Jean are along to add to the music quotient and Steve Cochran is on hand to oversee the nightclub. The Copa gals are gorgeous and are given the opportunity to show off their personalities a bit. Louis Sobel, Earl Wilson and Abel Green, all real-life collumnists from the era make cameo appearances. This is definitely a forties musical with all the trappings. The musical numbers, choreographed by Larry Cebellos, are fun to watch, and look good in the restored black-and-white print. Purists may prefer a Marx Brothers comedy or a Carmen Miranda Technicolor musical from Fox, but this is a delightful way to spend an hour and a half. For me, the seemingly strange combination of Groucho and Carmen works and becomes a unique musical comedy experience.
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