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Carnegie Hall (1947) More at IMDbPro »

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Overview

User Rating:
5.7/10   104 votes
MOVIEmeter: ?
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Director:
Writers:
Karl Kamb (screenplay)
Seena Owen (story)
Contact:
View company contact information for Carnegie Hall on IMDbPro.
Release Date:
28 February 1947 (USA) more
Genre:
Plot:
A mother (Marsha Hunt) wants her son (William Prince) to grow up to be a pianist good enough to play at Carnegie Hall but... more | add synopsis
User Comments:
Loved the Music, Hated the Movie more (9 total)

Cast

  (Cast overview, first billed only)
Marsha Hunt ... Nora Ryan
William Prince ... Tony Salerno Jr.
Frank McHugh ... John Donovan
Martha O'Driscoll ... Ruth Haines
Hans Jaray ... Tony Salerno Sr. (as Hans Yaray)
Olin Downes ... Himself
Joseph Buloff ... Anton Tribik
Walter Damrosch ... Himself
Bruno Walter ... Himself
Lily Pons ... Herself
Gregor Piatigorsky ... Himself
Risë Stevens ... Herself
Artur Rodzinski ... Himself
Artur Rubinstein ... Himself
Jan Peerce ... Himself
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Additional Details

Runtime:
144 min
Country:
Language:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Sound System)
Certification:
Finland:S | USA:Approved (PCA #12197, General Audience)

Fun Stuff

Trivia:
Film debut of Bert Freed. more
Goofs:
Continuity: Johns arrives on stage for rehearsal and is introduced to Ruth who is standing opposite of him with the piano in between. Close up of Ruth's face shows her looking to her left as she speaks to John who is center to her. more
Movie Connections:
Featured in The Maestros of Philadelphia (1993) (TV) more
Soundtrack:
Mon coeur s'ouvre à ta voix more

FAQ

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Loved the Music, Hated the Movie, 6 June 2009
1/10
Author: tarmcgator from United States

WARNING: Do NOT show this film to anyone in whom you're trying to stimulate an interest in classical music. That's what audio recordings are for.

CARNEGIE HALL is an interesting relic that allows us a few glimpses of some great musicians in action, performing their signature works. If you already enjoy the music and want to see what Heifetz, Rubinstein, Piatigorsky, Peerce, Pinza, Stevens et al. looked like in their heyday (as well as some lesser-known but significant talents such as John Corigliano, Leonard Rose and Nadia Reisenberg), you can probably bear to sit through this film.

But Lord!, the non-musical scenes (and even the mediocre "57th Street Rhapsody" that closes the film) are just dreadful. Marsha Hunt was an able journeywoman actress and does as credible a job as can be expected, but she has little to work with in the way of story and dialog. The other actors (as opposed to musicians playing themselves or other musicians) range from adequate to awful. All the clichés about artistic temperaments and a child straying from the career path chosen by the parent are on display, and they were stale long before CARNEGIE HALL was made. The efforts to "humanize" Heifetz, Reiner and Rubinstein also are trite (not that they shouldn't be portrayed as actual human beings, as opposed to Hollywood stereotypes of classical demigods. Heifetz was more fun a few years earlier in THEY SHALL HAVE MUSIC.) Other than the documentary aspect of CARNEGIE HALL's musical segments, I can see no reason to see this film more than once. And unless you really care about classical music and the people who make it, even a single viewing is excessive.

Idle question: Can anyone explain why -- in the scene in which the kindly Nora arranges for the young performer "Mary" to use the hall for her debut -- that Mary is shot from the rear, and we never see her face? Rather strange.

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