A mother (Marsha Hunt) wants her son (William Prince) to grow up to be a pianist good enough to play at Carnegie Hall but, when grown, the son prefers to play with Vaughan Monroe's ... See full summary »
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A cowboy tries to protect a young woman whose father was murdered because he had railroad maps that showed the location of a proposed new line. Now the killers are after her because they think she has the maps.
Edgar G. Ulmer
Guinn 'Big Boy' Williams,
A young American painter and his French wife move with their small daughter to the US when the husband's father dies. His mother takes an instant dislike to the wife, and when she finds out... See full summary »
Edgar G. Ulmer
After making his historic crossing of the Alps with elephants transporting supplies and troops, Hannibal marches on Rome in a war of revenge. During his advance, he captures Sylvia, the ... See full summary »
Carlo Ludovico Bragaglia,
Edgar G. Ulmer
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A mother (Marsha Hunt) wants her son (William Prince) to grow up to be a pianist good enough to play at Carnegie Hall but, when grown, the son prefers to play with Vaughan Monroe's orchestra. But Mama's wishes prevail and the son appears at Carnegie Hall as the composer-conductor-pianist of a modern horn concerto, with Harry James as the soloist. Frank McHugh is along as a Carnegie Hall porter and doorman, and Martha O'Driscoll is a singer who provides the love interest for Prince. Meanwhile and between while a brigade of classical music names from the 1940's (and earlier and later)appear; the conductors Walter Damrosch, Bruno Walter, Artur Rodzinski, Fritz Reiner and Leopold Stokowski; singers Rise Stevens, Lily Pons, Jan Peerce and Ezio Pinza, plus pianist Arthur Rubinstein, cellist Gregor Piatigorsky and violinist Jascha Heifetz. Written by
Les Adams <firstname.lastname@example.org>
Mom is actually three years younger than her son. See more »
Johns arrives on stage for rehearsal and is introduced to Ruth who is standing opposite of him with the piano in between. Close up of Ruth's face shows her looking to her left as she speaks to John who is center to her. See more »
Although the music segments are second to none (Rubenstein, Heifetz, Pinza, Lily Pons, Rise Stevens, and representing the more 'modern' era Harry James and the great Vaughn Monroe) the story, what little there is, is really dreadful. Nora is a selfish and pathetic person in whom we have little or no interest, her piano-playing son has the personality of a goldfish, and the film is the clunkier for them both. Tip - if you see this on video fast-forward to the musical bits. They are well worth it and amazingly, all still look great after 53 years!
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