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Carnegie Hall (1947)

 -  Music | Drama  -  28 February 1947 (USA)
6.3
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Ratings: 6.3/10 from 173 users  
Reviews: 15 user | 4 critic

A mother (Marsha Hunt) wants her son (William Prince) to grow up to be a pianist good enough to play at Carnegie Hall but, when grown, the son prefers to play with Vaughan Monroe's ... See full summary »

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Title: Carnegie Hall (1947)

Carnegie Hall (1947) on IMDb 6.3/10

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Cast

Cast overview, first billed only:
...
...
Tony Salerno Jr.
Frank McHugh ...
Martha O'Driscoll ...
Ruth Haines
Hans Jaray ...
Tony Salerno Sr. (as Hans Yaray)
Olin Downes ...
Olin Downes
Joseph Buloff ...
Anton Tribik
Walter Damrosch ...
Walkter Damrosch
Bruno Walter ...
Bruno Walter
Lily Pons ...
Lily Pons
Gregor Piatigorsky ...
Gregor Paitigorsky
Risë Stevens ...
Risë Stevens
Artur Rodzinski ...
Artur Rodzinski
Artur Rubinstein ...
Jan Peerce ...
Jan Peerce
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Storyline

A mother (Marsha Hunt) wants her son (William Prince) to grow up to be a pianist good enough to play at Carnegie Hall but, when grown, the son prefers to play with Vaughan Monroe's orchestra. But Mama's wishes prevail and the son appears at Carnegie Hall as the composer-conductor-pianist of a modern horn concerto, with Harry James as the soloist. Frank McHugh is along as a Carnegie Hall porter and doorman, and Martha O'Driscoll is a singer who provides the love interest for Prince. Meanwhile and between while a brigade of classical music names from the 1940's (and earlier and later)appear; the conductors Walter Damrosch, Bruno Walter, Artur Rodzinski, Fritz Reiner and Leopold Stokowski; singers Rise Stevens, Lily Pons, Jan Peerce and Ezio Pinza, plus pianist Arthur Rubinstein, cellist Gregor Piatigorsky and violinist Jascha Heifetz. Written by Les Adams <longhorn1939@suddenlink.net>

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Genres:

Music | Drama

Certificate:

Approved | See all certifications »
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Release Date:

28 February 1947 (USA)  »

Also Known As:

Carnegie Hall  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Mom is actually three years younger than her son. See more »

Goofs

Johns arrives on stage for rehearsal and is introduced to Ruth who is standing opposite of him with the piano in between. Close up of Ruth's face shows her looking to her left as she speaks to John who is center to her. See more »

Connections

Featured in Moments in Music (1950) See more »

Soundtracks

Symphony no 5, Second movement
Music by Pyotr Ilyich Tchaikovsky
Performed by Leopold Stokowski (conductor) and the New York Philharmonic
See more »

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User Reviews

 
The music is brilliant--the story is a test of endurance...
28 April 2009 | by (U.S.A.) – See all my reviews

If you love classical music, CARNEGIE HALL will give you an earful. Some of the great performers of the time are seen in concert, such as Leopold Stokowski conducting Tchaikovsky's "Symphony in E Minor," Artur Rubenstein doing Chopin's "Polonaise" and "The Ritual Fire Dance" at the piano keyboard, Jascha Heifetz and his nimble fingers on the violin for Tchaikovsky's "Concerto for Violin," all performed brilliantly and making for a memorable soundtrack.

But the story is a mawkish affair--MARSHA HUNT wanting her son to be a concert pianist who will some day play at Carnegie Hall, while he has other plans that include the world of modern music. When he joins the Vaughan Monroe band, mother and son sever their relationship and the rest of the tale treads the predictable movie line of many a backstage musical with no inspiration from the screenwriter.

It doesn't help that Hunt's age make-up is as artificial as the thin plot that is supposed to hold all of this music together. WILLIAM PRINCE as her son makes almost no impression and MARTHA O'DRISCOLL is merely eye candy as the girlfriend who becomes his wife.

If only the producers had a script worthy of all this music. RISE STEVENS does a nice job on an aria from "Carmen" and LILY PONS gets to do her famous "Bell Song," but neither of these acts are staged as more than "get up to the mike and sing." EZIO PINZA and JAN PEERCE are a bit luckier in the staging of their arias.

Music lovers will certainly appreciate all the musical bits, some of which go on for quite a lengthy time while what little plot there is comes to a complete standstill.

A feast for the ears, but not much can be said about the film itself which is more like a test of endurance over two hours and sixteen minutes of running time.

Trivia note: All of the performing scenes were actually filmed at the newly refurbished Carnegie Hall.


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