An adventuresome young man goes off to find himself and loses his socialite fiancée in the process. But when he returns 10 years later, she will stop at nothing to get him back, even though she is already married.
The ambitious Stanton "Stan" Carlisle works in a sideshow as carny and assistant of the mentalist Zeena Krumbein, who is married with the alcoholic Pete. The couple had developed a secret ... See full summary »
The adventurous Lady Edwina Esketh travels to the princely state of Ranchipur in India with her husband, Lord Albert Esketh, who is there to purchase some of the Maharajah's horses. She's ... See full summary »
A Maine lobster fisherman, trained as an architect, prefers to be a fisherman over the objections of his fiancée. The latter, a welfare worker for the state, finds a home for a 12-year-old ... See full summary »
Spain, 1518: young caballero Pedro De Vargas offends his sadistic neighbor De Silva, who just happens to be an officer of the Inquisition. Forced to flee, Pedro, friend Juan Garcia, and adoring servant girl Catana join Cortez' first expedition to Mexico. Arriving in the rich new land, Cortez decides to switch from exploration to conquest...with only 500 men. Embroiled in continuous adventures and a romantic interlude, Pedro almost forgets he has a deadly enemy... Written by
Rod Crawford <email@example.com>
Jean Peters had never acted before this film. She replaced Linda Darnell, who was originally cast in the lead but shortly before production began was taken off the picture and given the lead in Forever Amber (1947), replacing inexperienced lead actress Peggy Cummins. Peters was given the lead in this picture based on a screen test she had taken at Fox just a week before filming began that had impressed the film's producers. See more »
I think of what you do for me in Spain. I think I speak to you now. Maybe I understand better why you come here. This is my country, senor. These are my people, my gods. We not come tell you to stop loving your gods. We not come to make you slaves. Why do you do this, senor?
Pedro De Vargas:
Well, I'm afraid I haven't any answer for that. It isn't right for men to worship idols. There's only one true God.
Maybe your God and my God same God. Maybe we just call him by different names.
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It's a shame that 20th Century Fox has yet to have released DVD editions of many of the films of the studio's biggest star, Tyrone Power. Almost impossibly handsome, enormously popular, and with excellent acting credentials, Power nearly singlehandedly kept the studio solvent in the traumatic transition years following WWII, with costume epics like "Captain from Castile" showcasing his strengths.
"Castile" echoes Power's earlier films, "The Mark of Zorro" and "Son of Fury", as again he plays a gallant standing against an arrogant aristocratic class, but this time he runs afoul of the Inquisition, and must flee Spain to re-establish his wealth and reputation, accompanied by loyal friend Lee J. Cobb, and a servant girl who secretly adores him (Jean Peters, in one of her best performances). Recruited into the service of the charismatic Hernando Cortez (Cesar Romero, who nearly steals the film), it's off to Aztlan (Mexico, today) with a small army to face the overwhelming but naive Aztec civilization.
While the film frequently drifts into melodrama, shooting on location in Mexico (with the permission and support of the Mexican government), in glorious Technicolor, gives even the most mundane moments a sense of spectacle, and the cast is in top form. Worth singling out is a terrific supporting performance by Thomas Gomez, as a soldier/priest who dispenses common sense as well as religion, and helps Power realize that the woman he truly loves is not on a balcony, in Spain, but beside him, as they march towards their destiny.
Two aspects of the film deserve special recognition; Alfred Newman's score, featuring the vaulting 'Conquest' march, is one of the finest of his long career, and is even more popular today than when the film was released; and Arthur E. Arling and Charles G. Clarke's cinematography is truly magnificent, particularly in the breathtaking finale, as Cortez' forces proudly march across a broad plain, with active volcanoes in the background. Never has going 'on location' been more justified, as the image is unforgettable! If any 'Powers that Be' are reading this review, PLEASE offer this film on DVD, soon! And while you're at it, consider Power's other great films of the 40s and 50s; he deserves to be 'rediscovered' by audiences, today...
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