A police lt. is ordered to stop investigating deadly crime boss Mr. Brown, because he hasn't been able to get any hard evidence against him. He then goes after Brown's girlfriend who despises him, for information instead.
Pinkie Brown is a small-town hoodlum whose gang runs a protection racket based at Brighton race course. When Pinkie orders the murder of a rival, Fred, the police believe it to be suicide. ... See full summary »
At overcrowded Westgate Penitentiary, where violence and fear are the norm and the warden has less power than guards and leading prisoners, the least contented prisoner is tough, single-minded Joe Collins. Most of all, Joe hates chief guard Captain Munsey, a petty dictator who glories in absolute power. After one infraction too many, Joe and his cell-mates are put on the dreaded drain pipe detail; prompting an escape scheme that has every chance of turning into a bloodbath. Written by
Rod Crawford <firstname.lastname@example.org>
When the Group Theater (1931-1940), the first American acting company to attempt to put the Russian Stanislavski's principles into action, disbanded many of the actors who had participated in its revolutionary realistic productions on Broadway ("Awake and Sing" "Waiting for Lefty") made their way to Hollywood in search of work;, Roman Bohnen ("Warden"), and Art Smith ("Dr. Walters") - all of whom can be seen in this film. As many of the actors in The Group were members of the Communist Party or leftist organizations, they would soon be blacklisted during the HUAC period along with the director of this film, Jules Dassin. In 1946, a year before the release of this film, Elia Kazan, one of the members of The Group Theater who named names, happened to be in Hollywood and saw a production of one of Tennessee Williams's early plays "Portrait of a Madonna" directed by Hume Cronyn - who plays the sadistic Capt. Munsey in this film. Kazan was so impressed by the work of Cronyn's wife, Jessica Tandy, that he offered her the role of Blanche Dubois in his Broadway production of "Streetcar Named Desire." See more »
During the fight in the guard tower between Munsey and Collins, guard Tom seems to have been killed, but the stunt actor Tom Steele who plays him is very clearly doubling Hume Cronyn. See more »
[Scene in Dr. Walters office: Dr. Walters is getting ready to go to an important meeting at the Warden's office]
Sounds like a very important meeting you're going to this morning, Doc.
[Pours Dr. Walters a small serving of liquor]
Is, uh, Captain Munsey gonna' be there?
[Nods his head affirmatively]
[Nods his head knowingly]
[Accordingly, he proceeds to pour Dr. Walters a much bigger shot of liquor, then sings some musical verse, Calypso-style]
Brandy's the very best drink in the ...
[...] See more »
Burt Lancaster and cellmates plot a daring breakout. Okay, sounds like a thousand other prison movies, but what makes this the top of the prison genre are the elements. Watching the characters in this gem is like staring down a cobra- they're so fascinating. There are the unique cellmates: meak accountant Whit Bissell driven over the edge, a learned, elder prisoner (Charles Bickford) the tough Burt Lancaster, etc. etc. Most memorable is Hume Cronyn (his greatest film performance) as the soft spoken, neat-nick psychotic Captain Munsey, a prison official who takes so much delight in beating prisoners, he plays his favorite music and strips to his t-shirt during beatings! Grand screenwriting by future director Richard Brooks. Cellmates have only one wall decoration, a picture of a glamour girl. She reminds each cellmate of a different woman who caused them to do time. The dialog crackles loudly: (Sample- Bickford to Lancaster about a cellmate plotting a break: "He said next Tuesday is the day of the break. He's been saying that about every Tuesday for the last twelve years. Twelve years from now, he'll be saying the same thing....") Hey Universal, put this wonderful classic on VHS!
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