Amid a semi-documentary portrait of New York and its people, Jean Dexter, an attractive blonde model, is murdered in her apartment. Homicide detectives Dan Muldoon and Jimmy Halloran ... See full summary »
Greece, in the 1920's, is occupied by the Turks. The country is in turmoil with entire villages uprooted. The site of the movie is a Greek village that conducts a passion play each year. ... See full summary »
Academy Award-winner* Mary Astor (The Maltese Falcon) stars as a widow whose grown children try to break up her romance with a college professor in this charming, offbeat comedy directed by... See full summary »
At overcrowded Westgate Penitentiary, where violence and fear are the norm and the warden has less power than guards and leading prisoners, the least contented prisoner is tough, single-minded Joe Collins. Most of all, Joe hates chief guard Captain Munsey, a petty dictator who glories in absolute power. After one infraction too many, Joe and his cell-mates are put on the dreaded drain pipe detail; prompting an escape scheme that has every chance of turning into a bloodbath. Written by
Rod Crawford <firstname.lastname@example.org>
Early in the film inmate Calypso accepts the doctor's breakfast at the door and then sets it down on the doctor's desk to eat. The doctor takes a shot glass of booze, puts his jacket on and leaves for a meeting saying nothing about the breakfast waiting for him. See more »
When discussing the hill attack during the war, the positions of the convicts change between the shots from outside the cell to the ones inside. See more »
I've read recent reviews of this film that condemn it for being "outdated" or not "relevant". Um, hello? This movie is is fifty-seven years old! As such, we are treated to typical 1940s Hollywood stereotypes and acting methods, not to mention references to the recently completed war. Yet, even within the pitfalls of the studio system, this film shines as a great example of film noir.
Director Jules Dassin is brilliant with light, and sets the example for the French "new wave" of cinema. Lighting Burt Lancaster from the side, or from underneath, makes him and the other actors look almost surreal.
Most of the dialogue is "clipped" and preposterous, but films from this era often suffer from this same problem. Yet "Brute Force" retains its original power simply by virtue of the dynamite performances, the stirring score, and the gritty techniques of Dassin.
I had to smile during the scene where Hume Cronyn's character turns up the Wagner on his hi-fi so the guards outside his door won't hear the inmate he's about to beat scream. This was mimicked during David Lynch's ground-breaking TV series "Twin Peaks" when a character turned up his radio before he beat his wife. Of course beating people isn't funny, but seeing obvious references in cinema is always a kick.
I highly recommend "Brute Force" to anyone who appreciates the art of film, great directing, and fine performances.
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