Amid a semi-documentary portrait of New York and its people, Jean Dexter, an attractive blonde model, is murdered in her apartment. Homicide detectives Dan Muldoon and Jimmy Halloran ... See full summary »
Greece, in the 1920's, is occupied by the Turks. The country is in turmoil with entire villages uprooted. The site of the movie is a Greek village that conducts a passion play each year. ... See full summary »
Academy Award-winner* Mary Astor (The Maltese Falcon) stars as a widow whose grown children try to break up her romance with a college professor in this charming, offbeat comedy directed by... See full summary »
Melina Mercouri plays an actress who is attempting a comeback with a staging of the Greek tragedy "Medea" (about a woman who kills her children) in her native Greece. As a publicity stunt, ... See full summary »
At overcrowded Westgate Penitentiary, where violence and fear are the norm and the warden has less power than guards and leading prisoners, the least contented prisoner is tough, single-minded Joe Collins. Most of all, Joe hates chief guard Captain Munsey, a petty dictator who glories in absolute power. After one infraction too many, Joe and his cell-mates are put on the dreaded drain pipe detail; prompting an escape scheme that has every chance of turning into a bloodbath. Written by
Rod Crawford <firstname.lastname@example.org>
The second of three films that Burt Lancaster made for Mark Hellinger, the writer-producer who discovered the former acrobat and turned him into a movie star. The first of these was _The Killers_ and the three-picture contract was completed with Criss Cross (1949), a film Hellinger never lived to see as he died before production began. His widow insisted that Lancaster honor the contract he had with her husband. See more »
When Munsey talks to Gallagher in the dining hall, the position of the hands of Jackson (the guard standing behind) change between shots. In the longer shot he is holding the baton with his hands on top of the baton; in the closer shot, his right hand is still on top and his left hand holds the baton from underneath. See more »
Warden A.J. Barnes:
[In the Warden's office: things at the prison have gotten progressively worse]
What's the answer to it? Are we going to have to keep every prisoner in ritual solitary? Other prisons must have the same problems, but they clear them up, keep things running smoothly.
We've been through difficult times before, Warden.
Warden A.J. Barnes:
Oh, never like this. And McCollum is coming tomorrow. Why? Why can't he let me alone? Everything's gone wrong. I don't know who's to blame, but... I do know that every prisoner hates ...
[...] See more »
Without a shadow of a doubt, Brute Force is a classic movie that still stands today, as a powerful piece of film-making. Everything about this movie is top notch - the acting, the direction, the cinematography, the pacing are all essential ingredients in this superb film. Although there's not a weak link in the entire film, special mention must go to Burt Lancaster, Art Smith, John Hoyt, Charles Bickford, Sam Levene, and Hume Cronyn as the evil & sadistic Munsey. The deft touch of Jules Dassin is there for all to see, and the film builds to a tremendous climax. In 1947 this must have been an extremely powerful and hard-hitting film, and it remains so to this day. For anyone who appreciates movie-making at its best, this is hard to beat.
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