Amid a semi-documentary portrait of New York and its people, Jean Dexter, an attractive blonde model, is murdered in her apartment. Homicide detectives Dan Muldoon and Jimmy Halloran ... See full summary »
Greece, in the 1920's, is occupied by the Turks. The country is in turmoil with entire villages uprooted. The site of the movie is a Greek village that conducts a passion play each year. ... See full summary »
Melina Mercouri plays an actress who is attempting a comeback with a staging of the Greek tragedy "Medea" (about a woman who kills her children) in her native Greece. As a publicity stunt, ... See full summary »
Academy Award-winner* Mary Astor (The Maltese Falcon) stars as a widow whose grown children try to break up her romance with a college professor in this charming, offbeat comedy directed by... See full summary »
At overcrowded Westgate Penitentiary, where violence and fear are the norm and the warden has less power than guards and leading prisoners, the least contented prisoner is tough, single-minded Joe Collins. Most of all, Joe hates chief guard Captain Munsey, a petty dictator who glories in absolute power. After one infraction too many, Joe and his cell-mates are put on the dreaded drain pipe detail; prompting an escape scheme that has every chance of turning into a bloodbath. Written by
Rod Crawford <email@example.com>
When Munsey is beating the reporter for information on the escape, he plays the overture to Richard Wagner's "Tannheuser"--perhaps a reference to Adolf Hitler's love of Wagner's music. See more »
During a scene in the cell, Jeff Corey's character is washing his hair. His hair alternates between lathered and not lathered. See more »
Warden A.J. Barnes:
[At the meeting in the Warden's office]
But it's not as easy as all that, Mr. McCollum. This prison... this prison has almost twice as many men as it was built to accomodate. There's not enough work to keep the inmates occupied.
Warden A.J. Barnes:
The world we live in. Yes, we can give them real work. Teach them trades. Produce things. But the civilian manufacturer says we're competing with him. Trade unions say we're putting their people out of work. Nobody wants to help. Not us.
[...] See more »
Without a shadow of a doubt, Brute Force is a classic movie that still stands today, as a powerful piece of film-making. Everything about this movie is top notch - the acting, the direction, the cinematography, the pacing are all essential ingredients in this superb film. Although there's not a weak link in the entire film, special mention must go to Burt Lancaster, Art Smith, John Hoyt, Charles Bickford, Sam Levene, and Hume Cronyn as the evil & sadistic Munsey. The deft touch of Jules Dassin is there for all to see, and the film builds to a tremendous climax. In 1947 this must have been an extremely powerful and hard-hitting film, and it remains so to this day. For anyone who appreciates movie-making at its best, this is hard to beat.
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