Amid a semi-documentary portrait of New York and its people, Jean Dexter, an attractive blonde model, is murdered in her apartment. Homicide detectives Dan Muldoon and Jimmy Halloran ... See full summary »
Greece, in the 1920's, is occupied by the Turks. The country is in turmoil with entire villages uprooted. The site of the movie is a Greek village that conducts a passion play each year. ... See full summary »
Academy Award-winner* Mary Astor (The Maltese Falcon) stars as a widow whose grown children try to break up her romance with a college professor in this charming, offbeat comedy directed by... See full summary »
Melina Mercouri plays an actress who is attempting a comeback with a staging of the Greek tragedy "Medea" (about a woman who kills her children) in her native Greece. As a publicity stunt, ... See full summary »
At overcrowded Westgate Penitentiary, where violence and fear are the norm and the warden has less power than guards and leading prisoners, the least contented prisoner is tough, single-minded Joe Collins. Most of all, Joe hates chief guard Captain Munsey, a petty dictator who glories in absolute power. After one infraction too many, Joe and his cell-mates are put on the dreaded drain pipe detail; prompting an escape scheme that has every chance of turning into a bloodbath. Written by
Rod Crawford <firstname.lastname@example.org>
The second of three films that Burt Lancaster made for Mark Hellinger, the writer-producer who discovered the former acrobat and turned him into a movie star. The first of these was _The Killers_ and the three-picture contract was completed with Criss Cross (1949), a film Hellinger never lived to see as he died before production began. His widow insisted that Lancaster honor the contract he had with her husband. See more »
When discussing the hill attack during the war, the positions of the convicts change between the shots from outside the cell to the ones inside. See more »
[Guards are taking roll call at the prison cells, calling each inmate's name. When he's called, Calypso, instead of a simple "here," answers with a musical verse, sung Calypso-style]
"I'm here Mr. Man, I can't tell no lie. And I'll be right here till the day I die."
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Prison movies (and prison TV shows) are a genre unto themselves, and there are many genre requirements:
a good shiving
a good shanking
a machine-shop revenge-shiv-shanking (usu. w/ blow-torches)
lingering close-ups of cement
tastefully-filmed male rape (after 1970)
the insistent stage-whisper, "It's gotta be tonight!"
Well, Jules Dasin's Brute Force has almost all of the above. Burt Lancaster stars as Joe Collins, a hardened con in a cruel penal system who lives for only one hope: escape. Burt's nemesis is Captain Munsey, a sadistic guard played by Mr. Jessica Tandy himself, Hume Cronyn. Now, the very notion that Hume Cronyn could ever pose a physical challenge to Burt Lancaster is silly, so director Dasin wisely keeps them apart for most of the movie, until the extremely violent conclusion.
Lancaster shares a cramped cell with five other convicts, including Charles Bickford and Howard Duff (in his film debut). Their cell is adorned with a calendar featuring a picture of a girl so non-descript that each of the boys can see their own long-lost loves in her face, and we are treated to flashbacks showing how each of these losers got where he is today. Duff's flashback is the best while a soldier in Italy, he took the rap for a murder committed by his beautiful war-bride, Yvonne De Carlo. Howard Duff with an army-issue machine gun is but one example of how this movie goes above and beyond the usual prison fare.
The preachy scenes involving the prison's resident conscienceI mean doctorare worth fast-forwarding through (unfortunately those scenes are also genre requirements), and Burt tends to lapse into that sensitive Frankenstein acting that he does so well, but man, what a climax to this movie. It's this life's only opportunity to see a clench-teethed Hume Cronyn firing a gattling gun into an unarmed crowd.
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