Charley Davis wins an amateur boxing match and is taken on by promoter Quinn. Charley's mother doesn't want him to fight, but when Charley's father is accidentally killed, Charley sets up a... See full summary »
Over-the-hill boxer Bill 'Stoker' Thompson insists he can still win, though his sexy wife Julie pleads with him to quit. But his manager Tiny is so confident he will lose, he takes money ... See full summary »
A minister is malevolent and sinister behind his righteous facade. He consorts with, and later extorts from, the owner of a gambling house, and betrays an honest girl, eventually driving ... See full summary »
Anthony John is an actor whose life is strongly influenced by the characters he plays. When he's playing comedy, he's the most enjoyable person in the world, but when he's playing drama, ... See full summary »
Charlie Davis, an ambitious small-town boxer with dreams of making it as a professional, travels to Reno with his unwavering friend Tiny. On his climb to the top, he loses himself and the ... See full summary »
Sam Henry Kass
Ray 'Boom Boom' Mancini,
Dave Burke is looking to hire two men to assist him in a bank raid: Earle Slater, a white ex-convict, and Johnny Ingram, a black gambler. Both are reluctant; but Burke arranges for Ingram's... See full summary »
Charley Davis wins an amateur boxing match and is taken on by promoter Quinn. Charley's mother doesn't want him to fight, but when Charley's father is accidentally killed, Charley sets up a fight for money. His career blooms as he wins fight after fight, but soon an unethical promoter named Roberts begins to show an interest in Charley, and Charley finds himself faced with increasingly difficult choices. Written by
Jim Beaver <email@example.com>
Great flick. I loved it for two reasons: simplicity and realism - about life and about professional sports. Its a clearly drawn sketch of a guy like Charley. Garfield is at his best. He is totally credible. Everything is clear: Peg is all good - all giving. Alice the vamp is one hundred percent evil. So is the promoter, Roberts. A subtle contrast versus these black and whites is Garfield's character because he is flawed. He changes moral coloring as the plot progressives. They stay the same. We know the good guys and girls right away. No moral obscurity here. Clearly an old-fashioned movie - this is the way they used to be. No car chases, no mega-explosions, and no moral relativity either. And there's a plot, too. We need more of these.
8 of 10 people found this review helpful.
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