7.8/10
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47 user 28 critic

Body and Soul (1947)

Approved | | Drama, Film-Noir, Sport | 22 August 1947 (USA)
Charley Davis wins an amateur boxing match and is taken on by promoter Quinn. Charley's mother doesn't want him to fight, but when Charley's father is accidentally killed, Charley sets up a... See full summary »

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(original screenplay)
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Won 1 Oscar. Another 3 nominations. See more awards »
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Cast

Complete credited cast:
...
...
...
...
...
...
Lloyd Gough ...
Roberts (as Lloyd Goff)
Canada Lee ...
Ben Chaplin
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Storyline

Charley Davis wins an amateur boxing match and is taken on by promoter Quinn. Charley's mother doesn't want him to fight, but when Charley's father is accidentally killed, Charley sets up a fight for money. His career blooms as he wins fight after fight, but soon an unethical promoter named Roberts begins to show an interest in Charley, and Charley finds himself faced with increasingly difficult choices. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Taglines:

The story of a guy that women go for! See more »

Genres:

Drama | Film-Noir | Sport

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

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Release Date:

22 August 1947 (USA)  »

Also Known As:

An Affair of the Heart  »

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Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

An extremely large number of the cast and crew on the film - writer Abraham Polonsky, actors John Garfield, Anne Revere, Lloyd Gough, Canada Lee, Art Smith, Shimen Ruskin, producer Bob Roberts and even, albeit to a lesser extent, cinematographer James Wong Howe - found themselves either blacklisted or greylisted during the HUAC witch hunts of the 1950s, while director Robert Rossen only avoided that fate by naming names. See more »

Goofs

In the first dressing room scene, there's a close-up of Quinn leaning against the wall. In the very next shot, he's standing a few feet in front of the wall, then backs up and leans against it again. See more »

Quotes

Charlie Davis: Get out of here! Get out of here!
Miss Tedder: We have to ask questions if we're going to help.
Charlie Davis: We don't want any help. Tell them we're dead. We don't want any help!
[slams the door]
See more »

Connections

Referenced in The Odd Couple: I Do, I Don't (1970) See more »

Soundtracks

Body and Soul
Music by Johnny Green
Lyrics by Edward Heyman, Robert Sour and Frank Eyton
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User Reviews

 
More A Human Interest Story Than A Boxing Tale
9 October 2005 | by (United States) – See all my reviews

I looked at this as simply a good story, a solid drama that happened to have the sport of boxing figure into it. "Boxing movies." if people insist on labeling this under that category, were particularly popular around the time of this film. Many of them had similar stories about a good guy being told to take a dive or else. Yes, that was in here, too, but it wasn't anywhere near the central part of the story. This film was more of an earlier "Raging Bull"-type tale in that it concentrated on the friends, family, freeloaders, criminals and women surrounding the main male character.

This was more of a story about a decent man who gets carried away with success and with the power and money that goes with it. As good as the lead actor, John Garfield, was in here - and he was good - I was more intrigued with the supporting characters.

Lilly Palmer looked and sounded the part of a refined sweet, pretty French girl (whatever that means) and was a good contrast to the uneducated and quick tempered brute (Garfield). As in so many stories, she wasn't fully appreciated by her man until the end. Anne Revere, as Garfield's mom (she seemed to always play the lead character's mother in 1940s films) was fascinating as she always was and kudos to Joseph Peveny as "Shorty" and Lloyd Gough a "Roberts." Both added a lot to the film. Wlliam Conrad and Hazel Brooks added some great film noir-- type dialog, berating each other once in a while.

These actors, and the photography of James Wong Howe, make this a cut above most if not all the so-called "boxing films."


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