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Barbara Bel Geddes,
Charley Davis wins an amateur boxing match and is taken on by promoter Quinn. Charley's mother doesn't want him to fight, but when Charley's father is accidentally killed, Charley sets up a fight for money. His career blooms as he wins fight after fight, but soon an unethical promoter named Roberts begins to show an interest in Charley, and Charley finds himself faced with increasingly difficult choices. Written by
Jim Beaver <email@example.com>
To get a more fluid camera movement in the boxing ring, cinematographer James Wong Howe filmed the fight while holding the camera and being pushed by an assistant as he wore roller skates. See more »
Charley Davis's fiancee, Peg, leaves him a note and misspells his name, "Charlie." See more »
I did it to buy myself fancy clothes? Fool! It's for you! To learn, to get an education, to make something of yourself!
[yelling to Shorty]
Shorty! Shorty, get me that fight from Quinn. I want money. Do you understand? Money, money!
I forbid, I forbid. Better buy a gun and shoot yourself.
You need MONEY to buy a gun!
See more »
Great flick. I loved it for two reasons: simplicity and realism - about life and about professional sports. Its a clearly drawn sketch of a guy like Charley. Garfield is at his best. He is totally credible. Everything is clear: Peg is all good - all giving. Alice the vamp is one hundred percent evil. So is the promoter, Roberts. A subtle contrast versus these black and whites is Garfield's character because he is flawed. He changes moral coloring as the plot progressives. They stay the same. We know the good guys and girls right away. No moral obscurity here. Clearly an old-fashioned movie - this is the way they used to be. No car chases, no mega-explosions, and no moral relativity either. And there's a plot, too. We need more of these.
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