Charley Davis wins an amateur boxing match and is taken on by promoter Quinn. Charley's mother doesn't want him to fight, but when Charley's father is accidentally killed, Charley sets up a... See full summary »
Charley Davis wins an amateur boxing match and is taken on by promoter Quinn. Charley's mother doesn't want him to fight, but when Charley's father is accidentally killed, Charley sets up a fight for money. His career blooms as he wins fight after fight, but soon an unethical promoter named Roberts begins to show an interest in Charley, and Charley finds himself faced with increasingly difficult choices. Written by
Jim Beaver <firstname.lastname@example.org>
A remarkable eight members of the cast and crew went on to become directors: actors William Conrad and Joseph Pevney, writer Abraham Polonsky, cinematographer James Wong Howe, editor Robert Parrish, art director Nathan Juran, assistant director Robert Aldrich and script supervisor Don Weis. Additionally, set decorator Edward Boyle directed a film in the silent era. See more »
In the first dressing room scene, there's a close-up of Quinn leaning against the wall. In the very next shot, he's standing a few feet in front of the wall, then backs up and leans against it again. See more »
John Garfield delivers a worthy Oscar nominated performance in the story of "Body and Soul."
Poor and from a tough neighborhood, Garfield sees boxing as a way out of his current existence.
As usual, veteran pro, Anne Revere, was called upon to play Garfield's mom. This terrific Oscar winning actress (1944 for National Velvet, in a supporting role) played just about everyone's mom in Hollywood during the 1940s. "Mom" to Gregory Peck in "Gentleman's Agreement," Linda Darnell's mother in "Forever Amber,"Montgomery Clift's mom in "A Place in the Sun" and Jennifer Jones'mother in "The Song of Bernadette." To me, Miss Revere, who was a descendant from Paul Revere, delivers a memorable line in the movie. To paraphrase, she states: "I want you to be respected. I want you to be a teacher." Sure, in 1947, the teaching profession was looked up to-to use a pun, it was revered.
Unfortunately, this great line has been overshadowed by the line, "Everybody dies." Must we always be true to life?
A hard-nosed, gripping film dealing not only with human emotions, but the fighting ring as well along with its corruption. A film exhibiting one wallop of a punch.
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