Charley Davis wins an amateur boxing match and is taken on by promoter Quinn. Charley's mother doesn't want him to fight, but when Charley's father is accidentally killed, Charley sets up a... See full summary »
Over-the-hill boxer Bill 'Stoker' Thompson insists he can still win, though his sexy wife Julie pleads with him to quit. But his manager Tiny is so confident he will lose, he takes money ... See full summary »
A minister is malevolent and sinister behind his righteous facade. He consorts with, and later extorts from, the owner of a gambling house, and betrays an honest girl, eventually driving ... See full summary »
Silvana Mangano (a very lovely & sexy voiced actress) plays a young, poor Venetian woman, Giovanna Masetti. She is struggling with an difficult life as a shop assistant when one day a young... See full summary »
The ambitious Stanton "Stan" Carlisle works in a sideshow as carny and assistant of the mentalist Zeena Krumbein, who is married with the alcoholic Pete. The couple had developed a secret ... See full summary »
Adam Lemp, the Dean of the Briarwood Music Foundation, has passed on his love of music to his four early adult daughters - Thea, Emma, Kay and Ann - who live with him and his sister, the ... See full summary »
Charley Davis wins an amateur boxing match and is taken on by promoter Quinn. Charley's mother doesn't want him to fight, but when Charley's father is accidentally killed, Charley sets up a fight for money. His career blooms as he wins fight after fight, but soon an unethical promoter named Roberts begins to show an interest in Charley, and Charley finds himself faced with increasingly difficult choices. Written by
Jim Beaver <email@example.com>
"Screen Director's Playhouse" broadcast a 30 minute radio adaptation of the movie on November 11, 1949 with John Garfield and William Conrad reprising their film roles. See more »
In the first dressing room scene, there's a close-up of Quinn leaning against the wall. In the very next shot, he's standing a few feet in front of the wall, then backs up and leans against it again. See more »
One especially noteworthy aspect of this movie is the character of Ben Chaplin, played by the criminally underappreciated African American actor Canada Lee. A trademark of Lee's few but memorable screen roles is how his characters transcend the racial stereotypes of the day (see also his role in "Lifeboat"). Where Chaplin is black, his race is never mentioned, and is never even made an issue. There's no assumption of deferrence to the white characters. He is treated as an equal, which, especially for 1947, is an amazing breakthrough.
The other strengths of the movie, particularly Garfield's performance and James Wong Howe's cinematography, have been duly mentioned in other posts.
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