3 items from 2017
A few years ago, director James Mangold shared ten movies that inspired The Wolverine, his first outing in the X-Men universe. If nothing else, that list showcased Mangold as a man with great taste in classic and contemporary cinema. Few things make me happy quite like a filmmaker actively thinking about Black Narcissus and The French Connection while […]
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- Jacob Hall
This past weekend, the American Society of Cinematographers awarded Greig Fraser for his contribution to Lion as last year’s greatest accomplishment in the field. Of course, his achievement was just a small sampling of the fantastic work from directors of photography, but it did give us a stronger hint at what may be the winner on Oscar night. Ahead of the ceremony, we have a new video compilation that honors all the past winners in the category at the Academy Awards
Created by Burger Fiction, it spans the stunning silent landmark Sunrise: A Song of Two Humans all the way up to the end of Emmanuel Lubezki‘s three-peat win for The Revenant. Aside from the advancements in color and aspect ration, it’s a thrill to see some of cinema’s most iconic shots side-by-side. However, the best way to experience the evolution of the craft is by »
- Jordan Raup
Like a prodigal son, Hollywood is again returning to religion.
Since the 1980s, Hollywood has been criticized (with justification) for depicting any religious believer as mindless, evil or both. Filmmakers this year treat them with respect.
“Silence” and “Hacksaw Ridge” daringly center around devout Christians. Religious beliefs have a positive effect on the lead characters in other 2016 films, including “Fences,” “Hidden Figures,” “Jackie,” “Mr. Church,” even “The Conjuring 2.”
Studios have their own belief system, and it’s based on recent hits. Hollywood loves stories about an individual whose principles are challenged, but usually the protagonist is a superhero, cop or animated creature.
“Silence” depicts the culture clash of Western Christians with Japanese. The long legacy of the “white savior” is turned upside down, and the film raises issues of faith, doubt, personal integrity, and the fine line between belief and stubborn pride. To its credit, “Silence” raises questions that audience members must answer. »
- Tim Gray
3 items from 2017
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