1-20 of 21 items from 2014 « Prev | Next »
Best British movies of all time? (Image: a young Michael Caine in 'Get Carter') Ten years ago, Get Carter, starring Michael Caine as a dangerous-looking London gangster (see photo above), was selected as the United Kingdom's very best movie of all time according to 25 British film critics polled by Total Film magazine. To say that Mike Hodges' 1971 thriller was a surprising choice would be an understatement. I mean, not a David Lean epic or an early Alfred Hitchcock thriller? What a difference ten years make. On Total Film's 2014 list, published last May, Get Carter was no. 44 among the magazine's Top 50 best British movies of all time. How could that be? Well, first of all, people would be very naive if they took such lists seriously, whether we're talking Total Film, the British Film Institute, or, to keep things British, Sight & Sound magazine. Second, whereas Total Film's 2004 list was the result of a 25-critic consensus, »
- Andre Soares
Cinematography festival to present retrospective on the innovative British film-making duo, attended by Oscar-winning editor Thelma Schoonmaker.
The film festival that celebrates cinematography, held in the Polish city of Bydgoszcz, will be attended by Powell’s wife and three-time Oscar-winning editor Thelma Schoonmaker as well as film scholars and Powell-Pressburger experts Erich Sargeant and Ian Christie.
Films of the due set to be screened at Camerimage include:
- email@example.com (Michael Rosser)
Being that director Jack Clayton grew up with the misfortune of having no father figure, he grew up with a deep affinity for the Henry James novella he had read as a child called “The Turn of the Screw,” which features a pair of parentless siblings who endure not only the void left by their parents and their neglectful uncle, but the deaths of those most close to them in their governess Miss Jessel and their uncle’s valet, Peter Quint. Following the Academy attention getting success of his 1959 film Room at the Top, Clayton pursued the rights to “The Turn of the Screw” only to find that 20th Century Fox held them through the acquisition of William Archibald’s stage adaptation of the book, “The Innocents,” which he was happy to have his acquaintance Truman Capote adapt into a proper throwback southern gothic ghost story that subverted genre expectations »
- Jordan M. Smith
Thelma Schoonmaker was at the Venice Film Festival today to accept the Golden Lion for Lifetime Achievement. She was also on the Lido to present a restored version of her late husband Michael Powell’s The Tales Of Hoffman. I sat down with Martin Scorsese‘s longtime Oscar-winning editor for a chat this morning overlooking a raging Adriatic Sea. Our conversation ranged from two of the most important men in her life, to the controversy surrounding The Wolf Of Wall Street, the ways digital editing is changing the business, and getting ready for Scorsese’s passion project Silence.
Schoonmaker, who first edited a Scorsese film with Who’s That Knocking At My Door in 1967, and has cut each of his movies since Raging Bull, also works with the director to see Powell’s films restored and the word spread about the helmer of such classics as The Red Shoes, The Life And Death Of Colonel Blimp »
- Nancy Tartaglione
Throughout the summer, an admin on the r/movies subreddit has been leading Reddit users in a poll of the best movies from every year for the last 100 years called 100 Years of Yearly Cinema. The poll concluded three days ago, and the list of every movie from 1914 to 2013 has been published today.
Users were asked to nominate films from a given year and up-vote their favorite nominees. The full list includes the outright winner along with the first two runners-up from each year. The list is mostly a predictable assortment of IMDb favorites and certified classics, but a few surprise gems have also risen to the top of the crust, including the early experimental documentary Man With a Movie Camera in 1929, Abel Gance’s J’Accuse! in 1919, the Fred Astaire film Top Hat over Alfred Hitchcock’s The 39 Steps in 1935, and Stanley Kubrick’s The Killing over John Ford’s »
- Brian Welk
The art of expression in the world of film is not just reserved for “professional” movie reviewers. The accessible flexibility that anyone can comment and show delight or dismay regarding the cinema landscape is quite encouraging because Any voice matters in terms of one’s particular preference. From a famed Pulitzer Prize-winning film critic to a blue-collar plumber with an affinity for vintage films from the golden age of Hollywood anyone can harbor a viewpoint about what constitutes quality or queasy filmmaking.
Thankfully, online venues such as Sound on Sight allow for several degrees of opinion, expertise, insight and analysis when it comes to an array of topical interests that cater to the constitution of escapist tastes in film, television, comic books and podcasts.
No, The Voicemakers: A Sound of Reasoning is not a disguised pat-on-the-back to shamelessly promote this site’s accolades. Quite frankly, the site’s staff, regular »
- Frank Ochieng
Blu-ray & DVD Release Date: Sept. 23, 2014
Price: DVD $29.95, Blu-ray $39.95
The genuinely frightening, exquisitely made 1961 supernatural Gothic horror film The Innocents stars Deborah Kerr (Black Narcissus) as an emotionally fragile governess who comes to suspect that there is something very, very wrong with her precocious new charges.
A psycho-sexually intensified adaptation of Henry James’s classicÂ The Turn of the Screw, co-written by Truman Capote (Breakfast at Tiffany’s) and directed by Jack Clayton (Room at the Top),Â The Innocents is a triumph of narrative economy and technical expressiveness, from its chilling sound design to the stygian depths of its widescreen cinematography by Freddie Francis (The Elephant Man).
Criterion’s Blu-ray and two-disc DVD editions contain the following features:
• New 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
• Audio commentary featuring cultural historian Christopher Frayling
• New interview with cinematographer John Bailey »
Completed just a few years after his lovingly revered wartime adventure melodrama The African Queen, John Huston’s second attempt at the deserted odd couple in paradise formula in Heaven Knows, Mr. Allison doesn’t occupy the same esteemed position in film history as its Bogart and Hepburn starred predecessor. Allison stars a straight-laced Robert Mitchum as a marooned marine and Deborah Kerr seeming to reprise her role from Black Narcissus as a devout sister of the faith, the film sees them hiding out on a small island in the South Pacific occupied by Japanese forces near the end of World War II. While the former film humorously indulged in the risque repercussions of being alone with the opposite sex for an extended period of time, the latter settles into a rather prudish moral stance where the integrity of one’s chosen faith, whether military or religion, is of higher »
- Jordan M. Smith
David Lynch fans are certainly getting a treat as of late. On July 29 Lynch's "Twin Peaks: The Entire Mystery" comes to Blu-ray and now Criterion has announced come September 16, Lynch's Eraserhead will be released on Criterion DVD and Blu-ray. The Eraserhead release will include a new 4K digital restoration of the film, a 2001 "Eraserhead" Stories documentary, a new high-definition restorations of six short films by Lynch including Six Figures Getting Sick (1966), The Alphabet (1968), The Grandmother (1970), The Amputee, Part 1 and Part 2 (1974) and Premonitions Following an Evil Deed (1996), all of which include a video introductions by Lynch. Finally it will include new and archival interviews with cast and crew as well as the film's trailer. Also coming in September is the release of Roman Polanski's Macbeth on September 23. The release includes a new 4K digital restoration, new documentary, the 1971 documentary "Polanski Meets Macbeth" and much more. Jack Clayton's 1961 supernatural film »
- Brad Brevet
Blu-ray Release Date: June 10, 2014
Price: Blu-ray $29.95
Studio: Twilight Time
Featuring a clever script by director John Huston (The African Queen) and screenwriting veteran John Lee Mahin, the movie stars Mitchum as a no-nonsense Marine and Kerr as a dedicated nun: a decidedly odd couple stranded on a South Pacific island overrun by hostile Japanese forces during World War II. Their struggle to survive and their growing friendship are beautifully captured by the camera of superb cinematographer Oswald Morris, and given further support by composer Georges Auric’s lovely score.
The Blu-ray of Heaven Knows, Mr. Allison contains the following features:
-Isolated Music & Effects Track
-Fox MovieTone News
-Original Theatrical Trailer
-Liner notes by Julie Kirgo »
Producers include Stephen Woolley (Made in Dagenham, The Crying Game, Mona Lisa), Elizabeth Karlsen (Great Expectations, Ladies in Lavender) and Joanna Laurie. Hyena was developed by Film4. Sam Lavender and Katherine Butler exec produced the film for Film4 which was co-financed by Film4, BFI, Ingenious and Lipsync and will be released by Metrodome in the UK and distributed internationally by Independent.
- firstname.lastname@example.org (Michael Rosser)
Feature Ryan Lambie 30 Apr 2014 - 06:27
Five years after James Cameron's Avatar appeared in cinemas, we look back at its hype, its critical backlash, and how it holds up today...
Before 1960, director Michael Powell was one of the UK’s most respected directors, with a string of acclaimed films to his name, among them A Matter Of Life Or Death, The Red Shoes and Black Narcissus. Then Powell made Peeping Tom, and the critical backlash ruined him.
An intimate character study of a serial killer made at a time when such things were entirely out of the ordinary in British cinema, Peeping Tom was savaged by UK film critics, and it took a full decade for Powell’s film to be reappraised; the likes of Martin Scorsese and Robert Ebert championed Peeping Tom, but their admiration arrived entirely too late to save Powell’s filmmaking career, which was never the »
And here we are. The day after Easter and we’ve reached the top of the mountain. While compiling this list, it’s become evident that true religious films just aren’t made anymore (and if they are, they are widely panned). That being said, religious themes exist in more mainstream movies than ever, despite there being no deliberate attempts to dub the films “religious.” Faith, God, whatever you want to call it – it’s influenced the history of nations, of politics, of culture, and of film. And these are the most important films in that wheelhouse. There are only two American films in the top 10, and only one of them is in English.
courtesy of hilobrow.com
10. Andrei Rublev (1966)
Directed by Andrei Tarkovsky
A brutally expansive biopic about the Russian iconographer divided into nine chapters. Andrei Rublev (Anatoly Solonitsyn) is portrayed not as a silent monk, but a motivated artist working against social ruin, »
- Joshua Gaul
Black Narcissus is the story of a group of nuns, led by Sister Clodagh (Deborah Kerr), who attempt to build a hospital and school for girls deep in the Himalayas. Resting on a windy cliff 9,000 feet above a small village, their new home is an abandoned palace that housed all the concubines for the General, who is deceased – his son now runs the village. The women struggle with repressing their passions in this exotic and isolated location, and tension mounts between Clodagh and the mentally unstable Sister Ruth, who are both attracted to the dashing Mr. Dean, a British agent to the reigning General. Directed by the powerful duo of Powell and Pressburger, with director of photography Jack Cardiff, who won an Oscar for his revelatory work, Black Narcissus’ power comes from its alluring suggestiveness and dreamy setting, »
- Jae K. Renfrow
Guess what unforgettable movie about people wanting to forget is about to celebrate its 10th anniversary?
Have you ever thought about what your favorite shot from it is? Or which shot best represents the movie as a whole? Have you ever wondered how it can possibly be that the cinematographer Ellen Kuras has only done 4 narrative features in the ten years since?
You know where this is going right?!
Break out the bubbly because "Hit Me With Your Best Shot" returns on March 18th (We're moving it to Tuesdays at 9 Pm to give people the weekend to screen the movies and be ready!). If you're new to the blog or haven't yet experimented with actually participating, I guarantee a good time. Everyone who has participating religiously has said that they've gotten a ton out of it. Plus it proves the point 'the more the merrier' because the best episodes offer »
- NATHANIEL R
3 Notes. Oh don't click away you have time to read them. And yes I'll be live tweeting and a little light blogging tonight
01. Like The Film Experience on Facebook. Follow Nathaniel on Twitter, Pinterest? Why am I so needy? It's like this: Once Oscar night wraps up I experience something like a free fall; help me pull that parachute string.
02. We're here all year -- it's not just an Oscar site so don't abandon us if you're exhausted by Oscar shenanigans. There's only one more week of it, recapping this year's Oscars, filmbitching, and we'll close out the annual festivities with that Supporting Actress Smackdown we promised (yes, the one I flubbed that you've been impatient for). After that one eye returns to brand new movies and pinch of tv and the other to occasional trips back to favored oldies in A Year With Kate, Seasons of Bette, and Hit Me. »
- NATHANIEL R
The Criterion Collection has just released a new filmmaker top ten and this time it's Martin Scorsese getting the honors and he has quite a lot to say about each. The list includes obvious titles such as The Red Shoes, 8 1/2, The Leopard, Ashes and Diamonds and others as they were all on his list of Top 12 Films of All-Time from back in 2012. Nevertheless, it remains fascinating to read his words and reasoning. For example, I find it interesting to see him placing Roberto Rossellini's Paisan at #1. So often Rome Open City is the most talked about of Rossellini's fabulous War Trilogy (read my review) and so infrequently you hear about Paisan or Germany Year Zero, the latter of which is an absolute stunner. I've never sen Jean Renoir's The River or Francesco Rosi's Salvatore Giuliano, but the rest I've viewed. I'm not a huge fan of The Leopard, »
- Brad Brevet
In the dog days of the second world war, the heart of British cinema could be found inside a three-room flat off the Marylebone Road in London. This, from 1942-1947, was the headquarters of film-makers Michael Powell and Emeric Pressburger, and the production office for such pictures as A Matter of Life and Death, The Red Shoes and The Life and Death of Colonel Blimp. In the event of air raids, the office came equipped with a set of camp beds.
Now the flat at Dorset House has been commemorated with an English Heritage blue plaque, honouring the work of Powell and Pressburger's film company, the Archers. Attending the unveiling were Powell's widow, the Oscar-winning American editor Thelma Schoonmaker, »
- Xan Brooks
Wolf of Wall Street director pays tribute to 'extraordinary' work of British film-making greats honoured by English Heritage
Following his visit to the Bafta awards, the film director attended a ceremony on Monday unveiling the English Heritage blue plaque on the duo's London office.
Michael Powell and Emeric Pressburger were behind some of the most celebrated British films of their era such as The Life and Death of Colonel Blimp, Black Narcissus, The Red Shoes and A Matter of Life and Death.
The plaque has been placed outside the office at Dorset House in Gloucester Place, Marylebone, which served as a base for their production company, The Archers, from 1942 to 1947.
In keeping with the austerity of those days, their office was sparsely decorated, with camp beds in case of air-raid warnings, »
Turner Classic Movies (TCM) will open the 2014 edition of the TCM Classic Film Festival with the world premiere of a brand new restoration of the beloved Rodgers & Hammerstein musical Oklahoma! (1955). TCM’s own Robert Osborne, who serves as official host for the festival, will introduce Oklahoma!, with the film’s star, Academy Award®-winner Shirley Jones, in attendance. Vanity Fair will also return for the fifth year as a festival partner and co-presenter of the opening night after-party. Marking its fifth year, the TCM Classic Film Festival will take place April 10-13, 2014, in Hollywood. The gathering will coincide withTCM’s 20th anniversary as a leading authority in classic film.
In addition, the festival has added several high-profile guests to this year’s lineup, including Oscar®-winning director William Friedkin, who will attend for the screening of the U.S. premiere restoration of his suspenseful cult classic Sorcerer (1977); Kim Novak, who »
- Melissa Thompson
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