IMDb > Black Narcissus (1947)
Black Narcissus
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Black Narcissus (1947) More at IMDbPro »

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Black Narcissus -- Trailer for this classic drama

Overview

User Rating:
8.0/10   13,186 votes »
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Down 5% in popularity this week. See why on IMDbPro.
Writers:
Rumer Godden (adapted from the novel by)
Michael Powell (written by) ...
(more)
Contact:
View company contact information for Black Narcissus on IMDbPro.
Release Date:
December 1947 (USA) See more »
Genre:
Tagline:
Exquisite Yearning ! . . . Exotic Living ! High in a hidden mountain village of a strange land and extravagant dreams and desires become exciting realities ! See more »
Plot:
After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings. Full summary » | Add synopsis »
Plot Keywords:
Awards:
Won 2 Oscars. Another 3 wins See more »
NewsDesk:
(197 articles)
The Voicemakers: A Sound of Reasoning
 (From SoundOnSight. 6 July 2014, 12:35 PM, PDT)

Blu-ray, DVD Release: The Innocents (1961)
 (From Disc Dish. 23 June 2014, 5:43 AM, PDT)

Heaven Knows, Mr. Allison | Blu-ray Review
 (From ioncinema. 17 June 2014, 8:00 AM, PDT)

User Reviews:
Human struggle defeated by place in a beautiful film See more (126 total) »

Cast

  (in credits order) (verified as complete)

Deborah Kerr ... Sister Clodagh
Flora Robson ... Sister Philippa
Jenny Laird ... Sister Honey
Judith Furse ... Sister Briony

Kathleen Byron ... Sister Ruth

Esmond Knight ... The Old General

Sabu ... The Young General

David Farrar ... Mr. Dean

Jean Simmons ... Kanchi
May Hallatt ... Angu Ayah
Eddie Whaley Jr. ... Joseph Anthony
Shaun Noble ... Con
Nancy Roberts ... Mother Dorothea
Ley On ... Phuba
rest of cast listed alphabetically:
Joan Cozier ... Girl in Classroom (uncredited)
Helen de Broy ... Clodagh's Mother in Flashback (uncredited)
Maxwell Foster ... Clodagh's Father in Flashback (uncredited)
Margaret Scudamore ... Clodagh's Grandmother in Flashback (uncredited)
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Directed by
Michael Powell 
Emeric Pressburger 
 
Writing credits
Rumer Godden (adapted from the novel by)

Michael Powell (written by) and
Emeric Pressburger (written by)

Produced by
George R. Busby .... assistant producer
Michael Powell .... producer
Emeric Pressburger .... producer
 
Original Music by
Brian Easdale (music and sound score composed by)
 
Cinematography by
Jack Cardiff (photographed in Technicolor by)
 
Film Editing by
Reginald Mills 
 
Casting by
Adele Raymond (uncredited)
 
Production Design by
Alfred Junge 
 
Costume Design by
Hein Heckroth 
 
Makeup Department
George Blackler .... makeup artist (uncredited)
Biddy Chrystal .... hair stylist (uncredited)
Ernest Gasser .... assistant makeup artist (uncredited)
June Robinson .... assistant hair stylist (uncredited)
 
Second Unit Director or Assistant Director
Sydney Streeter .... assistant director (as Sydney S. Streeter)
Laurie Knight .... third assistant director (uncredited)
Robert Lynn .... third assistant director (uncredited)
Pat MacDonnell .... second assistant director (uncredited)
Kenneth K. Rick .... second assistant director (uncredited)
 
Art Department
Arthur Lawson .... assistant art director
Harold Batchelor .... chief construction manager (uncredited)
Ivor Beddoes .... scenic artist (uncredited)
Beatrice Dawson .... jewellery (uncredited)
Allan Harris .... draughtsman (uncredited)
William Kellner .... draughtsman (uncredited)
Don Picton .... draughtsman (uncredited)
Harry Rose .... scenic artist (uncredited)
Elliot Scott .... draughtsman (uncredited)
 
Sound Department
Stanley Lambourne .... sound
Gordon K. McCallum .... dubbing
John Dennis .... chief production mixer (uncredited)
George Paternoster .... boom operator (uncredited)
John Seabourne Jr. .... dubbing editor (uncredited)
 
Special Effects by
E. Hague .... special effects (uncredited)
Jack Higgins .... special effects (uncredited)
Sydney Pearson .... special effects (uncredited)
James Snow .... special effects (uncredited)
 
Visual Effects by
W. Percy Day .... process shots
Ivor Beddoes .... special photographic effects (uncredited)
Arthur George Day .... matte painter (uncredited)
Thomas Sydney Day .... matte painter (uncredited)
W. Percy Day .... matte painter (uncredited)
Peter Ellenshaw .... assistant matte artist (uncredited)
E. Hague .... special effects camera (uncredited)
Jack Higgins .... foreground miniatures (uncredited)
 
Camera and Electrical Department
Dick Allport .... assistant camera: Technicolor (uncredited)
George Cannon .... still photographer: color (uncredited)
Christopher Challis .... camera operator (uncredited)
Ian Craig .... focus puller (uncredited)
Ronald Cross .... focus puller (uncredited)
Fred Daniels .... still photographer: portraits (uncredited)
Michael Livesey .... clapper loader (uncredited)
Max Rosher .... still photographer (uncredited)
Herbert Salisbury .... clapper loader (uncredited)
Stanley W. Sayer .... camera operator (uncredited)
Edward Scaife .... camera operator (uncredited)
Bill Wall .... lighting electrician (uncredited)
 
Costume and Wardrobe Department
Hein Heckroth .... costumes
Dorothy Edwards .... wardrobe mistress (uncredited)
Elizabeth Hennings .... wardrobe supervisor (uncredited)
Bob Rayner .... wardrobe master (uncredited)
 
Editorial Department
Noreen Ackland .... second assistant editor (uncredited)
Lee Doig .... second assistant editor (uncredited)
Seymour Logie .... first assistant editor (uncredited)
 
Music Department
Brian Easdale .... conductor: The London Symphony Orchestra
Ted Drake .... music recordist (uncredited)
 
Other crew
Joan Bridge .... associate colour control
Natalie Kalmus .... colour control
J. Arthur Rank .... presenter (as J.Arthur Rank)
Joanna Busby .... assistant continuity (uncredited)
Winifred Dyer .... continuity (uncredited)
Vivienne Knight .... publicist (uncredited)
Bill Paton .... assistant: Mr. Powell (uncredited)
 
Crew verified as complete


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Additional Details

Also Known As:
Runtime:
100 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Recording)
Certification:
Australia:PG | Finland:S | Netherlands:12 | Netherlands:18 (original rating) (1947) | South Korea:12 (2004) | UK:A (original rating) (passed with cuts) | UK:U (tv rating) | UK:U (re-rating) (2005) | UK:U (video rating) (1986) (2005) (uncut) | UK:PG (re-rating) (1985) (uncut) | USA:Not Rated | USA:Approved (PCA #11874, Adult Audience) | USA:TV-14 (TV rating) | West Germany:16
Filming Locations:

Did You Know?

Trivia:
Jack Cardiff came up with the idea of starting the rainfall end scene by first having a few drops hit the rhubarb leaves before cueing a full-force rainstorm. He personally created the first drops with water from a cup when the scene was shot. Michael Powell was so pleased with the effect that he decided to make the scene, originally the penultimate one, the closing shot. Cardiff, however, was a great fan of the original scene (which had already been shot) that was supposed to follow this one and close the film. To this day Cardiff amusingly calls the opening drops of the rainfall "the worst idea I ever had".See more »
Goofs:
Continuity: (at around 1h 35 mins) Sister Ruth picks up Mr. Dean's pipe, which is 'smoking', from an ashtray. She walks away, still holding the pipe, and the ashtray continues to emitting trails of smoke.See more »
Quotes:
Sister Clodagh:We all need discipline. You said yourself they're like children. Without discipline we should all behave like children.
Mr. Dean:Oh. Don't you like children, Sister?
See more »
Movie Connections:
Soundtrack:
Lullay My LikingSee more »

FAQ

This FAQ is empty. Add the first question.
34 out of 39 people found the following review useful.
Human struggle defeated by place in a beautiful film, 20 February 2000
Author: Stewart Naunton (snaunton@glasnet.ru) from Moscow, Russian Federation

A small group of nuns, working nuns, not contemplatives, journey to the Himalayas to establish a school and dispensary in a high and remote deserted palace. It was a palace built for a ruler's women, and every wall painting, every decoration, contrasts the sensuality of this society with the chaste and energetic vocation of the nuns. Only Dean (David Farrar), the ruling General's Agent, links the steamy life of the valley with the wind-blown austerity of the nunnery above.

It is the destructive power of emotions reppressed and released that is most obvious in 'Black Narcissus', but more fundamental to this beautiful film is a stronger, yet quieter, ancient and more subtle power, that of place. The Himalayan setting is established surprisingly convincingly for the period, in a series of vivid shots that disclose the fact of that landscape's power from the beginning. And the particular quality, the particular power of that place is continuously present in the wind that blows constantly, stirring every fabric, every soft thing. Only as that power of place begins to work its insidious magic on the nuns does it begin to reveal its nature. Everyone there is affected, their practical efforts diverted by poetry and passion. Somehow flowers are planted, not potatoes. The Young General (Sabu) falls in love with a dancing girl (Jean Simmons). Two of the nuns are drawn to the rough Agent, already sunk into the life of the society around him. Sister Clodagh (Deborah Kerr), the Sister Superior, initially drawn back to memories of her lover in Ireland, remains strong in her faith, yet is softened, becomes more human. Sister Ruth (Kathleen Byron), on the other hand, becomes maddened by jealous passion and it is her tragedy, itself peculiarly bound up with the geography of the place, that brings the drama to an end.

The testing of a few people brought together in isolation is a familiar theme, but this is an unusual example. 'Black Narcissus' has an unusual symmetry: acceptance of this tainted life, in the person of the agent, is compared with the surrender to her passions of Sister Ruth, whose irrational passion, in turn, contrasts with the gentle loves of the Sister Clodagh; the abandonment of this world by the holy contemplative who lives in the nunnery grounds contrasts with the nun's holy yet practical struggles. So, too, we see the valley richly coloured, but the Mopu Palace nunnery almost monochrome, washed out.

The project at Mopu fails, the struggle against the genius of the place is abandoned. But not everything fails: Sister Clodagh has become wiser and less proud. Some struggles are too great, but we learn that there can be victories in small things: the Young General wins Kanchi, his dancing girl.

This is a fine film, well acted. David Farrar, though at times uneasy in a difficult role, requiring roughness and sympathy in equal measure, generally manages to strike the right balance. Kathleen Byron grows convincingly mad with jealousy and is stupendous in her dramatic final scene. Flora Robson, as Sister Phillipa, tending her gardens, has a small part which she plays to perfection. Deborah Kerr is outstanding: that Sister Clodagh has a fundamental sympathy disguised by pride is apparent from the beginning, and the progressive disclose of the quiet, loving, passion of her character, is finely judged. The art direction and cinematography, too, is excellent: the wind tugging at every fabric, the sputtering candles, the long shots of the landscape, Sister L pausing momentarily to caress a strikingly phallic baluster. It is astonishing that this was all achieved without leaving the suburbs of London. The music is ravishing and, in the later scenes, intense. Finally, in its emphasis on the spirit of place, even set in the Himalayas, 'Black Narcissus' is a very British film.

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Help me understand this movie? Please? do4600
Sister Ruth's mental condition erlend2
what's going on with mr. dean's little horse? lraymond1
Films that have the same look and feel smdpi-mail-com
Greatest Technicolor film? BumpyRide
Why teach the children about weaponry? don-249
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