After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
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Sister Clodah is dispatched with four other nuns to establish a new convent far in the Himalayas. It's a difficult journey and their new house is a ramshackle old building on the edge of a cliff that had been abandoned by a religious Brotherhood many years before. They soon establish a school and an infirmary though the local General's agent, Mr. Dean, warns them against treating the deathly ill as they would no doubt be blamed if the patient doesn't recover. The location, the culture and the mountain air all begin to have a strange effect on the Sisters. Sister Clodagh, who is also on her first assignment as Sister Superior, begins to remember a romance she had as a young woman before entering the sisterhood. Another however, becomes obsessed with Mr. Dean, which leads to tragedy. Written by
The last scene in the film, of the rains beginning as Mr. Dean watches the Sisters leaving Mopu, was carefully devised. It was Jack Cardiff's idea to have a few initial drops of rain hitting the foreground flowers. Cardiff was to later regret this brainstorm, however. There was originally meant to be a concluding scene, in which Sister Clodagh returns to Calcutta and speaks with the Mother Superior. Cardiff thought that this sequence featured some of the best work of his career, but the power of the rain scenes demanded that they end the film. See more »
Two similar Christian religious statues are shown in the convent in the film. One is on the floor in the blue room where Dean first meets Sister Clodagh to talk business. It is hidden behind the nuns where they enter to speak to Dean. Another very similar statue, but bearing a cross (possibly St Faith), is shown next to Dean as he converses with Sister Clodagh. It has some packing material (straw) on it (19:02). Later on, this second statue is shown being unpacked from its crate by Dean and a servant to be placed above the doorway leading to the yard (27:27). See more »
As time goes by,Powell and Pressburger's movies become more and more important and crucial in the evolution of the seventh art.The first time I 'd seen "black narcissus" I had missed the whole point:this is the kind of film you've got to see several times.
Five nuns are leaving their Calcutta convent for a mission in the Himalaya mountains.In this place,where the wind never stops blowing,they will settle in an old "palace".These nuns have faith,they believe in what they are doing ,be it teaching,nursing,educating,or carrying the word of God.But their faith will clash with a thousand -tear-old wisdom(the Holy Man),a population who mixes up religion with magic,and Mister Dean, a Bunuelesque pragmatic man.
The natives will not change,but the nuns will.Their faith gets still tangled in prejudices;two examples:
-A young noble man wants to study in the mission.When sister Clodagh (Kerr) refuses,he points his finger at the crucifix and says "Wasn't HE a man?"" He took the shape of a man" the baffled nun answers.
-Sister Clodagh wants to get rid of the Holy Man,who spends his time gazing upon the world around him."What would Jesus Christ have done?" Dean ironically asks her.
After hearing sister Philippa's (Flora Robson)worried confidences,sister Clodagh feels that her past is coming back to haunt her.The flashbacks are extraordinary,dreamlike and a bit eerie.Clodagh comes to the door to meet her fiancé ,there's only darkness.The past and the present are worlds apart,in time and in space and seem to be two unconnected ones .It recalls the real world and the beyond in "a matter of life and death" (1946).And the infinite space of the 1946 work is here the highest mountains in the world.By the same token,the hunting with hounds flashback forecasts "gone to earth" (1949).Powell and Pressburger are real auteurs who build a coherent work.
The nuns actually discover that they are women made of flesh and blood.One of them,sister Ruth goes as far as falling in love with Dean and relinquishes religion.The night scene during which she paints her lips against a hellish backdrop in front of a terrified sister Clodagh is a riveting tour de force that even Luis Bunuel did not equal.The fighting around the (hell) bell between a white Clodagh and an all dressed in black Ruth will leave you on the edge of your seat.
There are so many things to say about "black narcissus":Jean Simmons appears in a silent ,but vicious part.This is probably Deborah Kerr's towering performance,and she's only on the threshold of a brilliant career -she will play a nun once more in John Huston's "heaven knows mister Allison" ,but although I do love that director,her part here is far superior-.Jack Cardiff's award-winning color cinematography was years ahead of its time.It works wonders in the sensual scenes but the most beautiful picture remains for me the last one when the rain begins to fall on green leaves.
A sparkling black diamond.
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