After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
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Sister Clodah is dispatched with four other nuns to establish a new convent far in the Himalayas. It's a difficult journey and their new house is a ramshackle old building on the edge of a cliff that had been abandoned by a religious Brotherhood many years before. They soon establish a school and an infirmary though the local General's agent, Mr. Dean, warns them against treating the deathly ill as they would no doubt be blamed if the patient doesn't recover. The location, the culture and the mountain air all begin to have a strange effect on the Sisters. Sister Clodagh, who is also on her first assignment as Sister Superior, begins to remember a romance she had as a young woman before entering the sisterhood. Another however, becomes obsessed with Mr. Dean, which leads to tragedy. Written by
The backdrops were blown-up black and white photographs. The art department then gave them their breathtaking colors by using pastel chalks on top of them. See more »
Two similar Christian religious statues are shown in the convent in the film. One is on the floor in the blue room where Dean first meets Sister Clodagh to talk business. It is hidden behind the nuns where they enter to speak to Dean. Another very similar statue, but bearing a cross (possibly St Faith), is shown next to Dean as he converses with Sister Clodagh. It has some packing material (straw) on it (19:02). Later on, this second statue is shown being unpacked from its crate by Dean and a servant to be placed above the doorway leading to the yard (27:27). See more »
Brooding atmosphere of its own...gorgeous color photography...
Deborah Kerr is designated to establish a convent in the Himalayas at a remote cliffside dwelling, a palace of dubious origin. She takes her assignment seriously and faces strange customs and unfamiliar peoples as well as a harsh climate. There are inner struggles as well, and Kerr is excellent at revealing these. Huge closeups reveal what her character is supposedly thinking as she peers at others, often in unspoken disapproval of their actions, particularly David Farrar, Jean Simmons (as an Indian girl), and Kathleen Byron--who gives the film's most urgent performance as the distraught nun with worldly pleasures on her mind. Kerr gives a faultless performance, the mainstay of the film, since most of the story is seen from her viewpoint.
The striking color photography and set decoration were rightfully awarded Oscars. A haunting, powerful study of the effects of loneliness and isolation on a group of nuns--and what happens when one of them goes beserk. The struggle between the two nuns at the bell tower is one of the most gripping climaxes ever. A richly detailed British film with a windswept atmosphere all its own.
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