After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
Joan Webster is an ambitious and stubborn middle-class English woman determined to move forward since her childhood. She meets her father in a fancy restaurant to tell him that she will ... See full summary »
A 'Land Girl', an American GI, and a British soldier find themselves together in a small Kent town on the road to Canterbury. The town is being plagued by a mysterious "glue-man", who pours... See full summary »
Sister Clodah is dispatched with four other nuns to establish a new convent far in the Himalayas. It's a difficult journey and their new house is a ramshackle old building on the edge of a cliff that had been abandoned by a religious Brotherhood many years before. They soon establish a school and an infirmary though the local General's agent, Mr. Dean, warns them against treating the deathly ill as they would no doubt be blamed if the patient doesn't recover. The location, the culture and the mountain air all begin to have a strange effect on the Sisters. Sister Clodagh, who is also on her first assignment as Sister Superior, begins to remember a romance she had as a young woman before entering the sisterhood. Another however, becomes obsessed with Mr. Dean, which leads to tragedy. Written by
Jack Cardiff came up with the idea of starting the rainfall end scene by first having a few drops hit the rhubarb leaves before cueing a full-force rainstorm. He personally created the first drops with water from a cup when the scene was shot. Michael Powell was so pleased with the effect that he decided to make the scene, originally the penultimate one, the closing shot. Cardiff, however, was a great fan of the original scene (which had already been shot) that was supposed to follow this one and close the film. To this day Cardiff amusingly calls the opening drops of the rainfall "the worst idea I ever had". See more »
From 57:29 to 1:00:03, the glass of water is next to the short square black object, except when seen at 57:53 and 59:38. See more »
The Old General:
[Speaking to the old Ayah, who dates back to when the palace, now intended for nuns, was used to house Toda Rai's father's concubines]
Now listen, Ayah. I have invited some ladies to stay here, at the "house of women."
[Ecstatic, not realizing that the "ladies" Toda Rai is referring to are nuns]
Ladies! Oh, that will be like old times!
The Old General:
It will not be in the least like old times. They are not that kind of "lady" at all!
Then they won't be any fun.
The Old General:
They are not coming for fun. These are nuns. Do ...
[...] See more »
Opening credits:- Convent of the Order of the Servants Calcutta See more »
A film about nuns and lust ... but it's not what you'd expect.
A story about a community of nuns ... doesn't sound very exciting. But in fact, `Black Narcissus' is as erotic, spellbinding, and suspenseful as any of today's psychological thrillers.
Directing team Michael Powell and Emeric Pressburger manage to combine a number of unlikely and potentially sensational elements - eroticism, desire, and isolation - into the story of a company of Anglican nuns who attempt to establish a civilised community in the former bordello of the Rajah, in the untamed hills of the Himalayas.
Their leader, Sister Clodagh, communicates with the indigenous leader of the land via a profligate Englishman, Mr Dean. Worn down by the hostile surroundings and the isolation, Sister Clodagh finds her nuns becoming restless and discontent. It is when one of her them, Sister Ruth, becomes infatuated with Mr Deans, that the fragile and repressed community begins to implode.
Pressburger and Powell deliberately used studio exteriors and special effects rather than shooting on location in order to ensure that the characters and their story remained the focus of the film, and not its exotic setting. This lends to the movie a heightened, mesmeric atmosphere which contributes highly to its artistic success, and earned two Academy Awards.
The famous wordless sequence towards the end of the film displays a particularly interesting approach. The music to this sequence was written and recorded first. Played back during the recording of the sequence, it dictated the movements and motivations of the actors.
Still completely convincing today, `Black Narcissus' is one of Britain's most important and innovative films.
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