Barry Sulivan is a cynical gangster who controls the Neptune Beach waterfront. He runs a numbers racket with the local soda shop owner: the police are in his pocket and the local hoods are on his payroll.
Easily deceived by her charming affectation, a boisterous country man kidnaps an adventurous damsel to a far off land hoping soon she will come to her senses with him. She lacks the courage to reject his straightforward endearment.
In the midst of Mozambique's devastating civil war, Muidinga, an orphaned refugee, wanders the countryside in search of his mother. His only companion is an elderly storyteller, and the ... See full summary »
Nick Lauro Teresa,
Ernesto Lemos Macuacua
Caracas, Venezuela. Just after her engagement with Vittorio, Nelly runs away from him. As he pursued her, she looks for help to Martin, a French middle-aged man she met by accident. He ... See full summary »
A hairdresser who has lost her hair to cancer finds out her husband is having an affair, travels to Italy for her daughter's wedding and meets a widower who still blames the world for the loss of his wife.
In the drought areas of Northeastern of Brazil, groups of migrants move trying to find better place to live, at least with water. Some of them go to Recife, to get a vessel to Santos ... See full summary »
It tells the story of a duck man Lin and his adopted daughter Hsiao-yue. Hsiao-yue know nothing about her real descent, which Lin have been keeping secret from her. But one day, someone appear and change her life..
Docudrama on the development of the first atomic bomb. Told from the perspective of a film recovered from a time capsule several hundred years into the future, the story is narrated by Robert Oppenheimer (Hume Cronyn) and Major General Leslie Groves (Brian Donlevy) beginning with the Nazis stated goal of developing an atomic bomb. Along with Britain and Canada, the U.S. reacts by beginning its own atomic program. The major developments are all presented: Fermi's successful atomic chain reaction; building the huge complex at Oak Ridge, Tenn.; the production of the first supply of plutonium; the testing in the Nevada desert; and finally the dropping of the first atomic bomb on Hiroshima. Written by
The idea for the film came from atomic scientists and the first scripts raised questions about the use of the new weapon against Japan and all uses of nuclear energy in the future. By the time the Pentagon and the White House got through with it, the movie took a 180-degree turn. President Harry S. Truman even got the actor playing him in the movie fired. See more »
The three bombers of the Hiroshima strike group are shown taking off in broad daylight when they actually took off in the middle of the night - around 03:00 local time. See more »
The idea for this film was brought to the studio(MGM) by Donna Reed, whose high school science teacher had written to her about the secret WW11atomic bomb research project at Oak Ridge, Tennessee. Later, Donna and her husband, Tony Owen, received a $50,000 finders fee for this contribution. Always a contentious project, cooperation came from the army, including General Groves, manager of the Manhattan Project and from top scientists including J. Robert Oppenheimer, at Berkeley, and Albert Einstein, at Princeton. President Truman knew about the film and met with the producer. The script went through a lengthy development with columnist/screenwriter Bob Considine, and Clark Gable was originally in mind for the Robert Walker part. The Tom Drake scene, scattering a "going-critical mass" with his unprotected hand, is based on an actual incident, and the scientist who did it at the Chicago research lab (and possibly saved a good section of the city), died as a result.
Not successful at the box office, the studio rationalized the picture was too soon after the war and too realistic: audiences were not able to assimilate a story about nuclear energy in the late '40s, they were terrified of the bomb, of radiation fallout; pictures of Hiroshima were still in the news..
The film walks a fine line between fact and fiction (it received an Academy Award nomination for best documentary), but how effective was softening a docu-drama with a fictionalized love story?. The atomic "pile" was constructed on a sound stage, and the shots of the B-29 formation seem an appropriate metaphor for the film's subtext, the power of the nascent military/industrial relationship... moving forcefully ahead into the unknown.
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