Anne Parkson feels neglected by her lawyer-husband Ted, so she falls in love with night-club owner Tony Arnello, a shady character who is a client of her husband's. This being a MGM picture...
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Anne Parkson feels neglected by her lawyer-husband Ted, so she falls in love with night-club owner Tony Arnello, a shady character who is a client of her husband's. This being a MGM picture and MGM known to strive for General Audience ratings and avoid the dreaded Adult Audience tag, any affair that takes place is barely implied. Tony, a no-goodnik, kills Claire Lorrison, but Anne's compact is found near the body. Arnello threatens her with exposure unless she keeps quiet, as she is the only one who knows he is guilty. This being an Arch Oboler film, it is also filled with lots of "stream of consciousness" techniques in which the audience is able to share the thoughts of the central character. Oboler is highly praised in some quarters for bringing this from his radio programs where, of course, it was needed to let the radio audience know what was going on. In films, it comes off as just somebody talking to themselves. Gifford talks to herself a lot in this one, mainly about whether to... Written by
Les Adams <firstname.lastname@example.org>
This film received its USA television premiere on Monday 29 October 1956 on KTTV (Los Angeles); its New York City television premiere took place on 13 December 1956 on WCBS, and in San Francisco on 31 December 1957 on KGO-TV. See more »
The newspaper report of the murder misspells the word 'clue': "The police assert that the only clew is a woman's compact..." See more »
Bland performance by Frances Gifford in key role ruins the impact...
FRANCES GIFFORD had one of the best roles of her career as the troubled wife of lawyer GEORGE MURPHY in THE ARNELO AFFAIR, but the director fails to get more than worried looks and a coma-like expression that she wears most of the time--while looking very beautiful. Facially, she bears a strong resemblance here to Donna Reed.
She's a woman who feels neglected by her busy husband and falls prey to the flattery of a womanizing man (JOHN HODIAK) who later kills a woman and sets up Gifford as the murderess. Only through the keen detective work of a doggedly determined officer (WARNER ANDERSON) and the gradual realization of her husband that she's been seeing Hodiak, do the deceptive Hodiak's schemes fall apart as clues are unraveled. EVE ARDEN, as a dress designer friend of the heroine, has her usual quips but none of them are particularly inventive.
It's strictly a B-film that has all the MGM gloss but falters because of a weak script and a poorly directed actress in the leading role. Miss Gifford gives a bland performance in a role that calls for more than close-ups of a fixed expression.
Hodiak is fine as the cunning predator and nine year old DEAN STOCKWELL is lively as Gifford's loving son. GEORGE MURPHY is unable to do much with the role of the neglectful husband, a thankless role that he plays in stolid style.
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