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IMDb > Anjô-ke no butôkai (1947)

Anjô-ke no butôkai (1947) More at IMDbPro »


Overview

User Rating:
7.7/10   28 votes
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Down 25% in popularity this week. See why on IMDbPro.
Director:
Writer:
Kaneto Shindô (writer)
Contact:
View company contact information for Anjô-ke no butôkai on IMDbPro.
Release Date:
27 September 1947 (Japan) more
Genre:
Plot:
After Japan's loss in the war, the wealthy, cultured, liberal Anjo family have to give up their mansion and their way of life... more | add synopsis
Plot Keywords:
Awards:
2 wins more
User Reviews:
Neglected Masterpiece more (1 total)

Cast

  (Credited cast)
Osamu Takizawa ... Tadahiko, father
Masayuki Mori ... Masahiko, 1st son
Setsuko Hara ... Atsuko, 2nd daughter
Yumeko Aizome ... Akiko, 1st daughter
rest of cast listed alphabetically:
Shinichi Himori ... Takehiko
Michiko Ikuno ... Kiku, maid
Takashi Kanda ... Toyama
Masao Shimizu ... Shinkawa
Chieko Takehisa ... Chiyo, Tadahiko's girlfriend
Keiko Tsushima ... Yoko, Shinkawa's daughter
more
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Additional Details

Also Known As:
The Ball at the Anjo House
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Runtime:
89 min
Country:
Language:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Company:

Fun Stuff

Trivia:
This movie was one of the ten favorite films of distinguished author and Japanese cinema fan Susan Sontag. more

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5 out of 5 people found the following review useful.
Neglected Masterpiece, 15 March 2003
10/10
Author: William J. Fickling (wjfickling@earthlink.net) from Columbia, South Carolina, USA

This shamefully neglected 1947 Japanese film will probably never be seen by most people. I was fortunate enough to catch it at a current Japanese film retrospective at the Los Angeles County Museum of Art. It does not appear to be available on video. This is a shame, because it is much better than many better known Japanese films. It concerns a family that was a member of the Japanese nobility. During the forced democratization that occurred during the post-WWII occupation, they are forced to give up not only their titles but most of their wealth and property as well. The film superbly illustrates the role of status in individual identity and the extent to which loss of status can cause identity to disintegrate. It reminds me somewhat of Renoir's "Grand Illusion," which is also about the passing of the old order. It forced us to ask whether the existence of a nobility was any worse than the piratic capitalists who followed them. See this if you can!

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