Angel and the Badman (1947)

Quirt Evens an all round bad guy is nursed back to health and sought after by Penelope Worth a quaker girl. He eventually finds himself having to choose from his world or the world from which Penelope lives by.

Director:

James Edward Grant

Writer:

James Edward Grant

Stars:

John Wayne, Gail Russell, Harry Carey

Cast

Complete credited cast:
John Wayne	...	Quirt Evans
Gail Russell	...	Penelope Worth
Harry Carey	...	Wistful McClintock
Bruce Cabot	...	Laredo Stevens
Irene Rich	...	Mrs. Worth
Lee Dixon	...	Randy McCall
Stephen Grant	...	Johnny Worth
Tom Powers	...	Dr. Mangram
Paul Hurst	...	Frederick Carson
Olin Howland	...	Bradley (as Olin Howlin)
John Halloran	...	Thomas Worth
Joan Barton	...	Lila Neal
Craig Woods	...	Ward Withers
Marshall Reed	...	Nelson

Storyline

Quirt Evens an all round bad guy is nursed back to health and sought after by Penelope Worth a quaker girl. He eventually finds himself having to choose from his world or the world from which Penelope lives by.

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Plot Keywords:

quaker | singer | desert | revenge | colt 45 | 

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Taglines:

He lived only for revenge...She lived only for his love!

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Genres:

Romance | Western

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

15 February 1947 (USA)

Also Known As:

The Angel and the Outlaw

Filming Locations:

Sedona, Arizona, USA

Company Credits

Production Co:

Republic Pictures (I), John Wayne Productions

Technical Specs

Runtime:

100 min

Sound Mix:

Mono (RCA Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

John Wayne would later star in two films where his eponymous character carried the name of characters from this movie: Hondo and McLintock!.

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Goofs

In the next to the last scene in the movie where the Marshal (Harry Carey) shoots Hondo and Laredo, he kills them with two rapid shots before they can shoot. In the reverse it shows the Marshal cocking his lever action rifle. It would be impossible to fire two shots so rapidly if you had to lever the rifle between shots.

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Quotes

[Quirt got Frederick Carson to release some water, and they've come to the Worth farm]
Quirt Evans: [to Penny] Well, looks like your prayers straightened everything out.
Penelope Worth: So you think your gun changed Frederick Carson, hmm?
Quirt Evans: Who says I pointed a gun?
Penelope Worth: I do.
Quirt Evans: Well, I didn't.
Penelope Worth: Then he gave in more easily than I expected. Thee remember this, Quirt: the Lord moves in mysterious manner at times, using strange methods and odd instruments.
Quirt Evans: Me?
Penelope Worth: [nods "yes]
Quirt Evans: Well that would be odd.

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Connections

Featured in The Apartment (1960)

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Soundtracks

"A Little Bit Different"
Written by Kim Gannon and Walter Kent
Performed by Joan Barton

User Reviews

Quaker Family Values

The Angel and the Badman is a milestone film in the career of John Wayne. It was the first film in which he had a substantial role behind the camera. My guess is that he must have lobbied Herbert J. Yates at Republic films for some creative control and Yates gave in to his studio's biggest moneymaker.

Though Wayne at times didn't have the best judgment in regard to his own personal projects, The Angel and the Badman is a winner in every way and doesn't get near enough credit for the work it is except from Wayne partisans.

Wayne plays young gun hand Quirt Evans, a most feared man in the territory, who wounded falls in the hands of a Quaker family who nurses him back to health. Wayne starts eying pretty daughter Gail Russell.

Pretty soon under her influence Wayne starts questioning the direction his life's been going in. Of course the Quakers do cheat a little on this question themselves. Though they don't believe in violence, the Duke's reputation as a gun hand comes in mighty handy in settling at least one neighborly dispute with Paul Hurst.

My favorite scene in the film and one of Wayne's best in all his films also involves his reputation. When Bruce Cabot and two henchmen find him at the Quaker home, Wayne runs one terrific bluff holding them off with an empty gun. This was the first time Wayne and Cabot worked together. In the sixties Cabot became a regular in Wayne films.

Angel and the Badman also has two other Wayne attempted reclamation projects. Gail Russell was one of the most beautiful women ever on the silver screen. She had a lot of tragedy in her life and died young. Wayne at one point gave her the lead in a film Seven Men from Now that he was producing, but not starring in, with Randolph Scott. She gave a good performance, but a lot of substance abuse had taken its toll.

Paul Hurst later on got a pay day from Wayne in Big Jim McLain in a scene he portrayed from a wheelchair. He was terminally ill with cancer and in fact took his own life shortly afterwards. The money was no doubt needed for Hurst's medical expenses.

Later on in McLintock Wayne said in one scene he doesn't give jobs, he hires men (and women). This was his idea of charity and something that never gets talked about enough by people, even some of Wayne's most devoted fans.

As this was his first film as producer, I have no doubt that the Duke wanted Harry Carey, the man he patterned his cowboy image after in this film. One of Carey's best screen performances as the "patient" federal marshal who's waiting for Cabot and Wayne to shoot it out so he can hang the winner.

Wayne's good friend James Edward Grant wrote and directed the film. Later on Frank Capra disparaged Grant as a bad influence on Wayne when they quarreled during the filming of Circus World. Grant did write some of the more conservative on Wayne's films. But I certainly can't fault anything he did in The Angel and the Badman.

In fact it's a winner in just about every respect. Even some Wayne haters might like this one.