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Angel and the Badman (1947)

7.0
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Ratings: 7.0/10 from 3,106 users  
Reviews: 41 user | 19 critic

Quirt Evans, an all round bad guy, is nursed back to health and sought after by Penelope Worth a quaker girl. He eventually finds himself having to choose between his world and the world Penelope lives in.

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Cast

Complete credited cast:
...
Gail Russell ...
...
Marshal Wistful McClintock
...
Laredo Stevens
Irene Rich ...
Mrs. Worth
Lee Dixon ...
Randy McCall
Stephen Grant ...
Johnny Worth
Tom Powers ...
Dr. Mangram
Paul Hurst ...
Frederick Carson
Olin Howland ...
Bradley (as Olin Howlin)
John Halloran ...
Thomas Worth
Joan Barton ...
Lila Neal
Craig Woods ...
Ward Withers
Marshall Reed ...
Nelson
Edit

Storyline

Quirt Evans, an all round bad guy, is nursed back to health and sought after by Penelope Worth a quaker girl. He eventually finds himself having to choose between his world and the world Penelope lives in.

Add Full Plot | Plot Synopsis

Taglines:

He lived only for revenge...She lived only for his love!

Genres:

Romance | Western

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

15 February 1947 (USA)  »

Also Known As:

Angel and the Badman  »

Filming Locations:


Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The first film produced by John Wayne. See more »

Goofs

When Penny wheels the wagon around to pick up Quirt at the beginning of the movie, you can see an extra set of reins coming out of a small "window" that is visible below the wagon seat where the actual wagon driver (the stunt driver) is controlling the team of horses. See more »

Quotes

Quirt Evans: [reads the plaque on the wall] "Each human being has an integrity that can be hurt only by the act of that same human being and not by the act of another human being."
Quirt Evans: Is that Quaker stuff?
Penelope Worth: Uh huh.
Quirt Evans: You mean nobody can hurt you but yourself?
Penelope Worth: That's a Friend's belief.
Quirt Evans: Well, supposin' someone whacks you over the head with a branding iron? Won't that hurt?
Penelope Worth: Physically, of course. But in reality it would injure only the person doing the act of force of violence. Only the doer can be hurt by a mean or ...
[...]
See more »

Connections

Remade as Angel and the Bad Man (2009) See more »

Soundtracks

Darling Nelly Gray
Written by Benjamin Russell Hamby (1833-1867)
Performed by Joan Barton and Lee Dixon
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Quaker Family Values
16 May 2006 | by (Buffalo, New York) – See all my reviews

The Angel and the Badman is a milestone film in the career of John Wayne. It was the first film in which he had a substantial role behind the camera. My guess is that he must have lobbied Herbert J. Yates at Republic films for some creative control and Yates gave in to his studio's biggest moneymaker.

Though Wayne at times didn't have the best judgment in regard to his own personal projects, The Angel and the Badman is a winner in every way and doesn't get near enough credit for the work it is except from Wayne partisans.

Wayne plays young gun hand Quirt Evans, a most feared man in the territory, who wounded falls in the hands of a Quaker family who nurses him back to health. Wayne starts eying pretty daughter Gail Russell.

Pretty soon under her influence Wayne starts questioning the direction his life's been going in. Of course the Quakers do cheat a little on this question themselves. Though they don't believe in violence, the Duke's reputation as a gun hand comes in mighty handy in settling at least one neighborly dispute with Paul Hurst.

My favorite scene in the film and one of Wayne's best in all his films also involves his reputation. When Bruce Cabot and two henchmen find him at the Quaker home, Wayne runs one terrific bluff holding them off with an empty gun. This was the first time Wayne and Cabot worked together. In the sixties Cabot became a regular in Wayne films.

Angel and the Badman also has two other Wayne attempted reclamation projects. Gail Russell was one of the most beautiful women ever on the silver screen. She had a lot of tragedy in her life and died young. Wayne at one point gave her the lead in a film Seven Men from Now that he was producing, but not starring in, with Randolph Scott. She gave a good performance, but a lot of substance abuse had taken its toll.

Paul Hurst later on got a pay day from Wayne in Big Jim McLain in a scene he portrayed from a wheelchair. He was terminally ill with cancer and in fact took his own life shortly afterwards. The money was no doubt needed for Hurst's medical expenses.

Later on in McLintock Wayne said in one scene he doesn't give jobs, he hires men (and women). This was his idea of charity and something that never gets talked about enough by people, even some of Wayne's most devoted fans.

As this was his first film as producer, I have no doubt that the Duke wanted Harry Carey, the man he patterned his cowboy image after in this film. One of Carey's best screen performances as the "patient" federal marshal who's waiting for Cabot and Wayne to shoot it out so he can hang the winner.

Wayne's good friend James Edward Grant wrote and directed the film. Later on Frank Capra disparaged Grant as a bad influence on Wayne when they quarreled during the filming of Circus World. Grant did write some of the more conservative on Wayne's films. But I certainly can't fault anything he did in The Angel and the Badman.

In fact it's a winner in just about every respect. Even some Wayne haters might like this one.


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