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The Thirteenth Hour (1947)

 -  Mystery  -  6 February 1947 (USA)
6.4
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Ratings: 6.4/10 from 42 users  
Reviews: 3 user | 1 critic

In the 7th of Columbia's "Whistler" series, truck-firm owner Steve Reynolds gets involved in a feud with a rival firm, and shortly thereafter is slugged by a masked assailant who steals the... See full summary »

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Cast

Complete credited cast:
...
Karen Morley ...
Eileen Blair
John Kellogg ...
Charlie Cook
Jim Bannon ...
Jerry Mason
...
Don Parker
Bernadene Hayes ...
Mabel Sands
Mark Dennis ...
Tommy Blair
...
Ranford
Ernie Adams ...
McCabe
Cliff Clark ...
Police Capt. Linfield
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Storyline

In the 7th of Columbia's "Whistler" series, truck-firm owner Steve Reynolds gets involved in a feud with a rival firm, and shortly thereafter is slugged by a masked assailant who steals the truck he is driving. The assailant runs down a policeman in the truck and leaves other clues pointing to Reynolds as the cop killer. With only a glove, with diamonds stuck in the thumb, as a clue, and while evading the police and other characters after him and the diamonds, Reynolds finally runs down the guilty party and clears himself. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Genres:

Mystery

Certificate:

Approved
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Details

Country:

Language:

Release Date:

6 February 1947 (USA)  »

Also Known As:

The 13th Hour  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Last movie of Richard Dix. See more »

Connections

Follows The Power of the Whistler (1945) See more »

Frequently Asked Questions

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User Reviews

 
Well crafted to the end
21 May 2007 | by (Derby, UK) – See all my reviews

The 13th Hour was Richard Dix's 7th and final hour with the Whistler films; in fact he retired and died 2 years after this. It's not the best or the worst in the series, but still more than an adequate engrossing potboiler. It had the usual tight Columbia b picture budget yet atmospheric sets and photography plus the usual twisty story.

Honest and dependable truck firm owner Dix suddenly finds himself guilty of causing damage through driving whilst under the influence of alcohol, but of course he's innocent. This being the Whistler means it goes from bad to worse, and wanted murderer Dix really has his back up against the wall for most of the picture trying to find the real culprits. If you're familiar with the tenor of the previous entries you can probably see the big twist a-coming, but the beautiful little twist just after will get you! Favourite bits: the atmospheric shots outside Eileen's café; the denouement inside and outside Mabel's apartment, unfortunately leading to a bit of a trite end.

It wasn't quite the end of the dimly-lit road though – there was one more film to come (sans Dix) which wasn't too bad but the Canon is the 7 with him. All well worth watching if you prefer a simpler more complex world, when a b&w mystery film was just that and not a sex, violence, cgi cartoon riddled gimmick and hype fuelled socially inclusive seedy work of Art like nowadays.


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