Little Women is a "coming of age" drama tracing the lives of four sisters: Meg, Jo, Beth and Amy. During the American Civil War, the girls father is away serving as a minister to the troops... See full summary »
In 1870s Florida, a rural family struggles to survive. A lonely twelve-year-old son, Jody (Wil Horneff), the lone surviving child, against his mother's better judgment eventually persuades ... See full summary »
Harvey Cheyne is a spoiled brat used to having his own way. When a prank goes wrong onboard an ocean liner Harvey ends up overboard and nearly drowns. Fortunately he's picked up by a ... See full summary »
Shirley lives with a lighthouse keeper who rescued her when her parents drowned. A truant officer decides she should go to boarding school, but she's rescued by relatives. Buddy Ebsen dances "At The Codfish Ball" with Shirley.
A girl is sent to live with her uncle on his estate when her parents die. There she discovers much intrigue, family history and secrets and personal baggage. In particular, a screaming child and...a secret garden.
Fred M. Wilcox
After the American Civil War, a rebel soldier and his wife become pioneer farmers in Florida. Their son Jody is 11 years old; he gets along well with his warm and affectionate pa, but his ma is haunted by the death of her other children, so she's somber, even cold. The boy wants a pet: the dad is sympathetic, the mom obdurate. When a rattler bites pa, pa kills a doe to use its organs to draw out the poison. Jody begs to keep the doe's fawn as a pet. The parents agree, and the boy and the deer are soon inseparable. The fawn grows quickly, and as a yearling tramples tobacco shoots and eats the newly-sprouted corn. This is too much for ma, and Jody has to face harsh, adult realities. Written by
When Jody is sitting with Flag, you see little buds where he is beginning to get antlers. In the next scene with Flag, as they are going to bed, you can clearly see that the deer has none at all. See more »
[on the ocasion of the buryal of Fodderwing]
Oh Lord. Almighty God. It ain't for us ignorant mortals to say what's right and what's wrong. Was any one of us to be doin' of it, we'd not of bring this poor boy into the world a cripple, and his mind teched. We'd of bring him in straight and tall like his brothers, fitten to live and work and do. But in a way o' speakin', Lord, you done made it up to him. You give him a way with the wild creatures. You give him a sort of wisdom, made him knowin' and...
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All scenes involving animals in this picture were made under the supervision and with the cooperation of the American Humane Association See more »
One would have to be heartless not to be disarmed by this beautifully photographed, acted and realized story of a young boy's timeless, blissful childhood, represented by the yearling, and its inevitable end.
There is a stage in childhood, somewhere between the terrible twos and teens, when a boy or girl is without guile, believing that kindness and good intentions make everything right. Then, one day they discover that sometimes kindness and good intentions are not enough. That sometimes only death will put things right.
Directed by the great Clarence Brown, the entire film is a delight, but there are moments in it . . . the boy's night in a treehouse, with an ethereal little lame friend, when the boy discovers the faun, when they both gambol in the everglade. By all rights, scenes like these - and some of the lines - ought to make one cringe, but they don't. They are transcendent.
This is a family film. This means one for the whole family. See it with your kids. Learn from it as they do.
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