Clay Spencer is a hard-working man who loves his wife and large family. He is respected by his neighbors and always ready to give them a helping hand. Although not a churchgoer, he even ... See full summary »
When Cholera takes the parents of Mary Lennox, she is shipped from India to England to live with her Uncle Craven. Archibald Craven's house is dark, drafty, with over 100 rooms built on the... See full summary »
Fred M. Wilcox
After the American Civil War, a rebel soldier and his wife become pioneer farmers in Florida. Their son Jody is 11 years old; he gets along well with his warm and affectionate pa, but his ma is haunted by the death of her other children, so she's somber, even cold. The boy wants a pet: the dad is sympathetic, the mom obdurate. When a rattler bites pa, pa kills a doe to use its organs to draw out the poison. Jody begs to keep the doe's fawn as a pet. The parents agree, and the boy and the deer are soon inseparable. The fawn grows quickly, and as a yearling tramples tobacco shoots and eats the newly-sprouted corn. This is too much for ma, and Jody has to face harsh, adult realities. Written by
MGM had actually begun filming "The Yearling" in 1941 with Spencer Tracy, Anne Revere, and Atlanta native Gene Eckman (who never appeared in another film) in the starring roles, Roddy McDowall as Fodderwing, and Victor Fleming directing, but the production ran into innumerable problems, including Eckman growing too quickly during filming, his thick local accent (which conflicted with Tracy's vocal quality), swarms of mosquitoes, and conflicts between Fleming and producer Sidney Franklin. After King Vidor agreed to take over directing but then dropped out, the project was cancelled - at a loss of $500,000 - when the United States entered World War II. See more »
When Jody is sitting with Flag, you see little buds where he is beginning to get antlers. In the next scene with Flag, as they are going to bed, you can clearly see that the deer has none at all. See more »
[on the ocasion of the buryal of Fodderwing]
Oh Lord. Almighty God. It ain't for us ignorant mortals to say what's right and what's wrong. Was any one of us to be doin' of it, we'd not of bring this poor boy into the world a cripple, and his mind teched. We'd of bring him in straight and tall like his brothers, fitten to live and work and do. But in a way o' speakin', Lord, you done made it up to him. You give him a way with the wild creatures. You give him a sort of wisdom, made him knowin' and...
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All scenes involving animals in this picture were made under the supervision and with the cooperation of the American Humane Association See more »
Just caught this today on the CBC Afternoon Matinee. Amazingly, this is the first time I have seen the film, having read the book in grade school.
All I can say is this a masterpiece, from the writing to the cinematography to the score to the fine performances.
It is always a pleasure to watch the late great Gregory Peck. Like James Stewart, the man exudes class, integrity and kindness. They don't make actors nor films like this anymore.
This is a classic which works on many levels, which will function as a coming of age story for youngsters, and an introspective film for adults about the loss of innocence and the price of responsibility.
I so wish that the whiz kids at Disney and DreamWorks would stop wasting their time and effort on computer animated feel-good trash, and reach into their hearts and make a film this wonderful.
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