Arriving at Medicine Bow, eastern schoolteacher Molly Woods meets two cowboys, irresponsible Steve and the "Virginian," who gets off on the wrong foot with her. To add to his troubles, the ...
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In 1866, a new gold discovery and an inconclusive conference force the U.S. Army to build a road and fort in territory ceded by previous treaty to the Sioux...to the disgust of frontier ... See full summary »
With thousands of cattle being rustled from White Sage ranch the 1930's Texas Rangers are called in. They manage to get one of their agents into the gang by making them think he is the Pecos Kid on the lam.
With the army after him and his partner deserting, Reb decides that a change of scenery would be nice so he heads for Wyoming with Dave. To show his gratitude to Dave, he steals his horse ... See full summary »
Ring Hassard and father Jeff, wild horse breakers, live in a hidden mountain eyrie because Jeff is wanted for a murder he didn't commit. But things change when they take in a lost young ... See full summary »
The Shiloh Ranch in Wyoming Territory of the 1890s is owned in sequence by Judge Garth, the Grainger brothers, and Col. MacKenzie. It is the setting for a variety of stories, many more ... See full summary »
Arriving at Medicine Bow, eastern schoolteacher Molly Woods meets two cowboys, irresponsible Steve and the "Virginian," who gets off on the wrong foot with her. To add to his troubles, the Virginian finds that his old pal Steve is mixed up with black-hatted Trampas and his rustlers...then finds himself at the head of a posse after said rustlers; and Molly hates the violent side of frontier life. Written by
Rod Crawford <firstname.lastname@example.org>
One of over 700 Paramount productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. It received its first telecast in Philadelphia Monday 2 March 1959 on WCAU (Channel 10). At this time, color broadcasting was in its infancy, limited to only a small number of high rated programs, primarily on NBC and NBC affiliated stations, so most vintage film showings were still in B&W. Viewers were not offered the opportunity to see these films in their original Technicolor until several years later. See more »
Before the shootout at the end, both men see that the sun is about to set. And yet the shootout occurs in full sunlight; and when the newlyweds ride off at the end, the sun still hasn't quite set: they are riding off into the sunset. See more »
It's a fair bet that people in 1946 were complaining just as much today about too many remakes and how they didn't make 'em like they used to when confronted with remakes as dull and lifeless as The Virginian. This fourth-time-out-of-the-stable take on Owen Wister's influential novel just trudges through the motions, with even Joel McCrea unable to bring anything to the title role and Sonny Tufts giving an object lesson in bad acting as his simpleton best friend gone bad while Brian Donlevy's black-clad Trampas seems a little short for bad guy duty. Even the immortal "When you say that, smile" moment is thrown away here. Pretty dire.
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