Journalist Steve O'Malley wants to write a biography of a national hero who died when his car ran off a bridge. Steve receives conflicting reports and tales that make him question what the truth about the hero is.
Barbara Beaurevel lives with her aunt and cousin in New Orleans in the late 1800's. In love with Mark Lucas, a research doctor at Tulane University, her plans to marry him are thwarted. ... See full summary »
The story revolves around Pamela, as a woman in late-1800's England who has no intention of marriage and wishes to be her own person. After a great deal of difficulty in finding a job, she ... See full summary »
Nick Cochran, an American in exile in Macao, has a chance to restore his name by helping capture an international crime lord. Undercover, can he mislead the bad guys and still woo the handsome singer/petty crook, Julie Benson?
Josef von Sternberg,
In rural 1840's Scotland, Gavin Dishart arrives to become the new "little minister" of Thrums's Auld Licht church. He meets a mysterious young gypsy girl in the dens and to his horror ... See full summary »
MGM originally told actress Laraine Day that if she played the female lead in Keep Your Powder Dry (1945) that they would reward her with the female lead in Undercurrent (1946). Although she kept her part of the bargain and appeared in that production, MGM failed to fulfill their promise and gave the lead to Katharine Hepburn. Laraine Day responded to this by asking and receiving a release from her MGM contract in 1946. See more »
Jayne Meadows tells Katherine Hepburn that Michael (Robert Mitchum) is not handsome. How can she say such a thing about one of the sexiest and handsomest leading men Hollywood has ever produced? Ridiculous! What were the editors thinking? See more »
What a cast! Hepburn, Robert Taylor and Robert Mitchum! Hepburn here is paired with Robert Taylor, a scientist, who seems to have some very nervous employees and some sensitive areas, one concerning an absent brother, Michael. When Hepburn meets one of Taylor's old girlfriends, a very well cast Jayne Meadows, she becomes suspicious of Taylor's motives for marrying her - and suspicious about what happened to Taylor's brother.
Hepburn gives her usual intelligent performance, showing a vulnerable, feminine side that is very appealing. There is a scene in a fitting room where she is absolutely stunning. The scenes between her and her father, played by Edmund Gwenn, are delightful and realistic, as she complains that Taylor could not be attracted to her. "Look at me," she demands, "what do you see? " Her father smiles and says "Beautiful" and kisses her. It's this type of gentleness coupled with good acting, underlying suspense and excitement that makes Undercurrent a very good -- and very underrated -'40s film. Taylor is handsome and enigmatic in his role. Somewhere along the way, he stumbled into playing bad boys, as he does later on in "Conspirator" as well, and these roles suit him. Hepburn once said that Spencer Tracy made her seem very feminine; Taylor does too.
I have to add that I did find the casting quite odd but inspired, with Hepburn and Mitchum cast against type, and Hepburn paired with Taylor. I wish we had seen more of this in Hollywood.
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