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Undercurrent (1946)

6.6
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Ratings: 6.6/10 from 1,683 users  
Reviews: 53 user | 14 critic

Middle-aged bride Ann Hamilton soon begins to suspect that her charming husband is really a psychotic who plans to murder her.

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(story), (screenplay), 2 more credits »
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Cast

Complete credited cast:
...
Ann Hamilton
...
Alan Garroway
...
Michael Garroway
...
Prof. 'Dink' Hamilton
Marjorie Main ...
Lucy
...
Sylvia Lea Burton
Clinton Sundberg ...
Mr. Warmsley
Dan Tobin ...
Prof. Joseph Bangs
Kathryn Card ...
Mrs. Foster
Leigh Whipper ...
George
Charles Trowbridge ...
Justice Putnam
James Westerfield ...
Henry Gilson
Billy McClain ...
Uncle Ben (as Billy McLain)
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Storyline

Middle-aged bride Ann Hamilton soon begins to suspect that her charming husband is really a psychotic who plans to murder her.

Plot Summary | Plot Synopsis

Taglines:

An Irresistible Force That Draws a Man and Woman Together! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

28 November 1946 (USA)  »

Also Known As:

You Were There  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

"The Screen Guild Theater" broadcast a 30 minute radio adaptation of the movie on May 5, 1949 with Robert Taylor reprising his film role. See more »

Quotes

Ann Hamilton: If I relax, I'll drop dead.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Turgid Melodrama
13 May 2012 | by (Claremont,USA) – See all my reviews

The first half-hour is quite well done. Hepburn is excellent as the plain Jane whose brave exterior hides an aching heart. That the sleekly handsome Taylor would suddenly pay her attention is almost too good to be true. For the sheltered girl, it's a Cinderella dream come true. The Washington DC party scenes are particularly well done, just the sort of thing MGM was skilled at, and watching her keep up a brave façade among the snobs while hiding deep insecurity is particularly affecting. But then the movie goes into a dark psychological phase, and it's mainly downhill from then on.

There's nothing plausible about Ann's (Hepburn) obsession with a mysterious Michael (Mitchum), especially while she's married to Prince Charming Alan (Taylor). It's clearly a plot contrivance and a clumsy one, at that. And catch that sequence where Alan tries to kill Ann while they're on horseback. It's about as poorly staged and edited as any action sequence I've seen. In particular, the progression of backgrounds doesn't come close to matching, creating a rather surreal effect.

In my book, LB Mayer's MGM was the wrong studio to do this kind of dark material. Too bad Mayer didn't pass the story over to a budget outfit like Columbia or RKO. They would have turned out a fast efficient little noir, which is what the material is really suited for. The trouble here is that MGM casts two of its biggest celebrity stars in the lead. Hepburn and Taylor are fine performers, but their super-star status required lots of screen time, so the movie gets padded to an often redundant two hours, which doesn't help.

It's also an odd role for Mitchum given his later screen persona. Of course, it's still early in the tough guy's career, and a year away from his defining role as the noirish Jeff in Out of the Past (1947). Still, seeing him in a bland part that any number of lesser actors could have handled takes some getting used to. He's lucky he went from here to the eccentric RKO, while I'm wondering where his career would have gone had he stayed with glamorous MGM.

All in all, the melodrama itself is a turgid disappointment despite the first half-hour and the amount of talent involved.


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