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Three Strangers (1946)

Approved  |   |  Crime, Drama, Thriller  |  28 January 1946 (USA)
7.0
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Ratings: 7.0/10 from 993 users  
Reviews: 31 user | 13 critic

Three strangers, each with a serious problem in their lives, share a sweepstakes ticket which they wished upon together before a Chinese idol.

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(original screenplay), (original screenplay)
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Cast

Complete credited cast:
...
...
...
Johnny West
...
Icey Crane
Robert Shayne ...
Bertram Fallon
Marjorie Riordan ...
Janet Elliott
Arthur Shields ...
Prosecutor
Rosalind Ivan ...
Lady Rhea Belladon
John Alvin ...
Junior Clerk
Peter Whitney ...
Timothy Delaney aka Gabby
...
David Shackleford
Clifford Brooke ...
Senior Clerk
Doris Lloyd ...
Mrs. Proctor
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Storyline

According to a legend, if three strangers gather before an idol of Kwan Yin (the Chinese goddess of fortune and destiny) on the night of the Chinese New Year and make a common wish, Kwan Yin will open her eyes and her heart and grant the wish. In London 1938 on the Chinese New Year, Crystal Shackleford has such an idol and decides to put the legend to the test. She picks two random strangers off the street, and puts the proposition to them. They decide that an ideal wish would be for a sweepstakes ticket they buy equal shares in to be a winner. After all, everyone needs money and a pot is very easy to divide equally, right? Written by Ken Yousten <kyousten@bev.net>

Plot Summary | Plot Synopsis

Taglines:

BREATHTAKING SUSPENSE - THRILLS! (original ad - all caps)

Genres:

Crime | Drama | Thriller

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

28 January 1946 (USA)  »

Also Known As:

3 Desconhecidos  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

According to Robert Osborne of TCM, this film was at one point intended to be a sequel to "The Maltese Falcon." Following the success of that film, Warner Bros. wanted to make a sequel. Falcon write/director John Huston said he'd previously written an un-filmed scrip for Warner Bros. that would be appropriate and would only required the character names to be changed to the Humphrey Bogart, Sydney Greenstreet and Mary Astor characters. However, Warner Bros. discovered they did not own the rights to the characters except for their appearance in "The Maltese Falcon." See more »

Quotes

Detective: [to Fallon] Even if I am a policeman, I hate a squealer.
See more »

Soundtracks

I Dreampt I Dwelt in Marble Halls
(uncredited)
Written by Michael Balfe and Alfred Bunn (1843)
Played by Johnny on broken record in prison cell.
See more »

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User Reviews

 
Interesting black comedy about greed in a movie rich with detail and atmosphere.
4 April 2004 | by (New York, N.Y.) – See all my reviews

A very literate script by John Huston and Howard Koch makes this one worth seeing. Only after the initial intriguing premise is set in motion do we discover to our amusement that all the characters we've become interested in are fairly despicable, particularly Geraldine Fitzgerald as a sociopath and nymphomaniac. With the unusually well observed character details provided by the script and the use of many supporting and bit actors one hasn't seen in lots of other pictures, THREE STRANGERS really has something of the atmosphere of London in 1938 rather than of London-via-Hollywood.

And make no mistake: Despite good direction by Jean Negulesco, John Huston's cynicism, pessimism and misogyny are evident everywhere, and that alone makes this unusual in a '40s picture. Like MALTESE FALCON it is a black comedy about greed, but it has no big stars, no glamor, and only the sliest, cruelest humor. Add the perfectly judged performances of everyone in this film, and it adds up to a neglected near-classic, one that seemed to predict the funnier and more elegant KIND HEARTS AND CORONETS.

As the real star of the film, Peter Lorre is wonderfully wry and quite lovable as one of life's eternal losers. Sydney Greenstreet often played nasty men deliciously but here he takes his character's weakness and pettiness much further than usual, and his scenes of escalating madness are very effective. Geraldine Fitzgerald's portrait of an amoral seductress is different than what she usually played at Warners, and should be considered some kind of '40s milestone in the depiction of depraved women alongside Gene Tierney in LEAVE HER TO HEAVEN and Agnes Moorehead in DARK PASSAGE. She's aided by some very form-fitting Milo Anderson gowns, one of which, a pleated satin negligee, was recycled in black for Patricia Neal in THE FOUNTAINHEAD a few years later. It looks great in both incarnations. In smaller parts Peter Whitney makes an impression as a soft-hearted (and homosexual?) crony of Lorre's, and Rosalind Ivan is memorable as a dotty widow who is much shrewder than she appears. Finally, the casting of Fitzgerald, Marjorie Riordan and Joan Lorring (who looks like a young Irene Selznick) is curious: all three young women have prominent noses, darkly painted lips and very dark, shoulder-length hair which is styled similarly. And as each character descends in economic scale, her looks are heavier and plainer. Another comment on how fickle fortune can be? Anne Sharp's comment below that the characters are meant to illustrate the dark forces that enabled WWII is interesting and valuable.

By the way, the print shown on TCM is rather dim, sketchy and full of harsh contrasts so it's hard to judge what the film was actually meant to look like. Whoever now owns the Warner Bros. library should strike a pristine version of this one.


18 of 21 people found this review helpful.  Was this review helpful to you?

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