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The Stranger (1946)

Approved  |   |  Crime, Drama, Film-Noir  |  25 May 1946 (USA)
7.5
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Ratings: 7.5/10 from 12,491 users  
Reviews: 139 user | 91 critic

An investigator from the War Crimes Commission travels to Connecticut to find an infamous Nazi.

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Title: The Stranger (1946)

The Stranger (1946) on IMDb 7.5/10

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Nominated for 1 Oscar. Another 1 nomination. See more awards »

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Cast

Complete credited cast:
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Philip Merivale ...
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Konstantin Shayne ...
Byron Keith ...
Billy House ...
Martha Wentworth ...
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Storyline

Wilson of the War Crimes Commission is seeking Franz Kindler, mastermind of the Holocaust, who has effectively erased his identity. Wilson releases Kindler's former comrade Meinike and follows him to Harper, Connecticut, where he is killed before he can identify Kindler. Now Wilson's only clue is Kindler's fascination with antique clocks; but, though Kindler seems secure in his new identity, he feels his past closing in. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Plot Synopsis

Taglines:

The Most Deceitful Man A Woman Ever Loved !


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Approved | See all certifications »

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Details

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Release Date:

25 May 1946 (USA)  »

Also Known As:

Date with Destiny  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

In one of the final scenes, when Orson Welles lifts Loretta Young one-handed into the clock tower from a ladder, this is not a special effect. Young stated that this was actually filmed in the church with her dangling dangerously many feet above the church floor. See more »

Goofs

When Konrad Meinke visits a photographer 5&1/4 minutes into the film, the shadow of a boom mic can be seen moving in the upper left corner of the screen. See more »

Quotes

Judge Adam Longstreet: When she snapped those beads, she signed her own death warrant.
See more »

Connections

Featured in Schlock! The Secret History of American Movies (2001) See more »

Frequently Asked Questions

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User Reviews

 
Taught, suspenseful thriller
30 May 2003 | by (Montreal, Quebec, Canada) – See all my reviews

This film has been knocked by many people saying that Orson Welles was forced to work within the strict confines of the Hollywood system. I have absolutely no problem with this. Welles is a master craftsman. He made great films, period. In an interview he said that the studio cut out " a couple of reels" that take place in South America at the beginning of the story that he felt was the best part of the movie. As a viewer I feel that the film is compact and taut. Adding more to it would not help(in my opinion). On the contrary, I think adding more might make the film sluggish. As it stands the film remains dark. You feel that evil is present. You are just not sure what is going to happen next.

The performances in this film are for the most part excellent. Edward G. Robinson is amazing. This could have been a cardboard thin good-guy part. Instead he turns the character of Wilson into a smart, cunning hero. He is self-assured not obsessed. He understands what most people in the town don't: Kindler is a monster who is capable of anything. To catch such a man you have to be several steps ahead of him. Also excellent is Konstantin Shayne as Meinike. You can see the fear and madness in his eyes as he repeats "I am travelling for my health, I am travelling for my health..." before going through customs. Make no mistake, this man is "an obscenity that must be destroyed" to quote Wilson. Just look at his scene with the photographer in South America. He is used to people following his orders. Welles is also very good as Kindler/Rankin. There are moments that you actually feel sympathy for him. His obsession with fixing the town clock is very significant. Here is a man who needs things to be precise and structured. He wants total control of his environment(a good example is how he treats his wife). Welles hints at this man's mania but keeps him human. Even though you want him to be caught, you can't help wondering if he'll get away. Loretta Young is unfortunately just average in this film. She has some good moments (especially in the final scene when she confronts Rankin/Kindler)but her hysterics are just too much. The scene where Wilson is showing her the Nazi atrocities is well played. She keeps a certain composure that works well.

Overall, a very well made thriller with top notch performances and solid direction by one of cinema's masters. I give it 8 clock towers out of 10.


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