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Wilson of the War Crimes Commission is seeking Franz Kindler, mastermind of the Holocaust, who has effectively erased his identity. Wilson releases Kindler's former comrade Meinike and follows him to Harper, Connecticut, where he is killed before he can identify Kindler. Now Wilson's only clue is Kindler's fascination with antique clocks; but, though Kindler seems secure in his new identity, he feels his past closing in. Written by
Rod Crawford <firstname.lastname@example.org>
"The Hedda Hopper Show - This Is Hollywood" broadcast a 30-minute radio adaptation of the movie on December 7, 1946, with Edward G. Robinson reprising his film role. See more »
When Konrad Meinke visits a photographer 5&1/4 minutes into the film, the shadow of a boom mic can be seen moving in the upper left corner of the screen. See more »
Why wasn't it I... Franz Kindler? Kill me. Kill me, I want you to. I couldn't face life knowing what I've been to you and what I've done to Noah. But when you kill me, don't put your hands on me!
[Picks up a fireplace poker]
Here! Use this!
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Orson welles directs and stars in vivid postwar Nazi hunt.
A little much in parts, particularly the use of headlight direction that Welles loves to employ, nevertheless, this is a film that rates three stars in the Wellesian collection.
Edward G. Robinson is superb as the laid-back, all-knowing, in-your-face detective and Loretta Young scores as Orson's wife but it's big Billy House who is the real scene-stealer. House plays the man who owns the self-service store in town who likes playing checkers with his customers.
Welles, who looks a little strange--no doubt to match up with the title-provides a commanding performance throughout in a film that reflects the era's revulsion with the Nazi dream.
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