Madeleine Damien is the fashion editor of a slick Manhattan magazine by day and a lively party girl by night. Unfortunately, the pressures of her job, including kowtowing to a hefty ... See full summary »
Eva has just gotten married to an older gentleman, but discovers that he is obsessed with order in his life and doesn't have much room for passion. She becomes despondent and leaves him, ... See full summary »
There is a problem with foreign nationals using Cuba as a convenient jumping off point for illegal entry into the United States. So U.S. Immigration Service Agent Peter Karczag (John Hodiak... See full summary »
Beautiful Jenny Hager finds she can always get what she wants from the men in the 1820's port of Bangor, Maine. Freed by his death from her drunkard father she soon manoeuvres herself into a position to marry a middle-aged monied local businessman. Though she often uses his money to do good, she continues to consider all other men fair game. Written by
Jeremy Perkins <email@example.com>
An obscure film which, because of surprising creative touches in directing, acting and editing, should be shown more often: more than a potboiler, more than a "women's picture" that did not happen to star Bette Davis or Joan Crawford, it offers an engaging story, characters of substance and - except for a convenient and contrived ending - an honest portrayal of people caught in a web of circumstances and emotions they cannot control. Aside from the glitter and sweep, it has more similarities to than differences from "Gone With the Wind."
This may be Hedy Lamarr's most challenging role, and she acquits herself quite well. George Sanders appears infrequently as a sympathetic character, but even he is victimized by the Scarlett O'Hara-like wiles of Hedy. That both of these performers have accents that are not suggestive of born-and-bred Maine residents should not constitute more than a minor annoyance. The picture has more than enough offsetting merits.
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