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The Strange Woman (1946)

6.7
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Ratings: 6.7/10 from 848 users  
Reviews: 35 user | 16 critic

In 1820s New England beautiful but poor and manipulative Jenny Hager marries rich old man Isaiah Poster but also seduces his son and his company foreman.

Directors:

(as Edgar Ulmer) , (uncredited)

Writers:

(screenplay), (novel), 2 more credits »
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Title: The Strange Woman (1946)

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Cast

Cast overview:
...
...
...
Ephraim Poster
...
Isaiah Poster
Hillary Brooke ...
Meg Saladine
...
Deacon Adams
June Storey ...
Lena Tempest
Moroni Olsen ...
Rev. Thatcher
Olive Blakeney ...
Mrs. Hollis
Kathleen Lockhart ...
Mrs. Partridge
...
Judge Henry Saladine
Dennis Hoey ...
Tim Hager
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Storyline

Beautiful Jenny Hager finds she can always get what she wants from the men in the 1820's port of Bangor, Maine. Freed by his death from her drunkard father she soon manoeuvres herself into a position to marry a middle-aged monied local businessman. Though she often uses his money to do good, she continues to consider all other men fair game. Written by Jeremy Perkins <jwp@aber.ac.uk>

Plot Summary | Add Synopsis

Taglines:

So shocking she could only be spoken about in whispers!


Certificate:

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Details

Country:

Language:

Release Date:

25 October 1946 (USA)  »

Also Known As:

Den onda ängeln  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Douglas Sirk directed, uncredited, the opening sequence with Jenny Hager as a child. See more »

Quotes

Lincoln Pittridge: [Giving a sermon, quoting from Proverbs 5:3] The lips of a strange woman drip honey, and her mouth is smoother than oil... But her end is bitter as wormwood, sharp as a two-edged sword!
See more »

Connections

Referenced in Edgar G. Ulmer - The Man Off-screen (2004) See more »

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User Reviews

Should be better remembered
21 July 2001 | by See all my reviews

An obscure film which, because of surprising creative touches in directing, acting and editing, should be shown more often: more than a potboiler, more than a "women's picture" that did not happen to star Bette Davis or Joan Crawford, it offers an engaging story, characters of substance and - except for a convenient and contrived ending - an honest portrayal of people caught in a web of circumstances and emotions they cannot control. Aside from the glitter and sweep, it has more similarities to than differences from "Gone With the Wind."

This may be Hedy Lamarr's most challenging role, and she acquits herself quite well. George Sanders appears infrequently as a sympathetic character, but even he is victimized by the Scarlett O'Hara-like wiles of Hedy. That both of these performers have accents that are not suggestive of born-and-bred Maine residents should not constitute more than a minor annoyance. The picture has more than enough offsetting merits.


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