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The Spiral Staircase (1945)

Approved  |   |  Film-Noir, Mystery, Thriller  |  December 1945 (USA)
7.6
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Ratings: 7.6/10 from 6,168 users  
Reviews: 101 user | 40 critic

A serial killer (circa 1916) is targeting women with 'afflictions'; one night during a thunderstorm, mute Helen feels menaced.

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(screenplay), (novel)
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Title: The Spiral Staircase (1945)

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Nominated for 1 Oscar. See more awards »

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Cast

Complete credited cast:
...
George Brent ...
...
Kent Smith ...
...
Blanche
Gordon Oliver ...
Steve Warren
...
...
Nurse Barker
...
Mr. Oates
James Bell ...
Constable
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Storyline

Beautiful young mute Helen is a domestic worker for old ailing Mrs. Warren. Mrs. Warren's two sons, Albert (a professor) and womanizing impudent Steven, also live in the Warren mansion. Mrs. Warren becomes concerned for Helen's safety when a rash of murders involving 'women with afflictions' hits the neighborhood. She implores her physician, Dr. Parry, to take Helen away for her own safety. When another murder occurs inside the Warren mansion, it becomes obvious that Helen is in danger. Written by Gary Jackson <garyjack5@cogeco.ca>

Plot Summary | Plot Synopsis


Certificate:

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Details

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Language:

Release Date:

December 1945 (USA)  »

Also Known As:

Silence of Helen McCord  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"The Hedda Hopper Show - This Is Hollywood" broadcast a 30 minute radio adaptation of the movie on February 15, 1947 with George Brent reprising his film role. See more »

Goofs

When Helen lights the candle in a candle holder in the kitchen, she holds it on the bottom with her left hand, blocking the breeze with her right hand. The next shot is of her leaving the kitchen, still blocking with her right hand but now hold the candle stick near the top of holder instead of the bottom. She starts down the spiral staircase and as she rounds the first turn, she's once again holding the candle holder on the bottom. See more »

Quotes

Constable: She's dead!
Dr. Parry: Well, in that case, Constable, I certainly can't do her any harm.
See more »

Connections

Features The Kiss (1914) See more »

Soundtracks

Waltz Op. 34 No. 2 in A minor
(uncredited)
Music by Frédéric Chopin
Played during the scene at the silent movie theater
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Atmospheric old dark house thriller...quiet but deadly...
16 April 2001 | by (U.S.A.) – See all my reviews

For sheer mastery in the art of black and white photography and its ability to provide the shadowy atmosphere necessary for mood, they don't come any better than this. The house alone is as much a part of the plot as the actors--but everything clicks...the acting, the script, the story, the direction and the brooding atmosphere that lets you know you're in for an intense and absorbingly suspenseful story. All of the suspense is relieved occasionally with just the right amount of humor. Particularly by Elsa Lanchester as the housekeeper who uses trickery to steal an extra bottle of liquor from the wine cellar. While thunder and lightning storms outside the mansion, we know that a serial killer is lurking on or near the premises, one who specializes in murdering women with physical afflictions. At the center of the story is Dorothy McGuire's character, a mute girl who lost her voice years ago during a traumatic experience. Around her are a number of people, all of whom become suspicious as the plot thickens--Kent Smith, Rhonda Fleming, George Brent, Ethel Barrymore and Gordon Oliver. Ethel Barrymore is especially good as a frightened old woman, bedridden and suspicious enough of everyone. For comparison, view the recent color TV adaptation, bland in overall effect. It will make you appreciate this black and white classic more than ever. As with most remakes, it doesn't stand a chance against the original.

My only complaint is that DOROTHY McGUIRE does not have much range in her expressions. Wide-eyed, but seldom wild, her restraint limits the amount of fear her character can express without using her voice. A more over-the-top performance might have been more useful, given the Gothic mood created so well by director Robert Siodmak. She is overshadowed by Ethel Barrymore as a bed-ridden invalid urging her to leave the house and Gordon Oliver, as the playboy step-brother who plays his role to the hilt. GEORGE BRENT does nicely for the most part, but seems too laid back in the final scenes to be as menacing as he is meant to be.

Still, well worth watching for its shadowy Victorian atmosphere alone.


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