When a Nazi saboteur jeeringly predicts to the nation new depredations, via their radio 'Voice of Terror', the Intellegence Inner Council summons Sherlock Holmes (Basil Rathbone) to help in... See full summary »
During WWII several murders occur at a convalescent home where Dr. Watson has volunteered his services. He summons Holmes for help and the master detective proceeds to solve the crime from ... See full summary »
Jean takes the job of caretaker/companion (before the word took on a completely alternate-life style meaning) to blind woman Zenobia. Also hanging around the house, in this horror/western, is Mario, a deaf-mute servant who evidently wasn't much help to Zenobia when it came to identifying the source of a noise Zenobia couldn't see. Jean is a little slow in realizing that Zenobia is slowly killing her by taking her blood. Nothing personal. Zenobia needs her blood to feed some plants. She uses the blossoms of the plants to make poison to kill cattle in order to drive away the local ranchers so she can buy all the land...cheap. Written by
Les Adams <firstname.lastname@example.org>
THE SPIDER WOMAN STRIKES BACK (Arthur Lubin, 1946) *1/2
Despite the title and the presence of two of Sherlock Holmes' most formidable nemesis (Gale Sondergaard and Rondo Hatton - hilariously named Zenobia and Mario respectively!), this is one lame film which has nothing whatsoever to do with one of the better Universal Sherlock Holmes entries. As a matter of fact, the story is weak, the premise far-fetched, the resolution predictable and the treatment uninspired! Besides, the fiery climax is clumsily executed and Hatton's fidgeting...er...sign language eventually gets on one's nerves! It's fair to say, then, that director Lubin fared much better with the other two 'horror' films he made for the studio - BLACK Friday (1940) and PHANTOM OF THE OPERA (1943), even if these weren't completely satisfying either...
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