A harsh study about the grim realities of life in a non-coed, totally female prison environment. Story concerns a young girl who comes to prison and experiences the entire prison subculture... See full summary »
Among the horses stable hands Stanley and Oliver are tending is a thoroughbred named "Blue Boy." But when they overhear two men talking about a $5000 reward for the return of the stolen "... See full summary »
Napoli, gli inizi del secolo. Assunta Spina è una bella stiratrice ed ha per amante Michele, ma Raffaele continua a girarle attorno. Un giorno, durante il pranzo di onomastico a Marechiaro,... See full summary »
Count Anikoff, a Russian officer, challenges his best friend, Sergei, to a duel when he finds him courting the young woman he, too, is in love with. Sergei can't bring himself to kill his friend. He fires only after taking the bullet out of his pistol. Now, it is the Count's turn to fire...
Charley is afraid of dogs, and one chases him into a phone box, which a stuffy aristocrat has just left to get more change, to continue the phone call with his fiancée, who is being forced ... See full summary »
A few moments before Charley is going to marry, a "friend", who is jealous, gives him an anonymous note, stating that the bride has a wooden leg. Charley cancels the wedding, but agrees to ... See full summary »
Jamison has a very jealous wife. Mrs. Jamison has a very gossipy friend. When the friend spots Jamison on the street talking to an attractive young woman, she reports back to Mrs. Jamison ... See full summary »
UNDER THE SUN OF ROME is the first of a trilogy of great comedies which were directed by Renato Castellani after World War II. The other two are E' PRIMAVERA and DUE SOLDI DI SPERANZA. These movies all treat the hardships of post-war life seriously but also with a light and wistful comic touch. Here we see the lives of a group of some appealing young men in Nazified Rome and after the liberation. A shiftless young man manages to return home after being imprisoned by the Germans. After the war he takes up with a married woman then tries to blackmail her. During the course of the film his mother dies, his father is killed, and the shiftless kid must learn to confront life as a real man. As in many of the other neorealist films of the time, director Castellani cast non-professionals in all the key roles. The film is touching, humane, wise and too little known.
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