Jane Budden, a country girl goes to the big city, determined to find and marry a wealthy man. Instead, she meets and marries Hiram Maxim, a struggling inventor. After their marriage, his ...
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Mary, a writer working on a novel about a love triangle, is attracted to her publisher. Her suitor Jimmy is determined to break them up; he introduces Mary to the publisher's wife without ... See full summary »
A young painter stumbles upon an assortment of odd characters at an English estate where he has been hired to give art lessons to beautiful Laura Fairlie. Among them are Anne Catherick, a ... See full summary »
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Jane Budden, a country girl goes to the big city, determined to find and marry a wealthy man. Instead, she meets and marries Hiram Maxim, a struggling inventor. After their marriage, his inventions become successful. Their happiness is complete when they have two children, and Maxim's portrait is given a place in the National Hall of Science. Written by
Les Adams <firstname.lastname@example.org>
The Universal International backlot was used for the wagon ride scene. The two houses used in the film were constructed on stage 12. In 1950, the stock units from the sound stage sets were reconstructed on the new colonial street. The "Maxim house" was used in the movie " One Desire" (1955) and the "Allison Home" used in the movie "Harvey" (1950) In 1964 Universal studios tour guides called the sets the "Munster House" (Maxim house) and the "Harvey house" . Today the sets are located on Wisteria Lane - 4349 Wisteria Lane (Allison Home) - 4351 Wisteria Lane (Maxim house) See more »
In scene before Jane has the medical issue after chasing the dog she is very obviously NOT pregnant. Then several hours later she gives birth. See more »
Loy and Ameche at the top of their game in humorous biopic
Ameche and Loy are playing roles not unlike more brilliant performances in more brilliant movies during the 1940's. That doesn't make So Goes My Love any less enjoyable despite the unnecessarily esoteric title. A more appropriate title would have been The Unconventional Hiram Maxim - a British-born inventor who lived in Brooklyn and, according to this movie, was fond of eschewing dignity. Loy is as successful here in engaging her co-star in remarkable chemistry and holding her own on the comic front (her smoking of a cigar is hilarious) as she was to be in her upcoming masterpieces Life with Father and Mr. Blanding Builds His Dream House. Ameche, fresh off Heaven Can Wait - one of my personal all-time favorites - and having perfected the inventor biopic in his essay of Alexander Graham Bell, is ideally cast as Maxim and has excellent chemistry with Loy. Add in highly competent support by Bobby Driscoll as Loy and Rhys WIlliams as an equally eccentric portrait painter and you have a highly amusing if episodic 80 minutes of entertainment.
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