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So Dark the Night (1946)

Approved  |   |  Crime, Drama, Film-Noir  |  10 October 1946 (USA)
6.4
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Ratings: 6.4/10 from 329 users  
Reviews: 15 user | 9 critic

A renowned and relentless Paris detective takes his first vacation in eleven years at a small inn in the French countryside. There he meets and falls in love with the hotelier's daughter, ... See full summary »

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(screenplay), (screenplay) (as Dwight Babcock) , 1 more credit »
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Title: So Dark the Night (1946)

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Cast

Complete credited cast:
Steven Geray ...
Micheline Cheirel ...
Eugene Borden ...
Pierre Michaud
Ann Codee ...
Mama Michaud
Egon Brecher ...
Dr. Boncourt
Helen Freeman ...
Widow Bridelle
Brother Theodore ...
Georges (as Theodore Gottlieb)
Gregory Gaye ...
Commissioner Grande (as Gregory Gay)
Jean Del Val ...
Dr. Manet
Emil Rameau ...
Pere Cortot
Paul Marion ...
Leon Achard
Louis Mercier ...
Jean Duval
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Storyline

A renowned and relentless Paris detective takes his first vacation in eleven years at a small inn in the French countryside. There he meets and falls in love with the hotelier's daughter, who had been betrothed to a neighboring farmer, but who hopes to marry him and move to Paris. On the evening of their engagement, both the fiancée and the farmer disappear. What has happened to them? Who is responsible? Can the famed detective apply his talents to a rural mystery? Written by klg19

Plot Summary | Add Synopsis

Genres:

Crime | Drama | Film-Noir

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

10 October 1946 (USA)  »

Also Known As:

Così scura la notte  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Quotes

Henri Cassin: Henri Cassin is no more. I caught him. I killed him.
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Connections

Version of Lux Video Theatre: So Dark the Night (1955) See more »

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User Reviews

 
Detective finds love and murder in countryside
16 August 1999 | by (London, England) – See all my reviews

What starts as a particularly crass representation of French life complete with 'American Franglais' accents becomes curiously appealing after about half an hour.

Once the melodramatic chestnut of 'the old man and younger women' is dispensed with and we are thrust into the meaty matter of multiple homicide, the drama draws us in. It is here that the two-dimensional characters actually work for the film; is it the jealous widower, the protective father or the ambitious mother? Could be!

The acting is fairly average, the budget is non-existent and this movie is by no means a classic. So what saves it then? Well, its main point of interest is its conclusion.

The film's ending, although rather clumsily handled is genuinely surprising, mainly because of the film's date and that Hollywood convention rarely allows the generic rules to be broken in such a way. It's one of those movies that you watch in the afternoon when you're doling it or are off sick

  • I gave it six just for the ending alone.





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