6.4/10
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16 user 10 critic

So Dark the Night (1946)

Approved | | Crime, Drama, Film-Noir | 10 October 1946 (USA)
A renowned and relentless Paris detective takes his first vacation in eleven years at a small inn in the French countryside. There he meets and falls in love with the hotelier's daughter, ... See full summary »

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(screenplay), (screenplay) (as Dwight Babcock) | 1 more credit »
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Cast

Complete credited cast:
...
...
Eugene Borden ...
Pierre Michaud
...
Mama Michaud
Egon Brecher ...
Dr. Boncourt
Helen Freeman ...
Widow Bridelle
Brother Theodore ...
Georges (as Theodore Gottlieb)
...
Commissioner Grande (as Gregory Gay)
...
Dr. Manet
Emil Rameau ...
Pere Cortot
Paul Marion ...
Leon Achard
Louis Mercier ...
Jean Duval
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Storyline

A renowned and relentless Paris detective takes his first vacation in eleven years at a small inn in the French countryside. There he meets and falls in love with the hotelier's daughter, who had been betrothed to a neighboring farmer, but who hopes to marry him and move to Paris. On the evening of their engagement, both the fiancée and the farmer disappear. What has happened to them? Who is responsible? Can the famed detective apply his talents to a rural mystery? Written by klg19

Plot Summary | Add Synopsis

Genres:

Crime | Drama | Film-Noir

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

10 October 1946 (USA)  »

Also Known As:

Così scura la notte  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Quotes

Henri Cassin: I knew it was too good to be true. That much happiness just wasn't meant for me.
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Connections

Version of Lux Video Theatre: So Dark the Night (1955) See more »

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User Reviews

 
Sun-dappled noir
22 January 2002 | by (Hemet, Ca.) – See all my reviews

Really not much to keep you locked to the screen here. Cassin is not exactly charismatic or intense enough for you to believe his role in that twist (or is it wrench?) of an ending and the supporting cast is as two dimensional as the "French countryside" backdrop. The only thing of interest is how Lewis attempts, somewhat perversely, to employ noir conventions and build suspense in a sun-dappled bucolic landscape. Hey, at least the guy was always mixin' it up! 5/10.


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