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So Dark the Night (1946)

6.4
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Ratings: 6.4/10 from 298 users  
Reviews: 15 user | 9 critic

A renowned and relentless Paris detective takes his first vacation in eleven years at a small inn in the French countryside. There he meets and falls in love with the hotelier's daughter, ... See full summary »

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Title: So Dark the Night (1946)

So Dark the Night (1946) on IMDb 6.4/10

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Cast

Complete credited cast:
Steven Geray ...
Micheline Cheirel ...
Nanette Michaud
Eugene Borden ...
Pierre Michaud
Ann Codee ...
Mama Michaud
Egon Brecher ...
Dr. Boncourt
Helen Freeman ...
Widow Bridelle
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Storyline

A renowned and relentless Paris detective takes his first vacation in eleven years at a small inn in the French countryside. There he meets and falls in love with the hotelier's daughter, who had been betrothed to a neighboring farmer, but who hopes to marry him and move to Paris. On the evening of their engagement, both the fiancée and the farmer disappear. What has happened to them? Who is responsible? Can the famed detective apply his talents to a rural mystery? Written by klg19

Plot Summary | Add Synopsis

Genres:

Crime | Drama | Film-Noir

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

|

Release Date:

10 October 1946 (USA)  »

Also Known As:

Così scura la notte  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Quotes

Nanette Michaud: Leon thinks only of his farm. But we, we could have a wonderful time in Paris, you and I.
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Connections

Referenced in The Baron: So Dark the Night (1967) See more »

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User Reviews

 
Early noir from Columbia's B-factory with a strange twist...
14 July 2010 | by (U.S.A.) – See all my reviews

STEVEN GERAY never got to play the leads in most of his films at Columbia, but he gets his chance here as a detective badly in need of a vacation in the French countryside. As in all such stories, he has no time to relax because he's soon involved in a double murder.

The trouble with the film, for the most part directed stylishly by Joseph H. Lewis, is that it takes too long to become absorbed in the plot involving a double murder. The bucolic country scenes never develop the characters fully and they don't really come alive until we're midway through the story. And then, as the detective begins to study the case, the plot takes a twist in another direction entirely.

It's a minor entry in the films that were taking on more psychological tones in the early '40s, but I can't say there's anything memorable about the characters or the script. But for a film produced on a shoestring budget, it's a lot better than you might expect.


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