Wartime tale of a group of British scientists efforts to develop the first radar system. They did it just in time for it to be used in the Battle of Britain against the might of the Nazi ... See full summary »
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Stanley Windrush has to interrupt his university education when he is called up towards the end of the war. He quickly proves himself not to be officer material. This leads him to meets up ... See full summary »
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Set in a German theatre after the Second World War, two British soldiers are holding a disparate and hostile band of refugees (displaced persons) in this theatre, prior to returning them to... See full summary »
Told in flashback, the film opens on a brutal scene of a 17-year-old boy, Francis Andrews, being brutally lashed during a police interrogation in which the boy thinks back to the past that ... See full summary »
Yes it's the Romeo & Juliet story updated to during the cold war and moved to a mittel european country ruled by writer/director/star Peter Ustinov. The General arranges for the children of... See full summary »
Peter Watson is troubled with pain and and an inability to sleep. He tries to light the gas-fire and seeks held from another lodger, artist Nicholas, who is spending the night with his ... See full summary »
Wartime tale of a group of British scientists efforts to develop the first radar system. They did it just in time for it to be used in the Battle of Britain against the might of the Nazi Luftwaffe. Without it the little island could well have been overrun. Written by
Steve Crook <firstname.lastname@example.org>
Ripping yarn with classy cast and director is an English post war gem
This film, about how "boffins" contributed to the English war effort (by inventing airborne radar and other technological miracles), was made to help everyone cheer up and keep that upper lip stiff during the hard post-war recovery years.
The real delight in watching it from 50 years distance is in the acting, writing and direction. We have grown used to seeing the likes of Richardson, Huntley, Hordern, Attenborough, Laurie et al in "feature" roles (nay, on display as museum exhibits). Most of them are now gone, but when this film was made--at the hand of the incomparable Peter Ustinov--they were in their prime and they were playing main characters. It is a little like the days "when gods walked the earth".
The delight in this film is not in the plot (although it is a sobering reminder of just how much technology has moved this century) but in the language of the Ustinov script and in the effortless way that the principals go about their craft. I doubt that any of the four knighthoods given to director and cast were for this film, but one can see in it film why they achieved this recognition in the end.
"School for Secrets" remains, as I am sure it was always intended to be, a "jolly fine" cheer-up story.
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