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A Scandal in Paris (1946)

Passed  -  Adventure | Crime | Romance  -  19 July 1946 (USA)
6.9
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Ratings: 6.9/10 from 457 users  
Reviews: 14 user | 11 critic

The autobiography of elegant criminal, François Eugène Vidocq, from his birth in a French jail in 1775 to his appointment as chief of police of Paris where he intends to rob the city bank. ... See full summary »

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(memoirs), (adaptation)
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Title: A Scandal in Paris (1946)

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Cast

Cast overview, first billed only:
...
...
...
...
Emile Vernet
...
Prefect of Police Richet
Alma Kruger ...
...
Jo Ann Marlowe ...
Vladimir Sokoloff ...
Uncle Hugo
Pedro de Cordoba ...
Priest
Leona Maricle ...
Owner of Dress Shop
Fritz Leiber ...
Painter
Skelton Knaggs ...
Cousin Pierre
Fred Nurney ...
Cousin Gabriel
Gisela Werbisek ...
Aunt Ernestine (as Gisella Werbiseck)
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Storyline

The autobiography of elegant criminal, François Eugène Vidocq, from his birth in a French jail in 1775 to his appointment as chief of police of Paris where he intends to rob the city bank. Along the way, he escapes from jail with Emile, who becomes his partner in crime, poses as a lieutenant to rob a showgirl of her ruby garter, and steals the jewels of a marquise in whose home he's a guest. He's also posed as an artist's model for a portrait of St. George (Emile's face is the dragon's), and the marquise's granddaughter falls in love first with his visage and then him. Can she help him slay his own dragons, especially when the showgirl reappears and the bank vault beckons? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Plot Keywords:

bank | vidocq | criminal | artist | marseille | See more »

Taglines:

Every man has his price... and every woman pays it.


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

19 July 1946 (USA)  »

Also Known As:

The Story of Vidocq  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

"The Hedda Hopper Show - This Is Hollywood" broadcast a 30 minute radio adaptation of the movie on November 23, 1946 with Akim Tamiroff reprising his film role. See more »

Quotes

Loretta: Really, I... I should call the police.
Eugéne François Vidocq: Don't call them until I've bought you another hat.
Loretta: Another?... another hat? Well, I admit I'm not so rich that I can afford to throw them in the gutter. Hats don't grow on trees, you know!
Eugéne François Vidocq: I know that some of the latest fashions look as if they did.
See more »

Connections

Referenced in Vidocq (2001) See more »

Soundtracks

Flame Song
Music by Hanns Eisler
Lyrics by Paul Francis Webster (as Paul Webster)
Sung by Carole Landis
See more »

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User Reviews

 
reasonably diverting curiosity held together by Sanders
27 December 2010 | by (United States) – See all my reviews

George Sanders as Eugene Francois Vidocq, a clever French crook (and a very flimsy representation of the amazing real-life template), is both the lead actor and narrator of this film in which he neatly swindles his way from a lowly prison cell to the top of French society delivering a bounty of aphorisms along the way. The real-life Vidocq began as a rough-and- tumble child criminal and ended up a government minister.

Sanders basically delivers the same polished performance seen in numerous other films, from "Man Hunt" (1941), through "The Picture of Dorian Gray" (1945) and "All About Eve" (1950): the cool, cultivated, continental, dry wit with just the right suggestion of the animal beneath. Carole Landis, in what may be her finest role, is both funny and chilling as a self-centered show girl who blatantly uses her beauty to catch wealthy men. Signe Hasso (who looks distractingly like Margaret Sullavan) plays the daughter of the minister of police; she falls in love with Sanders but is as lifeless and damp here as she is vivacious and crackling in "The House on 92nd Street," made the year before.

The film is obviously 100% studio made, with painted backdrops to represent the French countryside. But since scenery is not the point here, this drawback can be overlooked. It's an unusual film about an extraordinary man, here reduced to a sort of Sherlock Holmes who strides both sides of the law.


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