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Rome, Open City (1945)
"Roma città aperta" (original title)

 -  Drama | War  -  27 September 1945 (Italy)
8.1
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Ratings: 8.1/10 from 13,676 users  
Reviews: 51 user | 68 critic

The location: Nazi occupied Rome. As Rome is classified an open city, most Romans can wander the streets without fear of the city being bombed or them being killed in the process. But life ... See full summary »

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(screenplay), (collaboration on screenplay), 4 more credits »
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Title: Rome, Open City (1945)

Rome, Open City (1945) on IMDb 8.1/10

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Nominated for 1 Oscar. Another 6 wins. See more awards »
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Cast

Complete credited cast:
Aldo Fabrizi ...
...
Pina
Marcello Pagliero ...
Giorgio Manfredi aka Luigi Ferraris
Vito Annichiarico ...
Piccolo Marcello
Nando Bruno ...
Agostino the Sexton
Harry Feist ...
Major Bergmann
Giovanna Galletti ...
Ingrid
Francesco Grandjacquet ...
Francesco
Eduardo Passarelli ...
Neighborhood Police Sergeant (as Passarelli)
Maria Michi ...
Marina Mari
Carla Rovere ...
Lauretta
Carlo Sindici ...
Police Commissioner
Joop van Hulzen ...
Captain Hartmann (as Van Hulzen)
Ákos Tolnay ...
Austrian Deserter (as A. Tolnay)
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Storyline

The location: Nazi occupied Rome. As Rome is classified an open city, most Romans can wander the streets without fear of the city being bombed or them being killed in the process. But life for Romans is still difficult with the Nazi occupation as there is a curfew, basic foods are rationed, and the Nazis are still searching for those working for the resistance and will go to any length to quash those in the resistance and anyone providing them with assistance. War worn widowed mother Pina is about to get married to her next door neighbor Francesco. Despite their situation - Pina being pregnant, and Francesco being an atheist - Pina and Francesco will be wed by Catholic priest Don Pietro Pelligrini. The day before the wedding, Francesco's friend, Giorgio Manfredi, who Pina has never met, comes looking for Francesco as he, working for the resistance, needs a place to hide out. For his latest mission, Giorgio also requests the assistance of Don Pietro, who is more than willing as he sees... Written by Huggo

Plot Summary | Add Synopsis

Plot Keywords:

nazi | priest | gestapo | german | curfew | See All (192) »

Genres:

Drama | War

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

27 September 1945 (Italy)  »

Also Known As:

Rome, Open City  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Roberto Rossellini and Sergio Amidei took their inspiration from two real-life people, Pina from Teresa Gullace, a Roman woman killed on a street on 3 March 1944, and Manfredi from Cesare Negarville, a partisan that Amidei had hidden at his home during the War. See more »

Quotes

Hartman: 25 years ago, I commanded firing squads in France. I was a young officer. I believed then, too, in a German "master-race." But the French patriots also died without talking. We Germans simply refuse to believe that people want to be free.
Major Bergman: [Taken aback] You're drunk, Hartman!
Hartman: Yes, I'm drunk... I get drunk every night to forget. It doesn't help. We can't get anywhere but kill, kill, kill! We have sown Europe with corpses... and from those graves rises an incredible hate... HATE!... everywhere hate...
[...]
See more »

Connections

Featured in Rossellini visto da Rossellini (1992) See more »

Soundtracks

Mallinata Fiorentina
Composed by Giovanni D'Anzi
Lyrics by Galdieri
(1941)
See more »

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User Reviews

Rossellini's Timeless Neo-Realist Classic
22 February 2008 | by (Fraggle Rock) – See all my reviews

Rosselini shot 'Roma Città Aperta' in the open streets post-war. His film-making resources were limited, as is apparent in the film, since he uses natural lighting, non-professional actors and a delicate sound system) but it only gives the film a stark and more authentic look making the atmosphere more terrifying and a the experience more real. Most of the 'props' and 'sets' and even many of the Nazi soldiers were real. Unlike many historical films, this one does right by the historical facts (even though it's a work of fiction).

What is most outstanding is Rosselini's compelling storytelling. Instead of showing us a documentary account (due to lack of film-equipments) he gives us a moving story of resistance. I was also impressed by the subtle way he brought out the characters such as the homosexuality of the Nazis. He also extracts marvelous performances from his actors. Aldo Fabrizi and Anna Magnani stand out. The background score (though used minimally) adds some melodrama but not in a poor way.

If one can look beyond the poor technology of the film, 'Roma Città Aperta' is one of the most powerful films of its genre. Though the film may depress, and at some point horrify the viewer, the ending is profound and hopeful. In the end, it's a story about fear, courage, integrity and hope.


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