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Rome, Open City (1945)
"Roma città aperta" (original title)

Approved  |   |  Drama, War  |  27 September 1945 (Italy)
8.1
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Ratings: 8.1/10 from 14,429 users  
Reviews: 52 user | 73 critic

The location: Nazi occupied Rome. As Rome is classified an open city, most Romans can wander the streets without fear of the city being bombed or them being killed in the process. But life ... See full summary »

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(screenplay), (collaboration on screenplay), 4 more credits »
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Title: Rome, Open City (1945)

Rome, Open City (1945) on IMDb 8.1/10

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Nominated for 1 Oscar. Another 6 wins. See more awards »
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Edit

Cast

Complete credited cast:
Aldo Fabrizi ...
...
Marcello Pagliero ...
Giorgio Manfredi aka Luigi Ferraris
Vito Annichiarico ...
Piccolo Marcello
Nando Bruno ...
Agostino the Sexton
Harry Feist ...
Major Bergmann
Giovanna Galletti ...
Ingrid
Francesco Grandjacquet ...
Francesco
Eduardo Passarelli ...
Neighborhood Police Sergeant (as Passarelli)
Maria Michi ...
Marina Mari
Carla Rovere ...
Carlo Sindici ...
Police Commissioner
Joop van Hulzen ...
Captain Hartmann (as Van Hulzen)
Ákos Tolnay ...
Austrian Deserter (as A. Tolnay)
Edit

Storyline

The location: Nazi occupied Rome. As Rome is classified an open city, most Romans can wander the streets without fear of the city being bombed or them being killed in the process. But life for Romans is still difficult with the Nazi occupation as there is a curfew, basic foods are rationed, and the Nazis are still searching for those working for the resistance and will go to any length to quash those in the resistance and anyone providing them with assistance. War worn widowed mother Pina is about to get married to her next door neighbor Francesco. Despite their situation - Pina being pregnant, and Francesco being an atheist - Pina and Francesco will be wed by Catholic priest Don Pietro Pelligrini. The day before the wedding, Francesco's friend, Giorgio Manfredi, who Pina has never met, comes looking for Francesco as he, working for the resistance, needs a place to hide out. For his latest mission, Giorgio also requests the assistance of Don Pietro, who is more than willing as he sees... Written by Huggo

Plot Summary | Add Synopsis

Plot Keywords:

nazi | priest | gestapo | german | curfew | See All (192) »

Genres:

Drama | War

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

27 September 1945 (Italy)  »

Also Known As:

Roma, ciudad abierta  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Despite his name in the credits, Eraldo Da Roma did not edit this film, as he was in prison at the time. It was cut in very difficult conditions by Jolanda Benvenuti. This is what she reveals in Paolo Isaja and Maria Pia Melandri's documentary _Jolanda e Rossellini - Memorie indiscrete (1995)_. See more »

Quotes

Major Bergman: I've a man who must talk before dawn and a priest who is praying for him. He'll talk
Hartman: And if not?
Major Bergman: Ridiculous.
Hartman: And if not?
Major Bergman: Then it would mean an Italian is worth as much as a German. It would mean there is no difference in the blood of a slave race and a master race. And no reason for this war.
See more »

Connections

Edited into Histoire(s) du cinéma: Le contrôle de l'univers (1998) See more »

Soundtracks

Mallinata Fiorentina
Composed by Giovanni D'Anzi
Lyrics by Galdieri
(1941)
See more »

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User Reviews

Outstanding Italian Neo-realist classic
23 February 1999 | by (Fargo, North Dakota) – See all my reviews

Roberto Rossellini's Open City contains characters so real and emotions so powerful that it is not unusual for audiences to wonder whether the drama being played out on the screen is in truth a bona fide documentation of events surrounding the Italian Resistance during WWII. A study of the production history reveals that the film is closer to a combination of pure documentation (most accounts will go into detail about the location shooting and the presence of real soldiers) and dramatic reconstruction of actual events (like the execution of priest Don Morosini by the Nazis) with some lyrical filmmaking thrown in for good measure (I still get chills down my spine when I hear the children whistling in defiance of their oppressors). Anna Magnani, one of the greatest performers in the history of Italian cinema, is absolutely amazing in this film.


24 of 29 people found this review helpful.  Was this review helpful to you?

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