The location: Nazi occupied Rome. As Rome is classified an open city, most Romans can wander the streets without fear of the city being bombed or them being killed in the process. But life ... See full summary »
Six vignettes follow the Allied invasion from July 1943 to winter 1944, from Sicily north to Venice. Communication is fragile. A woman leads an Allied patrol through a mine field; she dies ... See full summary »
A pragmatic U.S. Marine observes the dehumanizing effects the Vietnam War has on his fellow Marine recruits from their brutal boot camp training to the bloody street fighting set in 1968 in Hue, Vietnam.
France, 1942, during the occupation. Philippe Gerbier, a civil engineer, is one of the French Resistance's chiefs. Given away by a traitor, he is interned in a camp. He manages to escape, ... See full summary »
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Cesira and her 13-year-old daughter, Rosetta, flee from the allied bombs in Rome during the second world war. They travel to the village where Cesira was born. During their journey and in ... See full summary »
Vittorio De Sica
A French boarding school run by priests seems to be a haven from World War II until a new student arrives. He becomes the roommate of top student in his class. Rivals at first, the roommates form a bond and share a secret.
During the First World War, two French soldiers are captured and imprisoned in a German POW camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
The location: Nazi occupied Rome. As Rome is classified an open city, most Romans can wander the streets without fear of the city being bombed or them being killed in the process. But life for Romans is still difficult with the Nazi occupation as there is a curfew, basic foods are rationed, and the Nazis are still searching for those working for the resistance and will go to any length to quash those in the resistance and anyone providing them with assistance. War worn widowed mother Pina is about to get married to her next door neighbor Francesco. Despite their situation - Pina being pregnant, and Francesco being an atheist - Pina and Francesco will be wed by Catholic priest Don Pietro Pelligrini. The day before the wedding, Francesco's friend, Giorgio Manfredi, who Pina has never met, comes looking for Francesco as he, working for the resistance, needs a place to hide out. For his latest mission, Giorgio also requests the assistance of Don Pietro, who is more than willing as he sees... Written by
Roberto Rossellini and Sergio Amidei took their inspiration from two real-life people, Pina from Teresa Gullace, a Roman woman killed on a street on 3 March 1944, and Manfredi from Cesare Negarville, a partisan that Amidei had hidden at his home during the War. See more »
Then I'll tell you who he is. He's subversive, he's fought with the Reds in Spain. His life is dedicated to fighting society, religion. He is an atheist... your enemy...
I am a Catholic priest. I believe that those who fight for justice and truth walk in the path of God and the paths of God are infinite
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Photographed on scraps of film abandoned by German forces as they retreated from Rome toward the end of World War II, Roberto Rossellini's OPEN CITY was immediately hailed as a masterpiece of realism when it hit screens around the world in the late 1940s. Seen within the context of its time and with reference to the circumstances under which it was made, OPEN CITY is a staggering accomplishment; even so, by modern standards, it feels visually static and slightly contrived.
The great strength of the film is in the direct way Rossellini tells his story of Italian resistance fighters trying to dodge capture by the Nazis in occupied Rome--and in the performances of Anna Magnani and Aldo Fabrizi as two Italians who become increasingly caught up in resistance activities. But time has not been entirely kind to the film: the story seems somewhat superficial, portions of it lack expected intensity, and some performances seem more than a little artificial, with a lesbian subplot, the famous torture scenes, and Maria Mitchi's performance cases in point.
Ironically, these drawbacks actually result from comparisons with later, still more realistic films that followed its example--and it is a great tribute to the strength of the film that it survives the revolution it started as well as it does. (One does well to recall that at the time OPEN CITY was made such slick Hollywood films as MRS. MINIVER were considered the height of realism.) Still, because of these issues I would hesitate to recommend OPEN CITY as an introduction to Italian neo-realism for one not already well-versed in it. But those with an established appreciation of Italian cinema will find it very rewarding.
Gary F. Taylor, aka GFT, Amazon Reviewer
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