An adventuresome young man goes off to find himself and loses his socialite fiancée in the process. But when he returns 10 years later, she will stop at nothing to get him back, even though she is already married.
The ambitious Stanton "Stan" Carlisle works in a sideshow as carny and assistant of the mentalist Zeena Krumbein, who is married with the alcoholic Pete. The couple had developed a secret ... See full summary »
The adventurous Lady Edwina Esketh travels to the princely state of Ranchipur in India with her husband, Lord Albert Esketh, who is there to purchase some of the Maharajah's horses. She's ... See full summary »
A writer meets a young socialite on board a train. The two fall in love and are married soon after, but her obsessive love for him threatens to be the undoing of both them and everyone else around them.
Well-to-do Chicagoan, Larry Darrell, breaks off his engagement to Isabel and travels the world seeking enlightenment, eventually finding his guru India. Isabel marries Gray, and following the crash of 1929, is invited to live in Paris with her rich, social climbing, Uncle Elliot. During a sojurn there, Larry, having attained his goal, is reunited with Isabel. While slumming one night Larry, Isabel and company are shocked to discover Sophie, a friend from Chicago. Having lost her husband and child in a tragic accident, Sophie is living the low-life with the help of drugs and an abusive brute. Larry tries to rehabilitate her, but his efforts are sabotaged by Isabel who tries in vain to reignite Larry's interest in herself. Written by
Richard Blinkal <email@example.com>
At 1:17:13, the way Gray holds the coin changes. See more »
W. Somerset Maugham:
[about Elliott's monogrammed robe]
Elliott, what the devil's that crown doing over your initials?
His Holiness has been graciously pleased to revive, in my favor, my old family title.
W. Somerset Maugham:
Oh, didn't you know? I'm descended, in the female line, from the Count de Lauria, who came over to England with Philip II to marry the maid of honor to Queen Mary. As an American citizen, I feel it more modest not to use my title except on all my personal linen.
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When the screenplay credits are shown, a curious symbol appears near W. Somerset Maugham's name. It's a symbol meant to ward off the evil eye, and it more often than not appeared on the covers of many of Maugham's novels. See more »
Producer Darryl F. Zanuck fashioned a major production for Tyrone Power upon his return to 20th Century Fox after a stint in the military service. No expense was spared in terms of production values, and special care was taken to cast each role to "perfection."
With master story teller W. Somerset Maugham joining in writing the screenplay from his sprawling, multi-character novel, and Edmund Gouling doing the direction and Alfred Newman the score, it was a setup that couldn't miss.
The cast works at a thoroughly respectable level, and the film emerges likewise. Yet, it falls strangely short of the genuine masterpiece Zanuck obviously planned.
There is a rather cold center to "The Razor's Edge," which prevents one from being able to completely empathize with and feel for these characters and their respective plight. While they are interesting, the characters fail to ignite a deep emotional response in the viewer. One ends more observing this enactment, which has the feel of a somewhat slick presentation.
It also represents the best of what 20th Century Fox had to offer in the mid-forties. Power next went on to do "Nightmare Alley," for which he received some of the best notices of his lengthy film career.
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