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Cross of Love (1946)
"Rakkauden risti" (original title)

6.9
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Ratings: 6.9/10 from 121 users  
Reviews: 1 user | 2 critic

The daughter of a lighthouse keeper runs away with a shipwrecked businessman to the city. But instead of her dreams, she finds herself selling herself in the streets, until a painter finds her as an ideal model for his next painting.

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Title: Cross of Love (1946)

Cross of Love (1946) on IMDb 6.9/10

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Cast

Complete credited cast:
Regina Linnanheimo ...
Riitta
Oscar Tengström ...
Majakka-Kalle
Ville Salminen ...
Mauri Holmberg
Rauli Tuomi ...
Henrik Hormi
Rest of cast listed alphabetically:
Pentti Viljanen ...
Pekka
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Storyline

The daughter of a lighthouse keeper runs away with a shipwrecked businessman to the city. But instead of her dreams, she finds herself selling herself in the streets, until a painter finds her as an ideal model for his next painting.

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Genres:

Drama | Romance

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Release Date:

8 March 1946 (Finland)  »

Also Known As:

Kärlekens kors  »

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Trivia

Tulio filmed two versions of the film. Another is a Swedish version named "Kärlekens kors". Swedish version starring Regina Linnanheimo and Oscar Tengström. Many other actors are Swedish. See more »

Connections

Version of Stantsionnyy smotritel (1972) See more »

Soundtracks

Säkkijärven polkka
Written by Traditional
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User Reviews

 
Cross of love
15 February 2010 | by See all my reviews

This ancient Finnish drama is a lost little gem. The direction is a bit sloppy, but quite ambitious, starting with the expressionist overtones (weird angling in location, glitter and blur idyll, menacingly lit theatric face close-ups etc), and without forgetting the iconoclast imagery (the cross of love painting). Actually, it predates trends that would surface in, say, Fassbinder's work. Complementing the visual side, the film explores a number of interesting themes, starting with the father's oppression towards the daughter, the lure of money and the big city, the sleaze of the demi-monde, the feebleness to avoid succumbing to destiny etc. Actually you could say that it works as a kind of metaphor: the father's oppression causes the daughter to mythologize aspects of life (an ideal love, a Cinderella framework); when unavoidably her life comes at odds with the mythology, she becomes a crucified martyr for a world unable to cope with it's own desires.


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