| Photos (See all 20 | slideshow) | Videos (see all 2) |
| Lana Turner | ... | Cora Smith | |
| John Garfield | ... | Frank Chambers | |
| Cecil Kellaway | ... | Nick Smith | |
| Hume Cronyn | ... | Arthur Keats | |
| Leon Ames | ... | Kyle Sackett | |
| Audrey Totter | ... | Madge Gorland | |
| Alan Reed | ... | Ezra Liam Kennedy | |
| Jeff York | ... | Blair | |
| rest of cast listed alphabetically: | |||
| Philip Ahlm | ... | Photographer (uncredited) | |
| John Alban | ... | Photographer (uncredited) | |
| Don Anderson | ... | Orderly Pushing Wheelchair (uncredited) | |
| Morris Ankrum | ... | Judge (uncredited) | |
| King Baggot | ... | Courtroom Spectator (uncredited) | |
| Betty Blythe | ... | Customer (uncredited) | |
| Paul Bradley | ... | Man (uncredited) | |
| Wally Cassell | ... | Ben (uncredited) | |
| Jack Chefe | ... | Headwaiter (uncredited) | |
| Dick Crockett | ... | Reporter (uncredited) | |
| Oliver Cross | ... | Man (uncredited) | |
| James Darrell | ... | Reporter (uncredited) | |
| Tom Dillon | ... | Father McConnell (uncredited) | |
| Edward Earle | ... | Doctor (uncredited) | |
| Jim Farley | ... | Warden (uncredited) | |
| Byron Foulger | ... | Picnic Manager (uncredited) | |
| Joel Friedkin | ... | John X. McHugh (uncredited) | |
| A. Cameron Grant | ... | Willie (uncredited) | |
| William Halligan | ... | Judge (uncredited) | |
| Bud Harrison | ... | Bailiff (uncredited) | |
| Paul Kruger | ... | Officer (uncredited) | |
| Frank Mayo | ... | Bailiff (uncredited) | |
| Helen McLeod | ... | Customer (uncredited) | |
| Harold Miller | ... | Photographer (uncredited) | |
| Howard M. Mitchell | ... | Doctor (uncredited) | |
| Sandra Morgan | ... | Matron (uncredited) | |
| George Noisom | ... | Telegraph Messenger (uncredited) | |
| Garry Owen | ... | Truck Driver (uncredited) | |
| Dorothy Phillips | ... | Nurse (uncredited) | |
| Dan Quigg | ... | Man (uncredited) | |
| Virginia L. Randolph | ... | Snooty Woman (uncredited) | |
| Paula Ray | ... | Woman (uncredited) | |
| Hilda Rhodes | ... | Customer (uncredited) | |
| Walter Ridge | ... | Reporter (uncredited) | |
| Jeffrey Sayre | ... | Reporter (uncredited) | |
| Edgar Sherrod | ... | Minor Role (uncredited) | |
| Reginald Simpson | ... | Photographer (uncredited) | |
| Brick Sullivan | ... | Officer (uncredited) | |
| John M. Sullivan | ... | Doctor (uncredited) | |
| Charles Williams | ... | Doctor (uncredited) | |
Directed by | |||
| Tay Garnett | |||
Writing credits | ||
| Harry Ruskin | (screen play) and | |
| Niven Busch | (screen play) | |
| James M. Cain | (based on the novel by) | |
Produced by | |||
| Carey Wilson | .... | producer | |
Original Music by | |||
| George Bassman | (musical score) | ||
Cinematography by | |||
| Sidney Wagner | (director of photography) | ||
Film Editing by | |||
| George White | (film editor) | ||
Art Direction by | |||
| Randall Duell | (art direction) | ||
| Cedric Gibbons | |||
Set Decoration by | |||
| Edwin B. Willis | (set decorations) | ||
Makeup Department | |||
| Jack Dawn | .... | makeup creator | |
Production Management | |||
| Harry Poppe | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Bill Lewis | .... | assistant director (uncredited) | |
Sound Department | |||
| Douglas Shearer | .... | recording director | |
| Charles J. Burbridge | .... | unit mixer (uncredited) | |
| James Z. Flaster | .... | re-recording and effects mixer (uncredited) | |
| Ralph A. Pender | .... | re-recording and effects mixer (uncredited) | |
| Robert Shirley | .... | re-recording and effects mixer (uncredited) | |
| Newell Sparks | .... | re-recording and effects mixer (uncredited) | |
| William Steinkamp | .... | re-recording and effects mixer (uncredited) | |
| Michael Steinore | .... | re-recording and effects mixer (uncredited) | |
| Don T. Whitmer | .... | re-recording and effects mixer (uncredited) | |
Visual Effects by | |||
| Mark Davis | .... | matte paintings camera (uncredited) | |
| A. Arnold Gillespie | .... | miniatures (uncredited) | |
| A. Arnold Gillespie | .... | transparency projection shots (uncredited) | |
| Warren Newcombe | .... | matte paintings (uncredited) | |
Camera and Electrical Department | |||
| John Schmitz | .... | second camera (uncredited) | |
Costume and Wardrobe Department | |||
| Irene | .... | costume supervisor | |
| Marion Herwood Keyes | .... | associate costume supervisor | |
| Eugene Joseff | .... | costume jeweller (uncredited) | |
| Helen Scovil Roup | .... | wardrobe (uncredited) | |
Music Department | |||
| Ted Duncan | .... | orchestrator | |
| M.J. McLaughlin | .... | music mixer (uncredited) | |
| Albert Sendrey | .... | orchestrator (uncredited) | |
| Herbert Stahlberg | .... | music mixer (uncredited) | |
| Eric Zeisl | .... | composer: stock music (uncredited) | |
Other crew | |||
| Gladys Norvell | .... | research assistant (uncredited) | |
| George Richelavie | .... | research director (uncredited) | |
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| The Postman Always Rings Twice | Ossessione | The Lady from Shanghai | Fracture | Mildred Pierce |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
The good atmosphere and Lana Turner's memorable role make this a film-noir classic worth seeing. The story starts out to be relatively simple, allowing the cast and the atmosphere to carry it, and then heads through a series of twists and turns, picking up the pace as it goes along.
John Garfield and the supporting cast are solid, but it is Turner who really stands out and grabs the attention anytime she is on-screen. It's nothing against Garfield to say that in comparison he is almost just along for the ride, yet he does a creditable job and makes his character believable. The supporting cast helps out as well, with Cecil Kellaway on-target as Turner's oblivious husband, and Hume Cronyn likewise in good form as a conscience-free lawyer.
The story pulls you in slowly, and then has some good turns as it picks up steam towards the middle. There may be a couple of too-convenient plot developments, but otherwise it is well-written.
This classic version is quite a bit better than the early 1980s remake, which required little imagination to make or to watch. Turner's character and performance, in particular (aided by good camera work), demonstrate that the suggestive can be quite a bit more effective and memorable than the explicit.
"The Postman Always Rings Twice" has just about everything you could ask for in a film-noir. It's probably just a cut below the best of the genre, and still one of the movies that most fans of film-noir would not want to miss.