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Paisan (1946)
"Paisà" (original title)

 -  Drama  -  29 March 1948 (USA)
7.8
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Ratings: 7.8/10 from 3,480 users  
Reviews: 31 user | 30 critic

Attraverso sei episodi distinti ed indipendenti uno dall'altro, il film rievoca l'avanzata delle truppe alleate in Italia. Il primo parla di un episodio dello sbarco in Sicilia : una ... See full summary »

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Title: Paisan (1946)

Paisan (1946) on IMDb 7.8/10

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Nominated for 1 Oscar. Another 10 wins & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
Carmela Sazio ...
Carmela (episode I: Sicilia)
Robert Van Loon ...
Joe, the American soldier (episode I: Sicilia)
Benjamin Emanuel ...
An American soldier (episode I: Sicilia)
Raymond Campbell ...
An American soldier (episode I: Sicilia)
Harold Wagner ...
Harry, a German soldier (episode I: Sicilia)
Albert Heinze ...
A German soldier (episode I: Sicilia)
Merlin Berth ...
Merlin, an American soldier (episode I: Sicilia)
Mats Carlson ...
Swede, an American soldier (episode I: Sicilia)
Leonard Parrish ...
An American soldier (episode I: Sicilia) (as Leonard Penish)
Dots Johnson ...
Joe - the American MP (episode II: Napoli) (as Dots M. Johnson)
Alfonsino Pasca ...
Pasquale (episode II: Napoli) (as Alfonsino)
Maria Michi ...
Francesca (episode III: Roma)
Gar Moore ...
Fred, an American soldier (episode III: Roma)
Harriet Medin ...
Harriet, the nurse (episode IV: Firenze) (as Harriet White)
Renzo Avanzo ...
Massimo (episode IV: Firenze)
Edit

Storyline

Attraverso sei episodi distinti ed indipendenti uno dall'altro, il film rievoca l'avanzata delle truppe alleate in Italia. Il primo parla di un episodio dello sbarco in Sicilia : una ragazza siciliana fraternizza con un soldato americana. Entrambi sono uccisi dai tedeschi, ma gli americani la crederanno una traditrice. Poi ci troviamo a Napoli, protagonisti un soldato nero ed uno scugnizzo napoletano, che gli ruba le scarpe. Il terzo episodio si svolge a Roma, dove una ragazza, costretta dalla fame a prostituirsi, ritrova il soldato americano che la aveva messa incinta, ma lui non vorr' incontrarla. A Firenze, una infermiera inglese vaga per la citt' martoriata alla ricerca di un partigiano che ama. Il quinto si svolge in un piccolo convento, dove tre monaci di differenti professioni sono ospitati dai monaci locali. L'ultimo esalta la coraggiosa opera dei partigiani italiani, spesso vittime dei nazisti, nelle paludi della Valle Padana. Written by rosebud6

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

| | |

Release Date:

29 March 1948 (USA)  »

Also Known As:

Paisan  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(restored)

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Writer and assistant director Federico Fellini can be noticed in a scene from Episode III ("Roma) as part of the crowd asking for water to an American soldier (Gar Moore), and soon after providing him acting instructions moving the head. See more »

Goofs

During night a GI lights up his lighter while following the rocky path through the lava canal. A flashlight might have been used in order to help increase the effect of the lighter being lit. When the soldier closes the lighter, the spot projected by the flashlight remains on for a fraction of a second, which is enough to observe the synchronization issue. See more »

Connections

Referenced in Splendor (1989) See more »

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User Reviews

 
Paisà: A Glimpse Into Reality
27 April 2011 | by (United States) – See all my reviews

In terms of a historical film, Paisà encapsulates the war time experiences of many men, while maintaining a palpable "realness" that translates well to the world of film. A three part film (containing 6 chapters), Paisà is amazing in content, context and composition, with each element within the film taking a powerful role to make the film whit it is. In terms of narrative, the film can be difficult to follow at times, but not so much that the viewer ever feels lost within the story. It does not focus on one person, but, rather, seeks to show the experiences of many throughout parts of the war. The film aesthetic is gritty, and realistic, often allowing the camera to linger in spots that would make a grown man cringe. The composition breaks some traditional film aesthetics, following a documentary format, adding to the "real" feel of the film

All-in-all, Paisà is a classic.


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