Attraverso sei episodi distinti ed indipendenti uno dall'altro, il film rievoca l'avanzata delle truppe alleate in Italia. Il primo parla di un episodio dello sbarco in Sicilia : una ... See full summary »
Karen, a young woman from the Baltic countries, marries fisherman Antonio to escape from a prisoners camp. But the life in Antonio's village, Stromboli, threatened by the volcano, is a tough one and Karen cannot get used to it.
During the German occupation noble, bourgeois and worker's partisan groups lived in peace with another. On the first day of freedom they start to fight each other. In these fights is weaved a most tender love story.
The film dramatizes about a dozen vignettes from the life of St. Francis and his early followers - starting with their return in the rain to Rivotorlo from Rome when the Pope blessed their ... See full summary »
Catherine and Alexander, wealthy and sophisticated, drive to Naples to dispose of a deceased uncle's villa. There's a coolness in their relationship and aspects of Naples add to the strain.... See full summary »
A demon bestows on a self-righteous working photographer's camera the power to smite from the Earth "evil-doers". Naturally, the indignant photographer turns his new weapon on, one by one, ... See full summary »
Irene Girard is an ambassador's wife and used to always live in luxury. After the dramatic death of her son, she feels guilty of having neglected him and feels compelled to help people in ... See full summary »
A young Italian pilot is interned in a British prison camp after his plane is shot down during the war against Greece. He falls in love with a doctor's daughter and manages to escape during... See full summary »
Attraverso sei episodi distinti ed indipendenti uno dall'altro, il film rievoca l'avanzata delle truppe alleate in Italia. Il primo parla di un episodio dello sbarco in Sicilia : una ragazza siciliana fraternizza con un soldato americana. Entrambi sono uccisi dai tedeschi, ma gli americani la crederanno una traditrice. Poi ci troviamo a Napoli, protagonisti un soldato nero ed uno scugnizzo napoletano, che gli ruba le scarpe. Il terzo episodio si svolge a Roma, dove una ragazza, costretta dalla fame a prostituirsi, ritrova il soldato americano che la aveva messa incinta, ma lui non vorr' incontrarla. A Firenze, una infermiera inglese vaga per la citt' martoriata alla ricerca di un partigiano che ama. Il quinto si svolge in un piccolo convento, dove tre monaci di differenti professioni sono ospitati dai monaci locali. L'ultimo esalta la coraggiosa opera dei partigiani italiani, spesso vittime dei nazisti, nelle paludi della Valle Padana. Written by
The film project started in 1945 as a collection of seven stories of American soldiers after their landing on Sicily, and their relationships with Italian people. In December 1945, it was announced on the newspapers as "Sette Americani". See more »
During night a GI lights up his lighter while following the rocky path through the lava canal. A flashlight might have been used in order to help increase the effect of the lighter being lit. When the soldier closes the lighter, the spot projected by the flashlight remains on for a fraction of a second, which is enough to observe the synchronization issue. See more »
Rossellini: An important figure in the development of the cinema..
Often dismissed as a founder of Italian Neo-Realism whose career degenerated either at the start or the end of his much publicized relationship with Ingrid Bergman, Roberto Rossellini remains one of the most underrated directors in cinema history...
Exploring the links between fiction and documentary, observation and education, and the individual and society, he was an important figure in the development of the cinema...
Rossellini said of the film: 'In Paisá there were two worlds which came into contact, each with a different psychology and mental structure. From this contact was born a great confusion; so much so that in the end there were neither victors nor vanquished, there remained only the everyday heroism of the man who clings to life. And who lives, despite everything, whether he is one of the victors or one of the vanquished.'
Rossellini followed 'Rome Open City' with the equally impressive Paisá, whose six, often barely dramatic stories of part-comic, part tragic encounters between Italians, Germans and liberating Americans were rooted in specific locations (the Po Valley, the Uffizi Gallery), but were universal in their portrait of an entire nation destroyed and divided by war...
Already Rossellini's taste for long, mobile takes in long shot (rather than montage and close-up) gave evidence of his desire to relate individuals to the world around them...
In using a number of non-professional cast, and combining them with his improvisatory techniques, Rossellini get an universally acclaimed human document of rare quality and compassion...
Georges Sadoul wrote that Rossellini had 'damned the horrors that war had brought to his country and his heart cry was emotionally and enthusiastically understood around the entire world.'
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