Attraverso sei episodi distinti ed indipendenti uno dall'altro, il film rievoca l'avanzata delle truppe alleate in Italia. Il primo parla di un episodio dello sbarco in Sicilia : una ... See full summary »
The location: Nazi occupied Rome. As Rome is classified an open city, most Romans can wander the streets without fear of the city being bombed or them being killed in the process. But life ... See full summary »
Edmund, a young boy who lives in war-devastated Germany after the Second World War has to do all kinds of work and tricks to help his family in getting food and barely survive. One day he ... See full summary »
During the First World War, two French soldiers are captured and imprisoned in a German POW camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
During World War II, 12-year old Ivan works as a spy on the eastern front. The small Ivan can cross the German lines unnoticed to collect information. Three Soviet officers try to take care... See full summary »
France, 1942, during the occupation. Philippe Gerbier, a civil engineer, is one of the French Resistance's chiefs. Given away by a traitor, he is interned in a camp. He manages to escape, ... See full summary »
A French boarding school run by priests seems to be a haven from World War II until a new student arrives. He becomes the roommate of top student in his class. Rivals at first, the roommates form a bond and share a secret.
Cesira and her 13-year-old daughter, Rosetta, flee from the allied bombs in Rome during the second world war. They travel to the village where Cesira was born. During their journey and in ... See full summary »
Attraverso sei episodi distinti ed indipendenti uno dall'altro, il film rievoca l'avanzata delle truppe alleate in Italia. Il primo parla di un episodio dello sbarco in Sicilia : una ragazza siciliana fraternizza con un soldato americana. Entrambi sono uccisi dai tedeschi, ma gli americani la crederanno una traditrice. Poi ci troviamo a Napoli, protagonisti un soldato nero ed uno scugnizzo napoletano, che gli ruba le scarpe. Il terzo episodio si svolge a Roma, dove una ragazza, costretta dalla fame a prostituirsi, ritrova il soldato americano che la aveva messa incinta, ma lui non vorr' incontrarla. A Firenze, una infermiera inglese vaga per la citt' martoriata alla ricerca di un partigiano che ama. Il quinto si svolge in un piccolo convento, dove tre monaci di differenti professioni sono ospitati dai monaci locali. L'ultimo esalta la coraggiosa opera dei partigiani italiani, spesso vittime dei nazisti, nelle paludi della Valle Padana. Written by
During night a GI lights up his lighter while following the rocky path through the lava canal. A flashlight might have been used in order to help increase the effect of the lighter being lit. When the soldier closes the lighter, the spot projected by the flashlight remains on for a fraction of a second, which is enough to observe the synchronization issue. See more »
Rossellini: An important figure in the development of the cinema..
Often dismissed as a founder of Italian Neo-Realism whose career degenerated either at the start or the end of his much publicized relationship with Ingrid Bergman, Roberto Rossellini remains one of the most underrated directors in cinema history...
Exploring the links between fiction and documentary, observation and education, and the individual and society, he was an important figure in the development of the cinema...
Rossellini said of the film: 'In Paisá there were two worlds which came into contact, each with a different psychology and mental structure. From this contact was born a great confusion; so much so that in the end there were neither victors nor vanquished, there remained only the everyday heroism of the man who clings to life. And who lives, despite everything, whether he is one of the victors or one of the vanquished.'
Rossellini followed 'Rome Open City' with the equally impressive Paisá, whose six, often barely dramatic stories of part-comic, part tragic encounters between Italians, Germans and liberating Americans were rooted in specific locations (the Po Valley, the Uffizi Gallery), but were universal in their portrait of an entire nation destroyed and divided by war...
Already Rossellini's taste for long, mobile takes in long shot (rather than montage and close-up) gave evidence of his desire to relate individuals to the world around them...
In using a number of non-professional cast, and combining them with his improvisatory techniques, Rossellini get an universally acclaimed human document of rare quality and compassion...
Georges Sadoul wrote that Rossellini had 'damned the horrors that war had brought to his country and his heart cry was emotionally and enthusiastically understood around the entire world.'
26 of 33 people found this review helpful.
Was this review helpful to you?