A artist model who leads the ever hapless Arturo de Córdova away from the arms of his innocent, blue-eyed wife and down, down, down into the ecstatic depths of degradation which include a stop at seedy Panamanian nightclub.
Arturo de Córdova,
The disaffected wife of a failed civil servant, is thrilled to re-encounter Octavio, a former lover who is now a union activist on the run from a corrupt politician. Hoping to help him, she... See full summary »
A surrealist tale of a man and a woman passionately in love with one another, but their attempts to consummate that passion are constantly thwarted by their families, the Church, and bourgeois society.
Caridad de Laberdesque
In Peru in the eighteenth century. Camilla, the star of a theater company, hesitates between three men. The Viceroy gives her his magnificent golden coach. A young Spanish officer suggests ... See full summary »
The working class twin sister of a callous wealthy woman impulsively murders her out of revenge and assumes the identity of the dead woman. But impersonating her dead twin is more complicated and risky than she anticipated.
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Jesse Bob Harper
The script for La Otra was owned by Warner Bros. and is the same script as the 1964 version, Dead Ringer (1964), starring Bette Davis. Warners chose to pass on making it as a film in the 1940's because it bore too close of a resemblance to the film Davis had just made, A Stolen Life (1946). See more »
I just finished watching this movie on You Tube. As a warning, I think it fair to prevent the reader that my comment has been done leaving aside all logical thinking. I'm using only my gut feelings to say what I'm saying about this movie, otherwise it'll be impossible to accept the incredible script, awkward situations, cardboard like acting and impossible sets, all of it totally contrived, but maybe because of that it's such a watchable movie, because it's so bad that it's good, VERY good.
Do I make any sense??
Since the other reviewers did an excellent job with their critics, I don't want to repeat impressions quite similar to my own.
I just want to say that I'm still overwhelmed by the experience...
What a movie, what a jewel of kitsch!!! I always adored, as a child, Dolores del Río (since then, I've come a long way...), although I never saw her at the peak of her supernatural beauty, when in the twenties and thirties of the 20th century she lived and worked in Hollywood and was considered one of the most beautiful and glamorous women of that time, in Hollywood or in any other place on earth (this movie --1946- makes her about 40 or older, but still ravishing).
I agree with one of the reviewers about the scene where the detective and one of the twin sisters go to the bar where he used to go before "the incident" and he remembers his bride in front of this woman... I never whimpered so hard watching a scene as I did watching this one and long ago watching Philadelphia (1993).
Finally, there are TWO LINES the detective says at the end of the movie that definitely will blow your mind sky high (the script is so good --in this particularly kitschy way-- that it'll be impossible to top it even nowadays).
And the very last scene is unforgettable, since the doomed future of this tragic character weighs on the spectator with the force of a ten ton truck hitting you on the head.
Seriously, I don't have words to express what this movie stirred in me, as bad as it is.
Mexican movies of that time are incredible masterpieces (in that twisted way).
The black and white photography, the impeccable Spanish pronunciation of these actors, the MOOD..., If I got that carried away watching this movie in my small computer screen, I cannot imagine what reaction I could've had at a movie theater, with the big screen and big sound. I suppose I would've been carried away between two alarmed nurses to the next hospital ward in utter anguished ecstasy.
As I said at the beginning, relax, don't use the reasoning side of your brain and you'll have a hell of a fascinating time watching this movie.
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