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Some of my favorite classic movies star Sweden's Ingrid Bergman, who acted opposite Humphrey Bogart in "Casablanca," Gary Cooper in Hemingway's "For Whom the Bell Tolls" and Cary Grant in Alfred Hitchcock's "Notorious," which featured the longest screen kiss ever. Even when she was young--she hit Hollywood at age 23 in David O' Selznick's "Intermezzo"-- there was something worldly about her, a natural sensuality. Movie directors loved her, in Sweden and America, because she gleamed with health and beauty even without makeup and could also play sophisticated and glamorous. In a year rife with strong archive docs, "In Her Own Words" stands out because Bergman was a pack rat who hung on to everything, from her diaries (well-read by fellow Swede Alicia Vikander) to her home movies. She was an early woman with a movie camera, and her husbands enjoyed shooting her as well. The movie tracks her tragic family life--she was orphaned. »
- Anne Thompson
Stig Björkman’s Ingrid Bergman: In Her Own Words tracks the actress's life and career from Sweden to Hollywood, then Italy, where she'd work with Roberto Rossellini, France and back to Hollywood. We hear from her children, including Isabella Rossellini and Pia Lindström. Michael Nyman's score "soars across the images" and Alicia Vikander reads from Ingrid Bergman's journals. Flavorwire's Jason Bailey: "Focusing more on her inconvenient romances and rootless nature—she called herself a 'bird of passage'—than Casablanca or Notorious, Björkman’s film is dreamlike and lovely, unfolding like a trip through her photo albums, or even a log of her dream-life." We've got more reviews and the trailer. » - David Hudson »
Face-off: Kent Jones Unpacks The Bible Of Auteur Interviews
It’s kind of odd to think that the Cohen Media Group picked up Kent Jones’ slickly produced bonus featuresque cinematic rumination on the monumental bible of film interviews, Hitchcock/Truffaut, being that nearly everyone interviewed in the film has had a film or more released by Janus Films’ homevid branch The Criterion Collection (with the only two exceptions being James Gray and Kiyoshi Kurosawa). Even Jones has appeared in Criterion in various capacities, either on screen as interviewee, in print as a critic or behind the scenes on the Film Foundation’s World Cinema Project release. But, regardless who’s releasing this hot little commodity, it’s a guaranteed cinephilic sugar rush.
Martin Scorsese, Wes Anderson, David Fincher, Olivier Assayas, Paul Schrader, Peter Bogdanovich, Paul Schrader, Arnaud Desplechin and Richard Linklater round out the all-star lineup of interviewees who openly »
- Jordan M. Smith
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.
The Film Society at Lincoln Center
A new restoration of Otto Preminger‘s »
- Nick Newman
“It isn’t here, you must have dreamed you put it there. Are you suggesting that this is a knife I hold in my hand? Have you gone mad, my husband?”
Gaslight plays at The Hi-Pointe Theater (1005 McCausland Ave., St. Louis, Mo 63117) September 19th at 10:30am as part of their Classic Film Series
Greetings again from the darkness! Husbands were surely disliked in the 1940’s, at least by writers of movies! There is no shortage of films depicting the villainous husband targeting the unsuspecting and defenseless wife. A couple years prior to Gaslight we had Suspcion, and a couple years after, we had Notorious. The latter also features Ingrid Bergman who won her first Oscar for Gaslight, one of the more atmospheric of the psychological thrillers.
- Tom Stockman
Watch: This Meta Wes Anderson Supercut Reveals the Internet is Obsessed With the Filmmaker The Master of Suspense was also quite the romantic according to Vimeo user Jorge Luengo Ruiz, who put together this supercut of kisses spanning thirty years of Alfred Hitchcock's films. The creator highlights the fact that the director had to work around the infamous Hays Code in representing any type of romantic passion between his characters, and some of these moments (especially the two minute long kiss from "Notorious") skirted the line between acceptable and censorship at the time. The video condenses the chemistry between some of cinema's most iconic leading men and leading ladies into one three minute long package, and serves as a reminder that these little displays of affection electrified audiences at the time of their release, despite being tame by today's standards. Watch: Supercut Highlights 26 Movies With Beautiful Black-And-White Cinematography »
- Wil Barlow
Have you ever wondered what are the films that inspire the next generation of visionary filmmakers? As part of our monthly Ioncinephile profile, we ask the filmmaker (in this case, Norwegian filmmaker Eskil Vogt) to identify their all time top ten favorite films. Worth noting: this was a last minute request on my part, meaning the Scandi helmer did not have much time to reflect on film history in it’s totality — but Eskil was a great sport and kindly obliged. Vogt’s Blind receives its NYC release on September 4th via the Kim Stim folks and receives its VOD release via Fandor. Here is his top ten as of September 2nd, 2015.
Annie Hall – Woody Allen (1977)
“I almost put Desplechin’s “Ma vie sexuelle” here, but I guess even Desplechin would forgive me for replacing him with this. We are so many filmmakers to admire how Allen seemingly effortlessly gave »
- Eric Lavallee
(Roberto Rossellini, 1950-54; BFI, PG, DVD/Blu-ray)
In 1948 the Swedish actress Ingrid Bergman was Hollywood’s greatest star, having appeared in a succession of prestigious box-office hits including Casablanca, For Whom the Bell Tolls and Notorious. But she was deeply dissatisfied with the conventional roles she was offered and unhappy in her marriage to the Swedish dentist (and future neurosurgeon) who managed her career. Meanwhile in Europe, the Italian director Roberto Rossellini had become world-famous as a leading figure in the neorealist movement, making rough, honest movies played by nonprofessional actors on realistic settings. Out of the blue he received a brief, flirtatious fan letter from Bergman: “Dear Mr Rossellini, I saw your films [Rome,] Open City and Paisà and enjoyed them very much. If you need a Swedish actress who speaks English very well, who has not forgotten her German, who is not very understandable in French, and in Italian »
- Philip French
Pretty Pictures snaps up raft of international rights; Rialto Pictures to release documentary in the Us and Canada.
Pretty Pictures has acquired rights to documentary Ingrid Bergman - In Her Own Words from TrustNordisk for the Us, Canada, UK, Ireland, Germany, Austria, Switzerland, Holland and Belgium - marking a new direction for the Paris-based distributor.
The company has already secured a Us and Canadian theatrical release through New York-based Rialto Pictures, which will release the doc on Nov 13 - making it eligible for the Oscars - following its Us debut at the New York Film Festival.
The French rights were previously picked up by Pretty Pictures ahead of the Cannes Film Festival, where the feature received its world premiere and won the L’Oeil d’Or (Golden Eye) for best documentary. The festival also used the face of the Swedish star for its official poster, marking the centennial of her birth.
James Velaise, president »
- email@example.com (Michael Rosser)
Ahead of American Ultra's arrival in UK cinemas, here's our pick of the 25 finest, sneakiest secret agents in film...
Operatives. Spies. Moles. Infiltrators. Secret agents go by many names. In fact, Britain's national security agency doesn't even call them agents - they're covert human intelligence sources, or simply “officers".
Whatever we choose to call them, secret agents lead necessarily furtive and obscure lives - so obscure that most of what we know about them is defined by what we've seen and read in books and movies.
During the Cold War, the image of the secret agent as a well-groomed sophisticate in a suit proliferated all over the world, and even in the high-tech landscape of the 21st century, that image still stands - just look at such movies as Kingsman: The Secret Service, The Man From U.N.C.L.E. and, of course, the Bond franchise. But secret agents can come in many other guises, »
Hey, Toronto! The Tiff Bell Lightbox has got a big treat in store for fans of big screen icon Ingrid Bergman with their upcoming Notorious: Celebrating The Ingrid Bergman Centenary retrospective and we've got two fantastic ticket bundles to give away!Included in the retrospective are screenings of a trio of pictures Bergman did with director Alfred Hitchcock - Notorious screens August 23rd, Spellbound screens August 27th and Under Capricorn screens September 6th - and two lucky Twitch readers are going to win a pair of tickets to see all three of those titles!You want your chance? We're making it easy: Just email me here and name Bergman's Notorious leading man. Winners will be drawn at random. Good luck, and remember to check out the full...
[Read the whole post on twitchfilm.com...]
Few will have missed the fact that centenarian Ingrid Bergman adorned this year’s Cannes Fest poster. At the same festival, Sig Björkman’s iconic and very personal portrait of the Swedish movie star premiered. “Ingrid Bergman — In Her Own Words” was warmly received and won a special mention in Cannes new L’Oeil d’Or docu competition. Soon after Cannes, the film screened at Il Cinema Ritrovato in Bologna, one of Europe’s top two classic film meets. It is now set for the Haugesund Norwegian Film Festival, as the only documentary selected for its Nordic Focus.
The film has already sold to 20 countries, with world sales handled by TrustNordisk, and by NonStop Ent. in Scandinavia. On Aug. 24, a special ceremony will be held at the Royal Dramatic Theatre in Stockholm, where Stig Bjorkman’s film is the main act and where all Ingrid Bergman’s four children will take part, »
- Jon Asp
Photo: Paramount Pictures Note: This article contains spoilers for Mission: Impossible - Rogue Nation. If you haven't yet seen the movie, you've been warned. I love listening to podcasts. Whether I'm driving across town, going for a run, cleaning my house or relaxing on the couch, you're likely to find me playing a podcast to help score the scene. Some podcasts are better than others, but if you enjoy learning about movies and everything that goes into making them I encourage you to check out "The Q&A with Jeff Goldsmith", in which the titular host sits down with actors, directors and writers to discuss what it takes to bring a film to the screen, from both a business standpoint and a creative one. Together they break down scenes, give background, tell stories and lend perspective on a film that listeners might not otherwise hear. Goldsmith's most recent episode is »
- Jordan Benesh
Sean Witzke has put together the following video essay exploring the work of Brian De Palma, John Woo, J.J. Abrams and Brad Bird over the Mission: Impossible franchise and it's a fascinating study of influence from a director's perspective and what has come of the franchise, primarily following Abrams' taking over ever since Mission: Impossible III. Witzke spends a ton of time exploring De Palma's contributions and influences when it comes to Mission: Impossible (1996) and as he moves on the time spent on each film decreases, which is interesting in and of itself. Talk of the influence of Alfred Hitchcock on all the films, as well as Ronald Neame's Gambit, Jules Dassin's Topkapi (which I have not seen, but desperately need to) and Roman Polanski's Macbeth are all referenced and he also discusses, as I have before, the fact Woo's Mission: Impossible II is essentially a »
- Brad Brevet
Quentin Tarantino's 35mm movie haven, now 37 this year, ditched digital last Fall when he took over programming. Despite skepticism of this celluloid model, Tarantino's $8 35mm double features work with La audiences. He kicks off August at the all-celluloid New Beverly with a print of "For a Few Dollars More" and will close the month with "A Fistful of Dollars," another classic Leone western Tarantino presented at Cannes 2014. Read More: Quentin Tarantino Enjoys Running the New Beverly, Even When He's Shooting a Movie In spirit of Summer smash "Mad Max: Fury Road," Tarantino presents a double feature of "Mad Max" and "The Road Warrior" in mid-August, followed by Charlie Chaplin double bills, and back-to-back Hitchcock classics "Notorious" and "Suspicion," both starring Cary Grant. Read More: Alfred Hitchcock's Top 25 Films, Ranked And of course, as you'll see in the calendar, there are plenty of Westerns »
- Ryan Lattanzio
BBC Culture has this week unveiled a new list of the top 100 American films, as voted for by a pool of international film critics from across the globe. The format of the poll was that any film that would make the list had to have recieved funding from a Us source, and the directors of the films did not need to be from the USA, nor did the films voted for need to be filmed in the Us.
Critics were asked to submit their top 10 lists, which would try to find the top 100 American films that while “not necessarily the most important, but the greatest on an emotional level”. The list, as you may have guessed, is very different to the lists curated by say the BFI or AFI over the years, so there are certainly a few surprises on here, with Steve McQueen’s 12 Years A Slave (2013), Terrence Malick »
- Scott J. Davis
First off, let's make one thing clear. We're not scratching our heads at Spike Lee's "Do The Right Thing" making the BBC's 100 greatest American films. That movie, of which an image accompanies this post, not only made the list, but ranked appropriately at no. 25. It's the rest of the selections that have us scratching and, yes, shaking our heads in disbelief. A wonderful page view driver, these sorts of lists make great fodder for passionate movie fans no matter what their age or part of the world they hail from. There is nothing more entertaining than watching two critics from opposite ends of the globe try to debate whether "The Dark Knight" should have been nominated for best picture or make a list like this. Even in this age of short form content where Vines, Shapchats and Instagram videos have captured viewers attention, movies will continue to inspire because »
- Gregory Ellwood
Leave it to the Brits to compile a list of the best American films of all-time. BBC Culture has published a list of what it calls "The 100 Greatest American Films", as selected by 62 international film critics in order to "get a global perspective on American film." As BBC Culture notes, the critics polled represent a combination of broadcasters, book authors and reviewers at various newspapers and magazines across the world. As for what makes an American filmc "Any movie that received funding from a U.S. source," BBC Culture's publication states, which is to say the terminology was quite loose, but the list contains a majority of the staples you'd expect to see. Citizen Kane -- what elsec -- comes in at #1, and in typical fashion The Godfather follows at #2. Vertigo, which in 2012 topped Sight & Sound's list of the greatest films of all-time, comes in at #3 on BBC Culture's list. »
- Jordan Benesh
Every now and then a major publication or news organisation comes up with a top fifty or one hundred films of all time list - a list which always stirs up debate, discussion and often interesting arguments about the justifications of the list's inclusions, ordering and notable exclusions.
Today it's the turn of BBC Culture who consulted sixty-two international film critics including print reviews, bloggers, broadcasters and film academics to come up with what they consider the one-hundred greatest American films of all time. To qualify, the film had to be made by a U.S. studio or mostly funded by American money.
Usually when a list of this type is done it is by institutes or publications within the United States asking American critics their favourites. This time it's non-American critics born outside the culture what they think are the best representations of that culture. Specifically they were asked »
- Garth Franklin
The stench of Grace Kelly biopic “Grace Of Monaco,” which opened Cannes in 2014 before ending up as a literal Lifetime Movie, was hard to wash off the Croisette. This year, another film focusing on an iconic female actress (and Hitchcock lead) of classic Hollywood proved far more successful, with the screening in the Cannes Classics sidebar of “Ingrid Bergman In Her Own Words.” A documentary, rather than a biopic (thank Christ) “In Her Own Words,” from filmmaker Stig Björkman, is a Swedish film that looks to do exactly what it sets out to in the title: to tell the story of the star of “Casablanca,” “Notorious” and “Stromboli,” among others. Björkman does so through Bergman's own personal diary, along with home movie footage and personal photographs. The film was made with the blessing of her family, with daughter Isabella Rossellini being the one who initially suggested making the film. As the film’s trailer, »
- Oliver Lyttelton
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