7 items from 2014
Regardless of your destination, holidays should be full of fun, excitement and of course, relaxation. One of the best ways to unwind whilst on the road is to kick back and watch a film from the comfort of your hotel bed, deckchair or plane seat. While there are some fantastic blockbusters and classic flicks to be seen, there are also some movies that you should evade at all costs when travelling. To help you avoid that niggling feeling of fear they may provoke, we’ve compiled this list of films that should never make an appearance on the ultrabooks of tech savvy travellers.
If you’re a young female traveller, Taken is not a good choice of holiday entertainment. This story involves young women in deep jeopardy while on holiday. While former CIA operative Bryan Mills (played by a mega tough Liam Neeson ) manages to rescue his holidaying daughter »
- Gary Collinson
What better way to celebrate Icons of Fright’s ten year anniversary, than with a barrage of our favorites?, whether they be lists of our favorite entries into the French horror genre, our favorite badasses, or like this one, the films that make up what is (in my opinion), the greatest horror films of all time. Like always, art is subjective, so before you rabid fright fiends call foul on me, just remember, this is “Jerry’s Ten Greatest Horror Films of All Time”, so it is just that: mine. So if you disagree, comment and tell me yours, as Icons of Fright has always been for the fans and comprised Of fans, so feel free to sound off! With all of that said, it’s go time!
10.) Re-animator (1985)
- Jerry Smith
Cinema history has a few great double-up years: 12-month periods in which a classic filmmaker had not one but two great films. Mel Brooks may be the most notorious, releasing two of the best comedies of all time in 1974 (“Blazing Saddles” & “Young Frankenstein”) and Steven Spielberg has arguably done it a few times, inarguably in 1993 (“Jurassic Park” & “Schindler’s List”) and he would double-up again in 2002 (“Minority Report” & “Catch Me If You Can”) and 2011 (“Tintin” & “War Horse”).
One of the most-often forgotten double-up years was Alfred Hitchcock’s first year as an American filmmaker — 1940, which saw the premiere of “Rebecca” in April and “Foreign Correspondent” in August. The former has been a Criterion inductee for years and the latter joins the most important club in Blu-ray/DVD history this week in a finely-transferred and wonderfully accompanied release.
“Rebecca” has the higher historical pedigree, largely because it’s less dry »
- email@example.com (Adam Fendelman)
Hitchcock’s War Face
Alfred Hitchcock’s 1940 film Foreign Correspondent is often underrated or forgotten when it comes to lists of the director’s “best” films. In fact, it was nominated for an Oscar Best Picture the same year as Rebecca (which won), and, personally, I think it’s the better movie. It’s certainly more of a “Hitchcock film” than Rebecca, as it is one of those cross-country espionage adventure-thrillers along the lines of The 39 Steps, Saboteur, and North by Northwest.
It was the director’s second Hollywood movie. Although Hitchcock was contracted to David O. Selznick (who produced Rebecca), Hitch’s deal allowed Selznick to “farm out” the director to other studios and producers, for a piece of Hitchcock’s salary, of course. In this case, Foreign Correspondent was produced by Walter Wanger (who had also produced John Ford’s Stagecoach). It’s interesting that »
- firstname.lastname@example.org (Cinema Retro)
Berlin -- An extremely graphic and hard-to-watch documentary feature about the Nazi concentration camps, German Concentration Camps Factual Survey, was shot by cameramen from the Allied Forces in 1945, who tried to document what they found on the ground. The film’s subsequent production process was supervised by Alfred Hitchcock, probably between making Spellbound and Notorious, but the project was shelved indefinitely in September 1945 and has now finally been completed by the U.K.’s Imperial War Museum. The first five reels of the film had been presented at the Berlinale in 1984 and subsequently shown on a Boston
- Boyd van Hoeij
Happy birthday to the glamorous Kim Novak, who is 81 today. It’s impossible to think of Novak without remembering her shock blonde super-coif in Vertigo (not to mention the way she werrrrrked Edith Head‘s form-sucking pencil skirts), and thus, it’s impossible to think of Novak without remembering the great female roles in Hitchcock movies. Here are my picks for the 10 best.
This is sort of a gonzo first pick, but give it up: The Lady Vanishes rules and Dame May Whitty, with all her grandmotherly charms, is just a subversive ol’ hoot as the bad-ass spy who sets up the intrigue of the story. This is the kind of role Margaret Rutherford would win an Oscar for. You underestimate the depth of how much she kicks ass.
Is it wild? Oh, yes. Is it sometimes a little embarrassing? »
- Louis Virtel
Looking for any excuse, Landon Palmer and Scott Beggs are using the 2012 Sight & Sound poll results as a reason to take different angles on the best movies of all time. Every week, they’ll discuss another entry in the list, dissecting old favorites from odd angles, discovering movies they haven’t seen before and asking you to join in on the conversation. Of course it helps if you’ve seen the movie because there will be plenty of spoilers. This week, they visit Pompeii, Sorrento, Naples and Capri alongside a husband and wife who are on the verge of no longer being husband and wife. In the #41 (tied) movie on the list, Roberto Rossellini directs his wife Ingrid Bergman and George Sanders as a foreign place shows them their true natures, intentions and the idea that they may merely be strangers after all. For its generic title, Journey to Italy is anything but. But »
- FSR Staff
7 items from 2014
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