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| Cary Grant | ... | Devlin | |
| Ingrid Bergman | ... | Alicia Huberman | |
| Claude Rains | ... | Alexander Sebastian | |
| Louis Calhern | ... | Paul Prescott | |
| Leopoldine Konstantin | ... | Mme. Sebastian (as Madame Konstantin) | |
| Reinhold Schünzel | ... | 'Dr. Anderson' (as Reinhold Schunzel) | |
| Moroni Olsen | ... | Walter Beardsley | |
| Ivan Triesault | ... | Eric Mathis | |
| Alexis Minotis | ... | Joseph (as Alex Minotis) | |
| Wally Brown | ... | Mr. Hopkins | |
| Charles Mendl | ... | Commodore (as Sir Charles Mendl) | |
| Ricardo Costa | ... | Dr. Barbosa | |
| Eberhard Krumschmidt | ... | Hupka | |
| Fay Baker | ... | Ethel | |
| rest of cast listed alphabetically: | |||
| Bernice Barrett | ... | File Clerk (uncredited) | |
| Bea Benaderet | ... | File Clerk (uncredited) | |
| Candido Bonsato | ... | Waiter (uncredited) | |
| Charles D. Brown | ... | Judge (uncredited) | |
| Eddie Bruce | ... | Reporter (uncredited) | |
| Paul Bryar | ... | Photographer (uncredited) | |
| Aileen Carlyle | ... | Woman at Party (uncredited) | |
| Beulah Christian | ... | Woman (uncredited) | |
| Richard Clarke | ... | Man (uncredited) | |
| Tom Coleman | ... | Court Stenographer (uncredited) | |
| Alfredo DeSa | ... | Ribero (uncredited) | |
| Ben Erway | ... | Reporter (uncredited) | |
| Bess Flowers | ... | Party Guest (uncredited) | |
| Almeda Fowler | ... | Woman (uncredited) | |
| Gavin Gordon | ... | Ernest Weylin (uncredited) | |
| William Gordon | ... | Adams (uncredited) | |
| Virginia Gregg | ... | File Clerk (uncredited) | |
| Harry Hayden | ... | Defense Counsel (uncredited) | |
| Alfred Hitchcock | ... | Man Drinking Champagne at Party (uncredited) | |
| Art Howard | ... | Party Guest (uncredited) | |
| Warren Jackson | ... | District Attorney (uncredited) | |
| Ted Kelly | ... | Waiter (uncredited) | |
| Donald Kerr | ... | Reporter (uncredited) | |
| James Logan | ... | Reporter (uncredited) | |
| Leota Lorraine | ... | Woman (uncredited) | |
| George Lynn | ... | Photographer (uncredited) | |
| Frank Marlowe | ... | Photographer (uncredited) | |
| Thomas Martin | ... | Butler (uncredited) | |
| Frank McClure | ... | Man Walking Through Door Leaving Courtroom (uncredited) | |
| Francis McDonald | ... | Man (uncredited) | |
| Tina Menard | ... | Maid (uncredited) | |
| Howard M. Mitchell | ... | Bailiff (uncredited) | |
| Bert Moorhouse | ... | Diner Extra / Party Guest (uncredited) | |
| Antonio Moreno | ... | Senor Ortiza (uncredited) | |
| Sandra Morgan | ... | Woman (uncredited) | |
| Howard Negley | ... | Photographer (uncredited) | |
| Ramon Nomar | ... | Dr. Silva - Brazilian Official (uncredited) | |
| Fred Nurney | ... | John Huberman (uncredited) | |
| Garry Owen | ... | Motorcycle Policeman (uncredited) | |
| Jeffrey Sayre | ... | Party Guest (uncredited) | |
| Louis Serrano | ... | Brazilian Official (uncredited) | |
| Patricia Smart | ... | Mrs. Jackson (uncredited) | |
| Dink Trout | ... | Court Clerk (uncredited) | |
| Lenore Ulric | ... | Horsewoman with Sebastian (uncredited) | |
| Emmett Vogan | ... | Reporter (uncredited) | |
| Friedrich von Ledebur | ... | Knerr (uncredited) | |
| Peter von Zerneck | ... | Wilhelm Rossner (uncredited) | |
| John Vosper | ... | Reporter (uncredited) | |
| Alan Ward | ... | Reporter (uncredited) | |
| Lillian West | ... | Woman (uncredited) | |
| Frank Wilcox | ... | FBI Agent (uncredited) | |
| Elizabeth Wilson | ... | Woman at Party (uncredited) | |
| Herbert Wyndham | ... | Mr. Cook (uncredited) | |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| Ben Hecht | (written by) | |
| John Taintor Foote | story "The Song of the Dragon" (uncredited) | |
| Alfred Hitchcock | screenplay contributor (uncredited) | |
| Clifford Odets | dialogue: love scenes (uncredited) | |
Produced by | |||
| Alfred Hitchcock | .... | producer (uncredited) | |
Original Music by | |||
| Roy Webb | |||
Cinematography by | |||
| Ted Tetzlaff | (director of photography) | ||
Film Editing by | |||
| Theron Warth | |||
Art Direction by | |||
| Carroll Clark | |||
| Albert S. D'Agostino | |||
Set Decoration by | |||
| Claude E. Carpenter | (set decorations) (as Claude Carpenter) | ||
| Darrell Silvera | (set decorations) | ||
Makeup Department | |||
| Mel Berns | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| William Dorfman | .... | assistant director | |
Sound Department | |||
| Terry Kellum | .... | sound | |
| John E. Tribby | .... | sound | |
| Clem Portman | .... | sound re-recordist (uncredited) | |
Special Effects by | |||
| Paul Eagler | .... | special effects | |
| Vernon L. Walker | .... | special effects | |
Visual Effects by | |||
| Chris Crowell | .... | digital compositor (restored version) (uncredited) | |
Camera and Electrical Department | |||
| Robert Capa | .... | still photographer (uncredited) | |
| Gregg Toland | .... | director of photography: second unit (uncredited) | |
Costume and Wardrobe Department | |||
| Edith Head | .... | gowns designer: Miss Ingrid Bergman | |
| Eugene Joseff | .... | costume jeweller (uncredited) | |
Music Department | |||
| C. Bakaleinikoff | .... | musical director | |
| Gil Grau | .... | orchestral arrangements | |
Other crew | |||
| Barbara Keon | .... | production assistant | |
| Dorothy Barton | .... | stand-in (uncredited) | |
| Betty Brooks | .... | stand-in: Ingrid Bergman (uncredited) | |
| Dan Cassell | .... | stand-in: Cary Grant (uncredited) | |
| J. Dodds | .... | stand-in (uncredited) | |
| Sam Lufkin | .... | stand-in (uncredited) | |
| Bill Porter | .... | publicity writer (uncredited) | |
| Ruth Roberts | .... | dialogue director (uncredited) | |
| Leo Snell | .... | stand-in (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Drama section |
| IMDb USA section |
One of Hitchcock's most thrilling examinations of psychosexual ambiguity, with the Grant-Bergman relationship veering from an initial meet-cute to genuine (beautifully conveyed) mutual delight to sadistic manipulation - he makes a whore of her and forces the fact again and again into her face, seldom giving an inch until the very end, where his change of heart has a largely tacked on feeling. We first see him from behind, quietly, predatorily watching at one of her drunken parties; they go for a drive and we see his hand poised to grab the wheel even as he pretends to submit himself to her drunken control over the car - it sets the tone, for Grant never relents on his desire to possess her, and reacts all too like a spurned lover to events, belittling her love even as she continually reasserts it; the callousness with which he distances himself from her after learning of her assignment is breathtaking. The main plot can hardly match the complexity of the central relationship, even though it's an excellently constructed yarn, with the fine set pieces of the party and the ultimate escape, which is essentially a battle between Rains and Grant for possession of the weakened Bergman - a finale which emphasizes how she's always been a prisoner, of her father's myth, of the male system, of her own emotions.