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| Cary Grant | ... | Devlin | |
| Ingrid Bergman | ... | Alicia Huberman | |
| Claude Rains | ... | Alexander Sebastian | |
| Louis Calhern | ... | Paul Prescott | |
| Leopoldine Konstantin | ... | Mme. Sebastian (as Madame Konstantin) | |
| Reinhold Schünzel | ... | 'Dr. Anderson' (as Reinhold Schunzel) | |
| Moroni Olsen | ... | Walter Beardsley | |
| Ivan Triesault | ... | Eric Mathis | |
| Alexis Minotis | ... | Joseph (as Alex Minotis) | |
| Wally Brown | ... | Mr. Hopkins | |
| Charles Mendl | ... | Commodore (as Sir Charles Mendl) | |
| Ricardo Costa | ... | Dr. Barbosa | |
| Eberhard Krumschmidt | ... | Hupka | |
| Fay Baker | ... | Ethel | |
| rest of cast listed alphabetically: | |||
| Bernice Barrett | ... | File Clerk (uncredited) | |
| Bea Benaderet | ... | File Clerk (uncredited) | |
| Candido Bonsato | ... | Waiter (uncredited) | |
| Charles D. Brown | ... | Judge (uncredited) | |
| Eddie Bruce | ... | Reporter (uncredited) | |
| Paul Bryar | ... | Photographer (uncredited) | |
| Aileen Carlyle | ... | Woman at Party (uncredited) | |
| Beulah Christian | ... | Woman (uncredited) | |
| Richard Clarke | ... | Man (uncredited) | |
| Tom Coleman | ... | Court Stenographer (uncredited) | |
| Alfredo DeSa | ... | Ribero (uncredited) | |
| Ben Erway | ... | Reporter (uncredited) | |
| Bess Flowers | ... | Party Guest (uncredited) | |
| Almeda Fowler | ... | Woman (uncredited) | |
| Gavin Gordon | ... | Ernest Weylin (uncredited) | |
| William Gordon | ... | Adams (uncredited) | |
| Virginia Gregg | ... | File Clerk (uncredited) | |
| Harry Hayden | ... | Defense Counsel (uncredited) | |
| Alfred Hitchcock | ... | Man Drinking Champagne at Party (uncredited) | |
| Art Howard | ... | Party Guest (uncredited) | |
| Warren Jackson | ... | District Attorney (uncredited) | |
| Ted Kelly | ... | Waiter (uncredited) | |
| Donald Kerr | ... | Reporter (uncredited) | |
| James Logan | ... | Reporter (uncredited) | |
| Leota Lorraine | ... | Woman (uncredited) | |
| George Lynn | ... | Photographer (uncredited) | |
| Frank Marlowe | ... | Photographer (uncredited) | |
| Thomas Martin | ... | Butler (uncredited) | |
| Frank McClure | ... | Man Walking Through Door Leaving Courtroom (uncredited) | |
| Francis McDonald | ... | Man (uncredited) | |
| Tina Menard | ... | Maid (uncredited) | |
| Howard M. Mitchell | ... | Bailiff (uncredited) | |
| Bert Moorhouse | ... | Diner Extra / Party Guest (uncredited) | |
| Antonio Moreno | ... | Senor Ortiza (uncredited) | |
| Sandra Morgan | ... | Woman (uncredited) | |
| Howard Negley | ... | Photographer (uncredited) | |
| Ramon Nomar | ... | Dr. Silva - Brazilian Official (uncredited) | |
| Fred Nurney | ... | John Huberman (uncredited) | |
| Garry Owen | ... | Motorcycle Policeman (uncredited) | |
| Jeffrey Sayre | ... | Party Guest (uncredited) | |
| Louis Serrano | ... | Brazilian Official (uncredited) | |
| Patricia Smart | ... | Mrs. Jackson (uncredited) | |
| Dink Trout | ... | Court Clerk (uncredited) | |
| Lenore Ulric | ... | Horsewoman with Sebastian (uncredited) | |
| Emmett Vogan | ... | Reporter (uncredited) | |
| Friedrich von Ledebur | ... | Knerr (uncredited) | |
| Peter von Zerneck | ... | Wilhelm Rossner (uncredited) | |
| John Vosper | ... | Reporter (uncredited) | |
| Alan Ward | ... | Reporter (uncredited) | |
| Lillian West | ... | Woman (uncredited) | |
| Frank Wilcox | ... | FBI Agent (uncredited) | |
| Elizabeth Wilson | ... | Woman at Party (uncredited) | |
| Herbert Wyndham | ... | Mr. Cook (uncredited) | |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| Ben Hecht | (written by) | |
| John Taintor Foote | story "The Song of the Dragon" (uncredited) | |
| Alfred Hitchcock | screenplay contributor (uncredited) | |
| Clifford Odets | dialogue: love scenes (uncredited) | |
Produced by | |||
| Alfred Hitchcock | .... | producer (uncredited) | |
Original Music by | |||
| Roy Webb | |||
Cinematography by | |||
| Ted Tetzlaff | (director of photography) | ||
Film Editing by | |||
| Theron Warth | |||
Art Direction by | |||
| Carroll Clark | |||
| Albert S. D'Agostino | |||
Set Decoration by | |||
| Claude E. Carpenter | (set decorations) (as Claude Carpenter) | ||
| Darrell Silvera | (set decorations) | ||
Makeup Department | |||
| Mel Berns | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| William Dorfman | .... | assistant director | |
Sound Department | |||
| Terry Kellum | .... | sound | |
| John E. Tribby | .... | sound | |
| Clem Portman | .... | sound re-recordist (uncredited) | |
Special Effects by | |||
| Paul Eagler | .... | special effects | |
| Vernon L. Walker | .... | special effects | |
Visual Effects by | |||
| Chris Crowell | .... | digital compositor (restored version) (uncredited) | |
Camera and Electrical Department | |||
| Robert Capa | .... | still photographer (uncredited) | |
| Gregg Toland | .... | director of photography: second unit (uncredited) | |
Costume and Wardrobe Department | |||
| Edith Head | .... | gowns designer: Miss Ingrid Bergman | |
| Eugene Joseff | .... | costume jeweller (uncredited) | |
Music Department | |||
| C. Bakaleinikoff | .... | musical director | |
| Gil Grau | .... | orchestral arrangements | |
Other crew | |||
| Barbara Keon | .... | production assistant | |
| Dorothy Barton | .... | stand-in (uncredited) | |
| Betty Brooks | .... | stand-in: Ingrid Bergman (uncredited) | |
| Dan Cassell | .... | stand-in: Cary Grant (uncredited) | |
| J. Dodds | .... | stand-in (uncredited) | |
| Sam Lufkin | .... | stand-in (uncredited) | |
| Bill Porter | .... | publicity writer (uncredited) | |
| Ruth Roberts | .... | dialogue director (uncredited) | |
| Leo Snell | .... | stand-in (uncredited) | |
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| The Professional: Golgo 13 | Munich | Suspicion | Giant | Madame Bovary |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Drama section |
| IMDb USA section |
Hitchcock introduces his stars with a cinematic blow that makes the opening of this dark, scrumptious thriller a monumental treat. He uses their star personalities and turns them round to dislocate us, teasing us with his unmistakable touch. The absurdity of the plot becomes totally plausible and the suspense is not merely unbearable but thrillingly entertaining. All of Hitchcock's favorite emotional and visual toys are present here. The icy blond, the sexual tension, the weakling villain with a castrating mother. A legendary kiss and a happy ending. Whenever I meet someone who hasn't seen any Hitchcock movies - and there are people in this world, believe it or not, who hasn't - I show them Notorious and always without fail, they are hooked forever. Just the way I was, I am and, I suspect, will always be. Cary Grant is allowed a dark unsmiling romantic hero and Ingrid Bergman lowers her strength to become a woman in love and in jeopardy but unwilling to appear as a victim. This gem of a film can be seen again and again without ever becoming tired or obvious. I'm sure you guessed it by now, this is one of my favorite films of all time.