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Nocturne (1946)

6.6
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Ratings: 6.6/10 from 653 users  
Reviews: 31 user | 7 critic

Police detective Joe Warner investigates the shooting of womanizing composer Keith Vincent. Evidence points to suicide and that is the official verdict, but Joe doesn't buy it and ... See full summary »

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Title: Nocturne (1946)

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Cast

Complete credited cast:
...
Lynn Bari ...
Virginia Huston ...
Carol Page
Joseph Pevney ...
Fingers
Myrna Dell ...
Susan
Edward Ashley ...
Vincent
Walter Sande ...
Halberson
Mabel Paige ...
Mrs. Warne
Bern Hoffman ...
Torp (as Bernard Hoffman)
Queenie Smith ...
Queenie
...
Gratz (as Mack Grey)
Rest of cast listed alphabetically:
Lilian Bond ...
Mrs. Billings (scenes deleted)
Broderick O'Farrell ...
Billings' Butler (scenes deleted)
William Wright ...
Mr. Billings (scenes deleted)
Edit

Storyline

Police detective Joe Warner investigates the shooting of womanizing composer Keith Vincent. Evidence points to suicide and that is the official verdict, but Joe doesn't buy it and obsessively keeps looking, tracking down one discarded love after another, despite being ordered off the case. Written by Ken Yousten <kyousten@bev.net>

Plot Summary | Add Synopsis


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

11 November 1946 (USA)  »

Also Known As:

Nocturno  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Virginia Huston's film debut. See more »

Goofs

Fingers is playing a spinet piano, but the sound is that of a grand piano. See more »

Quotes

Police Lt. Joe Warne: I like that alibi. It's round, it's firm, it's fully packed. Only I don't buy it.
See more »

Connections

Features Sinbad, the Sailor (1947) See more »

Soundtracks

A Little Bit is Better than None
Music and Lyrics by Eleanor Rudolph
Sung by Virginia Huston (dubbed by Martha Mears) (uncredited)
See more »

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User Reviews

 
Some Good Touches, but "Laura" It Ain't
23 May 2010 | by (Claremont,USA) – See all my reviews

There are some nice touches in this noir if you can get past Raft's non-acting. For a cop obsessed by a murder, he really needs more than one frozen expression. It doesn't help that the script sticks this 50-year old man with a 60-year old mother (Paige), even if she can wisecrack with the best of them. She's a hoot, but he still looks more like a brother than a son.

That opening sequence, however, is masterful and a testament to RKO's artistic team. A night-time camera swoops down from high above the Hollywood hills into a swank, ultra- modern glass house where a handsomely attired man noodles on a piano while a mystery woman sits in the shadows-- and the plot sets up from there. It's done in a single take and is quite riveting.

So who did kill the noodler (Ashley). Maybe it was his bad piano playing. More likely it's one of a hundred women who've visited that swank bachelor pad. Anyway, detective Warne (Raft), after viewing the glamour photos on the wall, is obsessed with finding out. His sleuthing takes us on a entertaining tour of LA area hotspots, circa 1946, including a ship that never sails. The attraction really isn't in the whodunit, which proves difficult, anyway. It's in the characters and the settings and some nice touches. There's the brassy blonde "housekeeper" (Dell) who assures us she sleeps alone, the fashion photographer who can't stand his model, the hulking gorilla (Hoffman) who KO's Warne amusingly off-camera. Most of all, there's Mom who may make you rethink nice old ladies. Then too, I like Joe Pevney as the moody, laconic "Fingers"; his smokey joe seems just right.

All in all, it's an interesting, if uneven, movie with some good dialogue, but with a wrap-up that sounds like it was thrown together on the way to the studio.


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