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Nocturne (1946)

6.6
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Ratings: 6.6/10 from 658 users  
Reviews: 32 user | 7 critic

Police detective Joe Warner investigates the shooting of womanizing composer Keith Vincent. Evidence points to suicide and that is the official verdict, but Joe doesn't buy it and ... See full summary »

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Title: Nocturne (1946)

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Cast

Complete credited cast:
...
Lynn Bari ...
Virginia Huston ...
Carol Page
Joseph Pevney ...
Fingers
Myrna Dell ...
Susan
Edward Ashley ...
Vincent
Walter Sande ...
Halberson
Mabel Paige ...
Mrs. Warne
Bern Hoffman ...
Torp (as Bernard Hoffman)
Queenie Smith ...
Queenie
...
Gratz (as Mack Grey)
Rest of cast listed alphabetically:
Lilian Bond ...
Mrs. Billings (scenes deleted)
Broderick O'Farrell ...
Billings' Butler (scenes deleted)
William Wright ...
Mr. Billings (scenes deleted)
Edit

Storyline

Police detective Joe Warner investigates the shooting of womanizing composer Keith Vincent. Evidence points to suicide and that is the official verdict, but Joe doesn't buy it and obsessively keeps looking, tracking down one discarded love after another, despite being ordered off the case. Written by Ken Yousten <kyousten@bev.net>

Plot Summary | Add Synopsis


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

11 November 1946 (USA)  »

Also Known As:

Nocturno  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Virginia Huston's film debut. See more »

Goofs

When Vincent is playing the piano, his white shirt cuffs are showing. When the camera goes to a close-up of the piano playing, the arms/hands show no cuffs, but reappear when Vincent is on screen again. See more »

Quotes

Police Lt. Joe Warne: I like that alibi. It's round, it's firm, it's fully packed. Only I don't buy it.
See more »

Connections

Features Sinbad, the Sailor (1947) See more »

Soundtracks

A Little Bit is Better than None
Music and Lyrics by Eleanor Rudolph
Sung by Virginia Huston (dubbed by Martha Mears) (uncredited)
See more »

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User Reviews

 
Vivid L.A. mystery falls just short of being a classic of the noir cycle
30 September 2002 | by (Western New York) – See all my reviews

A spectacular aerial nightscape of Los Angeles opens Nocturne, finally gliding down over a cliffside house and zooming right into the living room. There, a playboy songwriter sits at the piano while giving the brush-off to the latest in his string of lady friends. (She's veiled in black, but get a load of her instep.) A shot rings out....

Nocturne has a great, hard look; coupled with a nice feel for its milieu (piano bars, courtyard apartments, photography and movie studios), it adds up to one of the more vivid L.A. movies, especially when the dry winds rattle the leaves and stir up the rubbish. If in the end Nocturne doesn't quite redeem its promise, it's not for want of trying.

Part of its problem lies in its star, George Raft, as the police detective assigned the case. A 40ish bachelor who lives with Mom (scene-stealing Mabel Paige), he has a sharp eye for willing women, including his suspects. No one ever mistook Raft for a great actor, but sometimes he fits, sometimes he doesn't. Here he's so-so, a smart-mouthed Dapper Dan who leaks not a clue as to why he's always in hot water for insubordination and excessive force (it would have been a terrific Dick Powell part).

Raft's sleuthing takes him through the dead man's stable of exes (all of whom, for reasons that stay unexplained, he used to call `Dolores'). Among them Raft meets up with a sister act: hard-boiled brunette Lynn Bari and sweet blonde Virginia Huston, who sings in a night spot where Joseph Pevney (later to direct Shakedown, Meet Danny Wilson and Female On The Beach) entertains from a rolling piano, muscled from table to table by big, dumb Bernard Hoffman. But Raft keeps following false leads and encountering dead ends....

One of the chief pleasures of film noir must also be counted among its drawbacks: all too often, there's a lot more style than sense. With Nocturne, that's hard to overlook, so it falls just short of being a classic installment in the noir cycle.


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