A biographical portrayal of Simon Wiesenthal, famous Nazi Hunter. From his imprisonment in a Nazi Concentration Camp, the film follows his liberation and his rise to become one of the ... See full summary »
Craig T. Nelson
As rumors reach them that the Allied armies are advancing on their concentration camp at Buchenwald, Polish prisoners renew their feeble hope for survival and freedom. When a group of ... See full summary »
After WWII, Berlin lies in ruins. For Gustav, Willi and their friends the rubble provides an adventurous, dangerous playground. Especially for Gustav, it helps pass the time, as he longs ... See full summary »
Diederich Heßling is scared of everything and everyone. But as he grows up, he comes to realize that he has to offer his services to the powers-that-be if he wants to wield power himself. ... See full summary »
A German man's choir of 8 persons is on a vacation in Yugoslavia. Most are middle-aged previous Nazis. They arrive at a village populated solely by women who avoid contact. 20 years earlier... See full summary »
Susanne Wallner returns to the ruins of Berlin from a Concentration Camp after WW2 to discover that someone else lives in her apartment: Dr. Hans Mertens, the war made him depressive and he drinks a lot of alcohol. Susanne asks him to go but he doesn't want to, so they share Susanne's apartment and even discover their sympathy and then their love for each other. That encourages him a little, of course. But then he hears that Ferdinand Brückner is still alive and also lives in Berlin. Brückner was his Captain during WW2, he gave the order to kill more than 100 innocent people, many children and women among them, on Christmas 1942 in Poland. Written by
Shortly before the premiere, it was decided that leading actor Ernst 'Wilhelm Borchert' was not to be mentioned on posters and in the credits, since he had forged his forms of denazification. He had omitted that he had been a member of the NSDAP since 1933, but it later turned out his connection to the party was without further consequences. See more »
Having just seen this movie for the first time, I'll agree with some of the other comments.
The acting seems theatrical, at times almost political. The movie would make a great double with "The Third Man".
What struck me was the significance of this movie. That the Soviets are the ones that made it possible. That forgiveness (and legal justice) not revenge were the goals to move past the horrors of life, a message only brought about by the Soviets changing the ending. Not having known the history of this movie, I wondered about the soviet involvement, when in one street scene children were playing within a stones throw of a wrecked soviet tank. (Or was it wrecked?).
It was made in 1946. I can only imagine the hardship for everyone overrun by the wars destructive path. This movie plainly shows that life does continue.
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