April 1945: Gregor Hecker, 19 years of age, reaches the outskirts of Berlin as part of the Red Army's scouting team. Having fled Germany with his family when he was eight, he is confronted ... See full summary »
The mechanic Behnke wants to join the Nazi party to secure a good living. However, after his Jewish neighbors have been taken away, he changes his views. Trying to remain "a non-political ... See full summary »
Karl Heinz Deickert
Diederich Heßling is scared of everything and everyone. But as he grows up, he comes to realize that he has to offer his services to the powers-that-be if he wants to wield power himself. ... See full summary »
As rumors reach them that the Allied armies are advancing on their concentration camp at Buchenwald, Polish prisoners renew their feeble hope for survival and freedom. When a group of ... See full summary »
A biographical portrayal of Simon Wiesenthal, famous Nazi Hunter. From his imprisonment in a Nazi Concentration Camp, the film follows his liberation and his rise to become one of the ... See full summary »
Craig T. Nelson
After WWII, Berlin lies in ruins. For Gustav, Willi and their friends the rubble provides an adventurous, dangerous playground. Especially for Gustav, it helps pass the time, as he longs ... See full summary »
A German man's choir of 8 persons is on a vacation in Yugoslavia. Most are middle-aged previous Nazis. They arrive at a village populated solely by women who avoid contact. 20 years earlier... See full summary »
Susanne Wallner returns to the ruins of Berlin from a Concentration Camp after WW2 to discover that someone else lives in her apartment: Dr. Hans Mertens, the war made him depressive and he drinks a lot of alcohol. Susanne asks him to go but he doesn't want to, so they share Susanne's apartment and even discover their sympathy and then their love for each other. That encourages him a little, of course. But then he hears that Ferdinand Brückner is still alive and also lives in Berlin. Brückner was his Captain during WW2, he gave the order to kill more than 100 innocent people, many children and women among them, on Christmas 1942 in Poland. Written by
The war is over and it's time to look ahead into the future, preferably a sunnier one, but first you have to heal the wounds. Well, sort of. Part propaganda, part guilt-ridden record of post-war Germany, but for all the impressive - and depressing - imagery of ruined Berlin, it seems to be more about the director's own feeling of guilt, as his curriculum included some other propaganda, of the Nazi variety. The story doesn't resonate as it should despite some strong, striking passages, and though urging and warranted the final message calling for snitching reeks of that sanctimonious hypocrisy that characterized the Nuremberg trials.
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