Fiona, Evelyn and Susanna are sisters. Their mother dies on the Lusitania, their father is killed in France, they must manage their Fifth Avenue mansion by themselves. Fiona marries Charles... See full summary »
Rita Wilson meets epidemiologist Chris Claybourne and they fall in love with each other. When Claybourne leaves for the tropics to find a cure against a disease, Wilson gets her revenge by ... See full summary »
W.S. Van Dyke
London based American nurse, Susan, Lady Ashwood, is at the hospital awaiting the imminent arrival of injured soldiers. She is hoping that her enlisted son, Sir John Ashwood, who resembles ... See full summary »
Tongues begin to wag when a lonely widow becomes romantically involved with a military man. Problems arise when the gossip is filtered down to her own children. Written by
Daniel Bubbeo <email@example.com>
"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on April 21, 1947 with Barbara Stanwyck and George Brent reprising their film roles. Screen Guild Playhouse also did a radio adaptation on July 7, 1947. See more »
On first visit to the Majors apartment, the door opens on the left hand side, when leaving the apartment the second time the door opens on the right hand side. See more »
An ideal script for Douglas Sirk, charting the emotional liberation of a widow, but filmed without Douglas Sirk. Instead, Curtis Bernhardt commands a lush postwar production: the $5000 limits on set construction were lifted, and it shows. Extras crowd the screen, even in modest scenes, plus James Wong Howe contributes rich low-key lighting, Max Steiner produces an expressive [if undistinctive] score, and Edith Head whips up tasteful costumes. Bernhardt works best in the big scenes, but misjudges some of the lighter moments and cannot light a fire under his leading man, George Brent at his most stolid. Still, there's much to enjoy here: thoughtful dialogue, the stylized upper-crust social milieu, and expert performances, including an unusually sensitive one from Barbara Stanwyck. However, that slight [but crucial] ironic distance of Sirk is sorely missed.
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