| Photos (see all 18 | slideshow) | Videos (see all 4) |
| Henry Fonda | ... | Wyatt Earp | |
| Linda Darnell | ... | Chihuahua | |
| Victor Mature | ... | Dr. John 'Doc' Holliday | |
| Cathy Downs | ... | Clementine Carter | |
| Walter Brennan | ... | Old Man Clanton | |
| Tim Holt | ... | Virgil Earp | |
| Ward Bond | ... | Morgan Earp | |
| Alan Mowbray | ... | Granville Thorndyke | |
| John Ireland | ... | Billy Clanton | |
| Roy Roberts | ... | Mayor | |
| Jane Darwell | ... | Kate Nelson | |
| Grant Withers | ... | Ike Clanton | |
| J. Farrell MacDonald | ... | Mac the Barman | |
| Russell Simpson | ... | John Simpson | |
| rest of cast listed alphabetically: | |||
| Robert Adler | ... | Stagecoach Driver (uncredited) | |
| C.E. Anderson | ... | Townsman (uncredited) | |
| Don Barclay | ... | Opera House Owner (uncredited) | |
| Hank Bell | ... | Opera House Patron (uncredited) | |
| Danny Borzage | ... | Accordionist (uncredited) | |
| Frank Conlan | ... | Pianist (uncredited) | |
| Jack Curtis | ... | Bartender (uncredited) | |
| Francis Ford | ... | Dad, Old Soldier (uncredited) | |
| Earle Foxe | ... | Gambler (uncredited) | |
| Don Garner | ... | James Earp (uncredited) | |
| Ben Hall | ... | Barber (uncredited) | |
| Aleth Hansen | ... | Guitarist (uncredited) | |
| Duke R. Lee | ... | Townsman (uncredited) | |
| Fred Libby | ... | Phin Clanton (uncredited) | |
| Mae Marsh | ... | Simpson's Sister (uncredited) | |
| Margaret Martin | ... | Woman (uncredited) | |
| Kermit Maynard | ... | Townsman (uncredited) | |
| Louis Mercier | ... | François, the Chef (uncredited) | |
| Jack Pennick | ... | Stagecoach Driver (uncredited) | |
| Frances Rey | ... | Woman (uncredited) | |
| Mickey Simpson | ... | Sam Clanton (uncredited) | |
| Charles Stevens | ... | Indian Joe (uncredited) | |
| Arthur Walsh | ... | Hotel Clerk (uncredited) | |
| Harry Woods | ... | Luke (uncredited) | |
Directed by | |||
| John Ford | |||
Writing credits | ||
| Samuel G. Engel | (screenplay) and | |
| Winston Miller | (screenplay) | |
| Sam Hellman | (story) | |
| Stuart N. Lake | (book "Wyatt Earp, Frontier Marshal") | |
Produced by | |||
| Samuel G. Engel | .... | producer | |
Original Music by | |||
| Cyril J. Mockridge | (as Cyril Mockridge) | ||
| David Buttolph | (uncredited) | ||
Cinematography by | |||
| Joseph MacDonald | (as Joe MacDonald) | ||
Film Editing by | |||
| Dorothy Spencer | |||
Art Direction by | |||
| James Basevi | |||
| Lyle R. Wheeler | (as Lyle Wheeler) | ||
Set Decoration by | |||
| Thomas Little | |||
Makeup Department | |||
| Ben Nye | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| William Eckhardt | .... | assistant director (uncredited) | |
| Jack Sonntag | .... | second assistant director (uncredited) | |
Art Department | |||
| Fred J. Rode | .... | associate set decorator | |
Sound Department | |||
| Eugene Grossman | .... | sound | |
| Roger Heman Sr. | .... | sound (as Roger Heman) | |
Special Effects by | |||
| Fred Sersen | .... | special photographic effects | |
Stunts | |||
| Jack Montgomery | .... | stunts (uncredited) | |
| Gil Perkins | .... | stunts (uncredited) | |
Costume and Wardrobe Department | |||
| René Hubert | .... | costumes (as Rene Hubert) | |
| Sam Benson | .... | wardrobe (uncredited) | |
Music Department | |||
| Alfred Newman | .... | musical director | |
| Edward B. Powell | .... | orchestrator (as Edward Powell) | |
Other crew | |||
| Darryl F. Zanuck | .... | presenter | |
| Barlow Simpson | .... | double: Russell Simpson (uncredited) | |
|
|
|
|
|
| The Assassination of Jesse James by the Coward Robert Ford | High Plains Drifter | I Shot Jesse James | High Noon | Rio Bravo |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
| Add this title to MyMovies |
Set amid the sweeping vistas and the towering sandstone buttes and spires of Monument Valley, this John Ford film, about Wyatt Earp (Henry Fonda) and his encounters with the Clanton gang in rowdy Tombstone, Arizona, fulfills our need to experience the Old West as mythic romanticism. The visuals are striking. El Greco skies oppress a majestic and lonesome landscape of rock, dirt, dust, and cattle. Ghostly human figures confront death in heavy rain. Indoors, small, overhead lanterns emit soft light in tough barrooms. The B&W cinematography conveys a somber, moody, idealized vision of the nineteenth century American frontier.
But the film's romanticism is not just the product of adroit cinematography. The relaxed narrative weaves multiple, seemingly insignificant plot lines into a unified whole, and thus depicts the Old West as a place and time of humor, wit, religious faith, amiable conflict, even poetry and philosophy.
And so, in his heartfelt soliloquy of "the undiscovered country", Granville Thorndyke (Alan Mowbray), that congenial thespian rogue who quotes Shakespeare and who seems so out of place, adds texture and soul to the script, as a precursor to violence and death. This is after all ... Tombstone.
Inspired by the real life gunfight at the OK Corral, the story is less factual than suggestive. It's not just the film's fanciful portrayal of the shootout that abets credulity. It's the setting ... Tombstone is nowhere near Monument Valley.
But this is not a textbook. It is a romanticized cinematic interpretation of a long-ago culture, using a textbook incident as a premise. The film's theme centers on the nobility of outcasts and the basic goodness and humanism of frontier people. It's a broad-brush character study of historical figures like Doc Holliday (Victor Mature), Old Man Clanton (Walter Brennan), the Clanton sons, and of course Wyatt Earp and his sons. Although one could argue that Fonda lacks the tough guy strength and roughness that we would expect for a frontier legend, the casting and the acting are overall quite good. Editing, costumes, and production design also enhance the film's credibility.
Understated and meditative in tone, "My Darling Clementine" is a different kind of Hollywood western, one that conveys a humanistic theme with emotional depth. Characters are multi-dimensional, unvarnished, and as striking and memorable as the stately buttes and spires of Monument Valley.