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My Darling Clementine (1946)

7.8
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Ratings: 7.8/10 from 14,471 users  
Reviews: 126 user | 69 critic

A Western retelling the tale of the Shoot-out at the OK Corral.

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(screen play), (screen play), 2 more credits »
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Title: My Darling Clementine (1946)

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Cast

Complete credited cast:
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Cathy Downs ...
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Grant Withers ...
J. Farrell MacDonald ...
Mac the Barman
Russell Simpson ...
John Simpson
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Storyline

Wyatt Earp and his brothers Morgan and Virgil ride into Tombstone and leave brother James in charge of their cattle herd. On their return they find their cattle stolen and James dead. Wyatt takes on the job of town marshal, making his brothers deputies, and vows to stay in Tombstone until James' killers are found. He soon runs into the brooding, coughing, hard-drinking Doc Holliday as well as the sullen and vicious Clanton clan. Wyatt discovers the owner of a trinket stolen from James' dead body and the stage is set for the Earps' long-awaited revenge. Written by Doug Sederberg <vornoff@sonic.net>

Plot Summary | Add Synopsis

Taglines:

Reckless, Riotous Frontier Adventure! See more »

Genres:

Drama | Western

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

3 December 1946 (USA)  »

Also Known As:

John Ford's My Darling Clementine  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (pre-release)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

(at around 5 mins)as the Earps are finishing dinner, James Wyatt pulls out a Celtic Cross and Morgan from a distance notices and comments to Wyatt "There goes that chingadera again."

chingadera noun (fem.) (pl. chingaderas) 1. Mexico - missing translation (an immoral or illegal act, often with the idea of treason or deceit). 2. Mexico - shit, crap (a thing of little value or quality, or an unspecified object). 3. Mexico - bullshit (nonsense, stupidity, false statements). Morgan probably was referring to the 2nd definition. See more »

Goofs

The movie shows Virgil Earp killed (murdered - shot in back) by Old Man Clanton. However, in actuality, Virgil survived being shot from ambush on 28 December 1881, but never fully recovered from the wound in his left arm. He lived until 1905, succumbing to pneumonia at age 57. See more »

Quotes

Wyatt Earp: Sure is rough-looking country. Ain't no cow country. Mighty different where I come from. What do they call this place?
Old Man Clanton: Just over the rise there. Big town... called Tombstone.
See more »

Connections

Referenced in The State of Things (1982) See more »

Soundtracks

Camptown Races
(1850) (uncredited)
Music by Stephen Foster
Played on piano in the bar
See more »

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User Reviews

 
ARCHTYPAL WESTERN
9 July 2004 | by (A Place is Just A Place) – See all my reviews

Saw "My Darling Clementine," yet again, yes, but this time on the big screen, not on TV, which was like listening to an old favorite recording on a super stereo system and noticing all sorts of details that in the aggregate make it like watching an entirely new film for the first time.

John Ford is so AMERICAN. It's just all there: the black, the shining; the pure, the defiled. I'm tempted to call him the Norman Rockwell of film, but that would diminish him. Simple, yes, but simplistic, never.

The plot is merely a framework, firm, pure, austere, functional, fairly disappearing, invisible, an excuse for the real fun, film for film's sake, the pure joy of seeing and imagining.

Ford foregoes the extraneous; chatty dialogue is dispense with for what's really important, the eyes, the faces, the body language. Damn, why have movies become so complicated, so noisy?

Henry Fonda's diffident but sure slowhand is classic -- the laconic American. Victor Mature's Mediterranean sensuality is the foil to Fonda's Puritan austerity, (the same north-south polarity is echoed in Cathy Downs as Clementine vs. Linda Darnell as Chihuahua). But, hell, let's not get analytical or intellectual. The movie is instinctual. It's the grown-up version of kids' play-acting, subconscious, freeing.

The images are stunning: a stagecoach whipped into demonic fury, a possessed Doc Holliday riding shotgun over a hurricane of dust and horse hooves. Injustice is blunt: cold summary execution with a shot in the back. American decency is unabashed: an aw-shucks square dance beneath fluttering Old Glory's. Love is a dream we cannot reach, are not worthy of.

Every scene is caught in midstream, in the act, in motion. Damn, it seems so fresh.

This is the Western all others imitate.

PS. Also by John Ford, and essential in the American repertoire: "Young Mr. Lincoln," "Grapes of Wrath," "Stagecoach," "The Searchers," "She Wore a Yellow Ribbon," "Rio Grande," & "The Man Who Shot Liberty Valance."


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