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My Darling Clementine (1946)

Approved  |   |  Drama, Western  |  3 December 1946 (USA)
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Ratings: 7.8/10 from 15,367 users  
Reviews: 126 user | 77 critic

A Western retelling the tale of the Shoot-out at the OK Corral.



(screen play), (screen play), 2 more credits »
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Complete credited cast:
Cathy Downs ...
J. Farrell MacDonald ...
Mac the Barman
Russell Simpson ...
John Simpson


Wyatt Earp and his brothers Morgan and Virgil ride into Tombstone and leave brother James in charge of their cattle herd. On their return they find their cattle stolen and James dead. Wyatt takes on the job of town marshal, making his brothers deputies, and vows to stay in Tombstone until James' killers are found. He soon runs into the brooding, coughing, hard-drinking Doc Holliday as well as the sullen and vicious Clanton clan. Wyatt discovers the owner of a trinket stolen from James' dead body and the stage is set for the Earps' long-awaited revenge. Written by Doug Sederberg <>

Plot Summary | Add Synopsis


The Roaring West At Its Reckless Best! See more »


Drama | Western


Approved | See all certifications »

Parents Guide:






Release Date:

3 December 1946 (USA)  »

Also Known As:

John Ford's My Darling Clementine  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs


| (pre-release)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


The film takes place in 1882. See more »


Before Doc begins to operate on Chihuahua, without anesthesia, a cloth is placed in her mouth and she's told to "bite real hard." A moment later, when the scene has cut to a longer shot, and Doc has started, we hear Chihuahua cry out "Oh ma!" She couldn't have spoken with the cloth in her mouth. See more »


Wyatt Earp: Sure is rough-looking country. Ain't no cow country. Mighty different where I come from. What do they call this place?
Old Man Clanton: Just over the rise there. Big town... called Tombstone.
See more »


Version of Frontier Marshal (1939) See more »


Oh! Susanna
(1848) (uncredited)
Music by Stephen Foster
In the score when Wyatt is at the barber shop
See more »

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User Reviews

Flawless acting, direction and photography combine to produce the pinnacle of the western genre.
28 May 2001 | by (Clifton, Virginia) – See all my reviews

Absolute perfection. Without a doubt, `My Darling Clementine' has secured its place in film immortality, resting proudly at the top of the list of the finest westerns ever made. It represents the genre at its peak and the career high point of all involved, including director John Ford and star Henry Fonda. `Clementine' achieves the difficult blend of drama, action, romance and occasional comic relief necessary to appeal to all viewers. This is the kind of film at which Ford excelled - straightforward and powerful, sentimental but never maudlin. It is needless to say that this is the definitive portrayal of Wyatt Earp and the gunfight at the OK Corral. It may not be the grittiest, most penetrating or historically accurate rendition, but it mixes just the right quantities of realism, legend and Hollywood magic. Its characterizations leave no room for improvement. Henry Fonda was born to play Earp. His folksy, unpretentious demeanor, coupled with the hard edge of a man who must occasionally deal out justice through the barrel of his gun, produce a multidimensional performance that others approaching the role could only dream of. With his portrayal of the tubercular Doc Holliday, Victor Mature forever shed his light image and began a series of solid dramatic roles. Other actors have played Holliday as flamboyant and eccentric, but Mature is effective in approaching him as a fatalist who has relinquished his aspirations of greatness and now lives life one day at a time. He forms an alliance with Earp because he has nothing better to do, and nothing else to live for. Walter Brennan's Old Man Clanton is a study in evil personified, and will certainly shock viewers who know him only as the crotchety but lovable grandfather he played on so many occasions. The rest of the cast is uniformly fine, featuring many members of Ford's `stock company' which followed him throughout his career. Ford's direction is strong and sure-footed. Although this was familiar territory for him, he was careful to instill each scene with a certain degree of uniqueness so the film would never appear routine. In this he was entirely successful, and a brief glance at his filmography confirms that this holds true throughout his body of work. The cinematography is breathtaking. Vast outdoor imagery and intimate gatherings of people are conveyed in an equally compelling manner. Earp's soliloquy at his brother's gravestone, a church dance sequence and the gunfight itself are among the film's many highlights. Only so much praise can be given in a review such as this; it must be seen to be appreciated.

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