Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the ... See full summary »
A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians when he proves to be the match of their warriors in one-to-one combat on ... See full summary »
Jim Deakins is a frontiersman and Indian trader who is making a perilous journey with a group of other men up the Missouri River to get a large haul of furs from friendly Blackfoot Indians.... See full summary »
Wyatt Earp and his brothers Morgan and Virgil ride into Tombstone and leave brother James in charge of their cattle herd. On their return they find their cattle stolen and James dead. Wyatt takes on the job of town marshal, making his brothers deputies, and vows to stay in Tombstone until James' killers are found. He soon runs into the brooding, coughing, hard-drinking Doc Holliday as well as the sullen and vicious Clanton clan. Wyatt discovers the owner of a trinket stolen from James' dead body and the stage is set for the Earps' long-awaited revenge. Written by
Doug Sederberg <email@example.com>
An alternate "preview" version of this film exists. In the 1970s, 20th Century Fox donated some film to the UCLA Film Archives. In 1994, it was discovered that the UCLA print was different from the one being shown on TV. It was about 8 minutes longer with minor variations throughout and a slightly different ending. Both this archival 103 or 104 minute version and the 97 minute release version are included on the Fox DVD released on January 6, 2004. See more »
When Wyatt is playing poker, Chihuahua puts her leg up on a chair showing her dark stockings. A few minutes later, when Wyatt catches her signaling the gambler, he pulls her outside and pushes her in a horse-trough and she's no longer wearing stockings. See more »
[after the shoot-out at the O.K. Corral, Wyatt refuses to shoot Old Man Clanton]
Old Man Clanton:
My boys... Ike! Sam! Phin! Billy!
They're dead. I ain't gonna kill you. I hope you live a hundred years... so you'll feel just a little what my pa's gonna feel. Now get out of town - start wandering!
See more »
Flawless acting, direction and photography combine to produce the pinnacle of the western genre.
Absolute perfection. Without a doubt, `My Darling Clementine' has secured its place in film immortality, resting proudly at the top of the list of the finest westerns ever made. It represents the genre at its peak and the career high point of all involved, including director John Ford and star Henry Fonda. `Clementine' achieves the difficult blend of drama, action, romance and occasional comic relief necessary to appeal to all viewers. This is the kind of film at which Ford excelled - straightforward and powerful, sentimental but never maudlin. It is needless to say that this is the definitive portrayal of Wyatt Earp and the gunfight at the OK Corral. It may not be the grittiest, most penetrating or historically accurate rendition, but it mixes just the right quantities of realism, legend and Hollywood magic. Its characterizations leave no room for improvement. Henry Fonda was born to play Earp. His folksy, unpretentious demeanor, coupled with the hard edge of a man who must occasionally deal out justice through the barrel of his gun, produce a multidimensional performance that others approaching the role could only dream of. With his portrayal of the tubercular Doc Holliday, Victor Mature forever shed his light image and began a series of solid dramatic roles. Other actors have played Holliday as flamboyant and eccentric, but Mature is effective in approaching him as a fatalist who has relinquished his aspirations of greatness and now lives life one day at a time. He forms an alliance with Earp because he has nothing better to do, and nothing else to live for. Walter Brennan's Old Man Clanton is a study in evil personified, and will certainly shock viewers who know him only as the crotchety but lovable grandfather he played on so many occasions. The rest of the cast is uniformly fine, featuring many members of Ford's `stock company' which followed him throughout his career. Ford's direction is strong and sure-footed. Although this was familiar territory for him, he was careful to instill each scene with a certain degree of uniqueness so the film would never appear routine. In this he was entirely successful, and a brief glance at his filmography confirms that this holds true throughout his body of work. The cinematography is breathtaking. Vast outdoor imagery and intimate gatherings of people are conveyed in an equally compelling manner. Earp's soliloquy at his brother's gravestone, a church dance sequence and the gunfight itself are among the film's many highlights. Only so much praise can be given in a review such as this; it must be seen to be appreciated.
52 of 74 people found this review helpful.
Was this review helpful to you?