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Meet Me on Broadway (1946)

Passed | | Comedy, Musical | 26 January 1946 (USA)
Believing that he can produce better Broadway shows without the hindrance of his producer, Eddie Dolan quits the musical he is directing, taking his starring actress and sweetheart, Ann ... See full summary »

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Writers:

(screenplay), (screenplay) | 1 more credit »
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Cast

Complete credited cast:
...
Ann Stallings
Frederick Brady ...
A. Edward 'Eddie' Dolan (as Fred Brady)
...
Maxine Whittaker
...
Sylvia Kane Storm
...
Deacon McGill
...
John Whittaker
Loren Tindall ...
Bob Storm
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Storyline

Believing that he can produce better Broadway shows without the hindrance of his producer, Eddie Dolan quits the musical he is directing, taking his starring actress and sweetheart, Ann Stallings, and his songwriter, Deacon McGill, with him.

Plot Summary | Add Synopsis

Taglines:

Such antics among the socialites...as Broadway crashes the country club set...in a lyrical love story that smashes straight to your heart! (original poster) See more »

Genres:

Comedy | Musical

Certificate:

Passed | See all certifications »
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Details

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Release Date:

26 January 1946 (USA)  »

Also Known As:

Encontro na Broadway  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The sets, costumes, dancers, choreography, and even Marjorie Reynold's voice double (Martha Mears) are all recycled from Tonight and Every Night (1945) See more »

Soundtracks

No One Seems to Care
Written by Saul Chaplin and Edgar De Lange
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User Reviews

 
Don't Bother To Meet Me On Broadway *1/2
13 January 2007 | by (United States) – See all my reviews

No wonder Marjorie Reynolds fled to television for the successful "Life of Riley" series. After making a dud like this, Miss Reynolds had nowhere to go.

The thin plot revolves around a guy who wants to produce a Broadway show with Marjorie his girlfriend.

He has a temper but soon finds a way to produce a benefit for charity run by Gene Lockhart and Spring Byington, a woman with a show business past of her own. Her son, in an extremely weak performance by Loren Tindel, is the romantic interest of singer Jinx Falkenburg. All this starts to change when Eddie Dolan (Fred Brady) and Reynolds come on the scene. It appears that this movie is going to be a change partners and dance epic.

Allen Jenkins is his usual funny self but with a poor script to work with, he is basically wasted as well as Gene Lockhart.

The quick ending seems to have been made so as to get out of all of this.


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