Returning to England from a bombing run in May 1945, flyer Peter Carter's plane is damaged and his parachute ripped to shreds. He has his crew bail out safely, but figures it is curtains for himself. He gets on the radio, and talks to June, a young American woman working for the USAAF, and they are quite moved by each other's voices. Then he jumps, preferring this to burning up with his plane. He wakes up in the surf. It was his time to die, but there was a mixup in heaven. They couldn't find him in all that fog. By the time his "Conductor" catches up with him 20 hours later, Peter and June have met and fallen in love. This changes everything, and since it happened through no fault of his own, Peter figures that heaven owes him a second chance. Heaven agrees to a trial to decide his fate. Written by
John Oswalt <firstname.lastname@example.org>
The backcloth of the High Court scene, suggesting tiers of seats stretching into infinity, measured 350 feet long and 40 feet high. Altogether 8 backcloths of similar large dimensions were used in Other World scenes, and 29 elaborate sets were constructed. In all these vast scenes 5,375 crowd artistes were used, including real R.A.F. crews, Red Cross nurses and W.A.A.C.s. See more »
In the scene where time stands still and the other main characters examine June who is 'frozen in time' her hands can be clearly seen to move, several times. See more »
Foreword (Scrolled up the screen at the start of the film): This is a story of two worlds the one we know and another which exists only in the mind of a young airman whose life & imagination have been violently shaped by war [Pauses, then scrolls up to reveal] Any resemblance to any other world known or unknown is purely coincidental. See more »
A Matter of Life and Death had me stunned when I first saw it. The marvellous opening, makes you feel like you are floating among the stars in a place of your own. Then it moves to the horrors of war and the down side of life, men dead and more to follow. The story has already been told a thousand times by other reviewers who were as enchanted by this film as I was. The cinematography, the story, everything was just right. In my book it is the greatest film ever made. I liked the way that the earth is in sometimes beautiful, sometimes gritty Technicolour, then what is above is in mystical Black and White. To my dying days I will always love this film. See it before you die.
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